The Cross River Park (CRP) area is a derelict mix of industrial warehouses, generic shopping malls and contaminated landfill. It spans both sides of the Thames, soon to be connected by the disputed infrastructure project of the Thames Gateway Bridge.
Australian architects and designers studio505 are currently completing a series of iconic projects in a new cultural precinct in Victoria’s ‘sister state’ Jiangsu Province in China.
HAO / Holm Architecture Office invited to participate in the Coleman Oval Skatepark Competition.
HAO / Holm Architecture Office along with five other New York design offices have been invited to participate in the re-design of the Coleman Oval Skate Park and the master planning of the Coleman Oval Park. The competition is sponsored by Architecture for Humanity, which received a TKTK grant from for the redesign of the park.
The swing pavilion exists from a composition of fifty swings that consists of wooden squares which forms the construction. The swings are assembled to the beams and have three different altitudes: 5 meter, 4 meter and 3 meter. This offers the possibility to adults and children to make use of the pavilion. Swinging is an action which gives pleasure and joy to the user. By building a pavilion with several swings, this joy can be shared with each other. The users are constantly moving, from the high to low swings or with two persons on a swing. A composition of moving people arises.
Cologne Cathedral was completed 130 years ago and for 25 of those years skaters have firmly taken possession of Roncalliplatz in front of the southern facade. During this time, a separate culture was formed and for many, the square became an area that they identified with. However, in recent years the scene has been increasingly viewed as a problem. Established interest groups exerted pressure, and some were of the opinion that skating should simply be banned. The city was full of good intentions and wanted to resolve the conflict in cooperation with the skaters. However, there was no point of contact among the skaters.
The San Francisco el Grande park project in Madrid is a particularly complex challenge where several critical constraints have to be merged in a balanced solution. The intricate topography, the need for public and private construction in a highly historical place and the various and incompatible claims of different actors (the city, the church, the land owner and citizens) are just some of ingredients of this project. The different positions and needs claimed by the various groups of actors who participate in shaping such a strategic and emblematic site as this seams to reach a breaking point: the Capital had to choose between building an ambitious program of public and private equipments and facilities, or as claimed by the neighbors, to build an urban park, both undoubtedly necessary for urban life in downtown Madrid. The answer has to keep in mind that the intervention is meant to complete the unfinished urban tissue of a central and most exceptional historical fabric.
The competition name is „Historic Park of Medieval Bosnia and Herzegovina (Zenica, Bosnia and Herzegovina). The intention of this competition was to create a thematic park, having a medieval Bosnian history as a subject. It was left to the competitors to decide how to organize the given site and to choose the approach. Only the set of most important historic artifacts, which had to be presented at place, was given as limiting factor. The chosen site was a green area in the city center, well provided with the pedestrian paths. Our design result was a museum pavilion, with a given name timespace.
This project sets out not to create one park, but many great parks. Given the shear scale of the project the idea is not to create a singular grand vision, but to create a framework for thinking about the idea of a park that is intrinsically related to how to successfully implement the park over time. In reality, most parks are composed of a series of separate spaces that are somehow bound together. This design embraces that reality and showcases it. This diverse set of spaces combined with the four binding elements, shown raw, gives the park its distinct identity.
Visiondivision was commissioned by the Indianapolis Museum of Art to create an innovative concession stand for 100 Acres: The Virginia B. Fairbanks Art & Nature Park, which will begin construction this summer.
Article source: Christian Müller Architects with Krill architecture designed
Rotterdam based Christian Müller Architects with Krill architecture designed and realized in collaboration with Archilos Plan Development and Basement Property Development a new holiday park in the German Eiffel.