“Cepario” is a space dedicated to the meticulous growth of bacteria in Ecuador. The futuristic design features a curved cantilevered hub that overlooks an open laboratory space. From the top, viewers and employees can oversee the processes and research happening underneath at the large area at a human scale. However, when looking into the microscopes, they can see the intricate, miniature life of the bacteria being studied at a microscopic level. The change in scales from the human to the bacterial is further emphasized in the extensive spaces contrasting the nature of the work.
Huaian city, situated in northern Jiangsu province, is home to the finest reserve of underground salt mines in China. Since 2008 the city has been active in developing an advanced industrial zone for salt-chemical related industries.
This project is a 900 m2 laboratory for a world-class medical-grade salt plant. The plant incorporates state of the art production technology, yielding 30 tonnes per annum of medical grade salt which is refined into a range of specialized products for medical, food, beverage and cosmetic industrial applications.
Within the laboratory a team of technicians carry out essential quality control and testing procedures for various segments of the production process. The program includes laboratories, ultra-clean rooms, chemical testing rooms, office spaces, chemical and samples storage, a central control-and-monitoring room and a generous lobby and reception area.
Botanique, situated in a building from the 1950 decade in downtown Curitiba, southern Brazil, embodies the merger between the plants store Borealis and the Latin-American themed café Negritta – both commercial facilities with their own identity and strong personality. The challenge that Moca Arquitetura faced was to propose a venue that could hold such distinct programs. “We wanted keep both functions integrated with each other and also letting them to live independently”, explains Ana, one of the architects.
Article source: Gottlieb Paludan Architects and URBAN DESIGN
Värtaverket is surrounded by industrial, office, residential and recreational areas. This major extension was required to show consideration for its neighbours, and respect the presence of a number of protected oak trees and the function of the area as a fauna path between the northern and southern parts of Djurgården – a scenic area that blends into Stockholm proper.
The intervention involves an existing productive building, located along a busy commercial route of Noventa Padovana, in the eastern rural area of Padua. The late 900’s architectural body in composed of a compact large vaulted volume, in which a third is occupied by a two-storey directional block and two thirds by a double high space hosting the workshop.
Built between two leaf-vegetable production warehouses, the idea behind this project was to locate the complex’s offices in a space that would draw attention to the constant interaction of the management departments in order to create a harmonious environment, moving away from the traditional office feel and toward a collective experience of working together with a shared purpose.
Industrial culture can only come about when existing economic and functional practical constraints are successfully transformed into multidimensional design.
The Funder Werk factory building, a paper coating factory, is functionally determined by the process of production. It was to be metamorphosed into “expressive architecture.” The design concept was based on the idea of dismantling the production hall into sculpturally shaped elements. During the design process, the power station with its chimneys, the media bridge, the flying roof, the office and laboratory areas, and the entrances emerged as differentiated, interconnected architectural elements that endow the complex as a whole with an unmistakable head and body. The playful sculptural evocation of the power station with the “dancing chimneys,” the media bridge as a connection between energy and production, the free design of the flying roof as “wings,” the shaped canopies of the entrances, and the corner of the laboratory and office areas dissolved in glass towards the south, all stand out against the hall, which has been consciously kept white and simple.
The minery is a global event that has constantly wasted the planet for a long time, now this is one of the most serious environmental issues in addition to this the remarkable overcrowding in cities which leads to higher energy costs and higher food consumption, is why the “GEA” initiative arises which aims to restore life to places inert victims of mining and exploitation and in turn make them fertile land for the production and the resurgence of habitat and the environment.
Due to the migration to the cities, human occupation of the territory is less, then large areas for food production, environmental remediation and biodiversity will be released.
Green Varnish, designed by landscape architecture firm nomad studio, is the first installation of its kind which is located in the courtyard of CAM in Saint Louis, with the aim of completely transforming and altering the space.
The new district heating plant of chiusa looks like a big copper wing that comes out of the terrain.
The skewed roof surfaces create one dynamic volume, which seems like a shim between the viaduct and the old Gröden´s train line carriage house. From the main building’s entry you arrive directly to the visitors area, where a big glass wall gives visitors the view into the boiler house. To the west there is a wood-chips storage, to the east the main co-generation units; one stair goes to the first floor and creates a connection to the administration and toilet facilities.