Invited by Coca-Cola, Atelier Marko Brajovic designed a surprising and immersive installation where the public is introduced in an iconic and unique multi-sensorial experience. Parada Coca-Cola interior design is a strong and photogenic henomenological gesture that represents the freshness sensation. An augmented physical real time hub that extends in a digital space through interactive technologies, sharing moments and music concerts.
Spacecraft is a functional art structure made of painted wood and glass. It was designed as a special place in which to explore the beauty of three dimensional complexity, generated from the manipulation of a simple cube form. A wood frame that outlines the perimeter edges of the cube supports an eight-foot by eight-foot glass enclosure made of four sliding glass doors, a glass ceiling, and a glass floor. Each face of the cubes frame has an additional seven square frames attached. Each of these has been rotated the same distance from one corner and connected together into six identical sections. Each of these sections has been connected to the cubes six faces in different directions. As a result, the basic glass cube appears to be spinning apart in every direction, and fragmenting the space in unexpected ways, as each of the frame sections are frozen in time. The bottom section is placed on four legs that raise the structure up off of the ground, and six steps lead the visitors up into the structure.
Spacecraft is part of a series of structures that attempt to create new and exciting forms, through the unique manipulation of simple systems, which generate extreme and unexpected complexity.
5CUBE is a semi-permanent pavilion in Hanover Quay, Dublin Docklands, physically representing the volume of oil consumed every five minutes in Ireland. It was designed by Declan Scullion of de Siún Scullion Architects, Dublin.
The Three Falling Chairs Pavilion is a proposal for a public art architecture/sculpture to be made of painted steel or wood. The total form is created by three large symbolic chair structures (joined together side by side) that appear to be falling backwards, and as they do this, each leaves a trail of movement through time and space that is frozen into twelve segments. Each of these twelve segments form three arches that span the space below. Eight human scaled symbolic chairs (of the same design as the large chairs) are placed under the canopy for use by the visitors to the pavilion as seating.
Roses are the most beautiful flowers and they are a gift of those who are in love. Since I’m in love with architecture I would like to make this gift to a city in the world.
Every celebration or special event cannot do without these flowers originate from ancient Rome since roses are the best decoration. In art these flowers have inspired many painters and I want to interpret them in architecture to create an adornment for a city.
On June 24 took place the inauguration of the new Pierre Lassonde pavilion of the Musée national des beaux-arts du Québec, whose architectural conception started in 2011. It is with a tremendous sense of pride that Provencher_Roy assists to the opening of the doors to this building that imparts a newfound architectural cohesiveness to the Musée and enables Québecers and tourists alike, thanks to a 90% increase in exhibition space, to discover in greater depth the MNBAQ’s impressive art collection.
The Pavilion was built on an existing underground water tank that dictated the foot print of the structure. Glass became the primary material for construction as the Pavilion was sited amidst lush tropical greenery. Glass not only formed the walls but also the roof in the form of a strategically placed skylight opening up to the view of a large jackfruit tree above blurring the boundaries between the inside and the outside.
Arte Charpentier Architectes designed an innovative and challenging structure for the entry to the Evergreen campus.
Right at Paris’ doorstep, the Evergreen Campus hosts the Crédit Agricole’s head office. Multiple corporate entities share this space; the entire campus revolves around a central park that acts as its green lung.
The redevelopment of the Pavilion Dufour and the Old Wing creates two new public spaces in the Château de Versailles. The old administrative offices have now made way for a new reception area between the Cour Royale (Royal Courtyard) and the Cour des Princes (Princes’ Courtyard), as well as a large staircase leading to the gardens. Visitors to the Palace are invited to follow a loop, just like in most of the world’s greatest museums.
Project: Refurbishment of the Pavilion Dufour Château De Versailles
Location: Château de Versailles, Versailles, France
Photography: Dominique Perrault Architecture /Adagp, Didier Ghislain/Dominique Perrault Architecture /Adagp, André Morin/Dominique Perrault Architecture /Adagp, Christian Milet / Château de Versailles, Patrick Tourneboeuf / Tendance Floue / Oppic
Client: Opérateur du patrimoine et des Projets Immobiliers de la Culture (OPPIC) – Etablissement Public du Château, du musée et du domaine national de Versailles
Artistic direction, chandeliers and furniture design: Gaëlle Lauriot-Prévost Design
Article source: URBAN PROJECT ARCHITECTURE & DESIGN STUDIO
This project considers the Gaon Lake Park in which the building is located as a significant contextual reference. The large park is sitting in the middle of a huge neighborhood with apartment complexes, two hours from Seoul metropolitan area. This unique type of construction is typical of Korean urban development—building and selling thousands of housing units at one time. Although this type of development contains potential negative side effects for the future, the landscape is more positively designed than the apartment complexes in preserving the natural wetland which is left as the original entity in the park.
email
Facebook
Twitter
RSS Feed
