Zhi Art Museum is situated in Building 2 of Quanzhi Technology Innovation Park, Baoan District, Shenzhen. Interlinking different public spaces within the park, Zhi Art Museum connects people in the aspects of work and life and contributes to a working place with a cultural community. In addition to the function of exhibition hall, it also has a multi-function hall and workshops. By means of exhibitions, trainings, lectures and forums, it brings tight connection between art culture and people’s life, acting as a communication platform for multi-arts and multi-cultures.
Article source: Philippe SAMYN and PARTNERS sprl, architects & engineers
The plan to create a steel tent to serve a multipurpose public space was discussed on 22 September 2017 during a meeting with Nicolas De Abajo at Arcelor Mittal’s research centre in Avilés, next to the steelworks and its blast furnaces.
The municipality decided it should be located at the southern end of the city on an adjoining 130m/side equilateral triangle, in the north, the «Pabellón de Exposiciones de La Magdalena», so it could serve in particular, as an extension of the exhibition centre and a public market.
Made of extremely thin perforated sheets stretched between a central 15-m-high mast and a 73.322-m-diameter peripheral ring, the circular structure covers an area of 4,222.4 m². It rises 10 m above the ring, which is 5 m above the ground to allow access for trucks.
The rainproof cover must be sufficiently transparent during the day to allow natural light to penetrate and sufficiently opaque at night to allow artificial reflective lighting on its intrados.
Tags: Avilés, Spain Comments Off on 646 – Sketch Of A Steel Tent For A Multipurpose Public Space in Avilés, Spain by Philippe SAMYN and PARTNERS sprl, architects & engineers
Article source: Baumschlager Eberle Architekten and SCAPE
Green Office® ENJOY is the first office block in Paris to produce more energy than it consumes. The surplus comes courtesy of the 1,700m² of solar panels installed on the roof of the building, itself constructed largely from wood. This ability to generate 23% more energy than is needed to run it forms an integral part of the concept behind the sustainable design developed by Baumschlager Eberle Architekten and SCAPE, whose definition of sustainability encompasses a range of values: technical, architectural and, above all, human.
The decision to choose a renewable building material in the form of wood was made on sustainability grounds, but also for pragmatic reason. Straddling a railway line in Paris’s Clichy-Batignolles quarter, the site demanded the lightest-weight construction method possible. This is where the wood came into its own, being easy to use in the building process. Above Green Office® ENJOY’s baseplate rises a classic beam-and-post structure of glued spruce and pine laminate, its floors made of cross-laminated pine. As for the façades, they are constructed using a solid timber frame with sterling board (OSB) and mineral wool, and finished with aluminium cassettes.
Vessel is a new type of public landmark – a 16-storey circular climbing frame, with 2,465 steps, 80 landings and views across the Hudson River and Manhattan. It is the central feature of the main public square in the Hudson Yards development, one of the largest real estate projects in American history, which is transforming a former rail yard in Manhattan’s Upper West Side into a completely new neighbourhood, with more than five acres of new public spaces and gardens.
Photography: Getty Images, Michael Moran for Related-Oxford, Francis Dzikowski for Related-Oxford
Client: Related, Oxford Properties Group
Design Engineers: AKTII
Structural Engineers: Thornton Tomasetti
Landscape Architects: Nelson Byrd Woltz
Project Team: Charlotte Bovis, Einar Blixhavn, Antoine van Erp, Felipe Escudero, Thomas Farmer, Steven Howson, Jessica In, Nilufer Kocabas, Panagiota Kotsovinou, Barbara Lavickova, Alexander Laing, Elli Liverakou, Pippa Murphy, Luke Plumbley, Ivan Ucros Polley, Daniel Portilla, Jeff Powers, Matthew Pratt, Peter Romvári, Ville Saarikoski, Takashi Tsurumaki
When I visited the triangular site in Cheongpyeong Lake, I felt as if I was floating on the lake. It was like standing on a prow. The whole site was composed of gneiss, giving it an image of hard and solid earth. Inspired by the land, we started the master plan for a unique leisure experience. The site is about 2,500 pyeong (approx 8,264.5m2), largely divided into exterior space, art gallery, restaurant, welcome center, and glamping area. Access circulation is divided into public areas, open to everyone; the art gallery, which is semi-public; and glamping zones, used as private accommodation for guests. Boulders, which consist of rocks that settled down there, were reinterpreted as a platform that overlooks the lake, i.e. an open square. The spaces required were realized as places embedded in the rock. It is designed so that the architecture is not exposed, but made in the earth, where the roof of the space is the platform, or the square. Stairs, floors and ramps were made using rocks from the site, so that actions such as walking barefoot and lying on the ground would take place in the outdoor space.
Article source: Behnisch Architekten with SRG Partnership, Inc.
Located in downtown Portland, the new Karl Miller Center is uniquely integrated with the city’s rich network of public open spaces and diverse urban uses. Questioning the full-block archetype that dominates the typical 200' x 200' city block of Portland, the building design appears as two distinct structures sharing a city block – the renovated existing building, a 100,000sf 1970's structure retrofitted with a metal panel facade system broken up by an irregular composition of punched windows, and a new dynamic, shifting 45,000sf addition, clad in regionally sourced Alaskan Yellow Cedar. This approach, coupled with a series of terracing external green spaces and new circulation pathways linking the urban center, local parks, transportation stops, and nearby campus buildings, enhances the public realm by providing a more diverse streetscape. A one-story grade differential between 6th Avenue and Broadway, populated with public oriented spaces, creates two ground levels, further activating the exterior plazas and the atrium and heightening the activity within and around the building.
As a traditional culture since Han Dynasty, tea drinking still plays an important part in Chinese people’s daily life. From the traditional Chinese tea ceremony to young people’s favorite tea drink brand HEYTEA, MOC DESIGN witnessed that traditional culture had stimulated many new forms as the advancement of the time.
In this tea drinking space, a modern approach, which is more related to young people, is employed to reshape Chinese traditional calligraphy and explore the possibility of calligraphy in the context of new era, achieving the high-level integration between the space design and HEYTEA's brand spirit.
Tea has inspired the literati for thousands of years.
The Bentway is transforming a 1.75km space under Toronto’s Gardiner Expressway into a vibrant public place where visitors can experience a diverse mix of activities and programs. The initial phase – from Strachan Avenue to Bathurst Street – reinvigorates the area beneath the expressway into a vital artery for pedestrians and cyclists, stitching together seven neighbourhoods, expanding access to key areas such as the Fort York National Historic Site, and creating a new gathering place for Toronto’s growing population. The multifunctional space is an expression of Toronto’s unique creative energy and serves as an example of how the re-use of infrastructure can support new forms of public life.
Photography: Nic Lehoux, Andrew Williamson, Nicole Pacampara, Denise Militzer, Nicola Betts
Client and Management Team: The Bentway Conservancy in partnership with the City of Toronto and Waterfront Toronto, enabled by Judy and Wilmot Matthews Foundation with Ken Greenberg
lahznimmo architects were engaged by RMS in 2016 to provide lead consultancy services for the redevelopment of the Elizabeth Bay Marina. The existing facility was is in a deteriorated condition and in need of replacement. In order to meet continued operational requirements, the new facility was to be designed and constructed on a tight project time line.
Set at the edge of Beare Park, the existing building footprint and height set up the immediate expectation for the scale for the new development, particularly from the neighbouring residential community. Any increase in the building form, in particular width and height, would affect views from Beare Park and the residential developments to the south. The modest approach to form is then in keeping with the scale and setting of Beare Park, with the residential buildings the dominant backdrop; overlooking the park and marina, to the harbour beyond.
Frankfurt am Main is the fifth largest city in Germany, with more than 700,000 inhabitants. It is a high-rise city with about thirty towers reaching above a hundred meters in and around the centre. The population is growing, bringing an increase in housing demand in all market segments. Within walking distance of the Central Station, where the former station post office once stood, a multifunctional residential tower is being developed by Phoenix and Gross & Partner. The competition for this development has been won by Mecanoo.
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