The Romsdal Folk Museum is an architectonic attraction and a treasured landmark that embodies the history and identity of the entire region. Our intention in this project was to let the structure signal its meaning and function through an architectural expression and the use of local materials. The scale of the building refers to the urbanity and morphology of the town. The overall layout of the museum grounds the connections to the town by linking different surrounding areas in an overall plan where all circulation is linked in a unified structure.The project conveys an open and progressive attitude that makes diverse utilization possible.
The museum takes shape by the deformation of the classic courtyard typology, according to functions and context.
The courtyard building, that works as a path for visiting the exhibition, is taken into consideration as a starting point and then deformed pushing one side on the other.
The folk art museum stands in the campus of China Academy of Arts in Hangzhou. The site was formerly a tea field that formed a hillside. Our point was to design a museum from which the ground below can be felt, by continuing the building’s floors that follow the ups and downs of the slope. Planning is based on geometric division in the units of parallelogram to deal with the intricate topography. Each unit has a small individual roof, so the outlook became like a village that evokes a view of extending tiled roofs.
A gala was held in Palm Beach today on the occasion of the 75th anniversary of the Norton Museum of Art, which coincided with the groundbreaking ceremony for The New Norton. The event was attended by Lord Foster along with Norton Executive Director Hope Alswang, and Norton Board of Trustees Chairman Harry Howell. The New Norton will revitalise and expand the existing museum, adding more galleries and visitor facilities, while restoring the original axial layout of the Museum, set within an exotic Floridian landscape. It seeks to enhance the experience of art by reinforcing the relationship between the building and the landscape and create a new social focus for the community. It also lays the foundations for the future growth of the museum to become one of Florida’s leading cultural institutions.
Museumplein Limburg, designed by Shift architecture urbanism, has been completed in Kerkrade, a town at the Dutch-German border. Two new public facilities, Cube and Columbus, have been added to the existing Discovery Centre Continium. With these additions, Kerkrade hosts the first design museum in the Netherlands, the first inverse planetarium in Europe, as well as a wide range of new public amenities. Shift architecture urbanism’s design is an urban ensemble defined by clearly recognizable volumes, all connected by an elaborate underground public space. Museumplein Limburg formalizes the entrance into Kerkrade for both train passengers and visitors arriving by car from the main access road.
The necessity of the museum complex \”Scythian Naples\” construction is determined by the fact that now \”Scythian Naples\” is the only scientific, cultural and educational institution in Crimea, which activity is focused on the Scythian subject matter. The ancient city of Scythian Naples itself is worldwide known as the capital Crimean fortress and the collections of its excavations are exhibited in the leading museums of Moscow and St. Petersburg.
The aim of the Museum and Cultural center is to invent a cultural center of new type without duplicating existing models, to create a hybrid space that takes into account the realities of the cultural Moroccan context, to provide different content and reach a diverse audience. The shape of the traditional nomadic tent provides the starting point for the architectural concept.
Article source: AVA – Andrea Vattovani Architecture
The museum is located on one of the most prominent squares in Vienna. Unfortunately it is also one of urbanistically most problematic places in Vienna. The location of the newly planned extension of the “Wien Museum” is a great opportunity to improve the spatial qualities of “Karlsplatz”. The wonderful St. Charles’ Church is for sure one of the highlights of the square and Vienna in general. Urbanistacally the church is the focal point of the square, which has a good effect on it but the surrounding structures don’t really accompany this idea well. A building like St. Charles’ Church requires symmetry surrounding it to present itself even better. This inconsistency in urban planning is always present on the square and it gets more and more clear when you start to spend some time on the square. The current landscaping of the square just adds up to the inconsistency and is therefore also a part of the problem.
The restoration and recovery inside the Castle of Calafell were carried out years ago. Later, however, excavations were conducted in its extramural environment in which the remains of human activities of great interest: burials, food storage, remnants of older buildings, remains of the passage of vehicles… were found.
Article source: Lee H. Skolnick Architecture + Design Partnership
Muzeiko, located in Bulgaria’s capital city of Sofia, is the first children’s museum to be built in post-Soviet Eastern Europe. Representing the culmination of Lee H. Skolnick Architecture + Design Partnership’s decades of experience with museum and exhibition design, it is also the culmination of the firm’s collaboration with its client, the America for Bulgaria Foundation.
Project: Muzeiko: children’s museum and science discovery center
Location: Sofia, Bulgaria
Photography: Roland Halbe
Client: America for Bulgaria Foundation
Design Principal: Lee H. Skolnick, FAIA
Project Architect: Larry Sassi, AIA
Project Manager: Scott Briggs, AIA
LHSA+DP Project Team:Architecture: Lee H. Skolnick, FAIA, Design Principal; Paul S. Alter, AIA, Managing Principal; Scott Briggs, AIA; Larry Sassi, AIA; Ted Klingensmith.
Exhibit Design/Interpretive Team: Lee H. Skolnick, Design Principal; Jo Ann Secor, Director of Museum Services; Scott Briggs, Christina Ferwerda, Yun Chu Chou, Curt Meissner, Jethro Rebollar, Tugce Zaloglu.
Graphic Design Team: Christina Lyons, Dan Ownbey, Alyssa Liegel, Daphne Smith
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