The grid house is about repetition and difference. A simple and regular concrete structural grid creates a variety of interior and exterior spaces with views across the Evoian Sea. The project is a full gut renovation of an existing modernist house that creates a 6 bedroom house tucked into the landscape, appearing modest from the entry but opening up its full width and height to the sea. At times the grid is infilled with brick to create enclosure and privacy. At other moments it contains full height wood-framed windows to orient views out into the garden and sea. In other locations the grid is left open, and creates exterior covered patios, balconies, and pergolas. The landscape is designed to wrap around the house and cascade in terraces down towards the sea.
We tailored this renovation of an apartment from the turn of the 19th century in Prague’s Bubeneč district to young clients with two, perhaps three little creatures.
The clients, together with the space and place as such, were the primary source of inspiration – their requirements, lifestyle, and the feeling they evoke.
The southern slopes of the first large suburb in the capital city of Prague have always attracted people to posh residential living. However, the romanticizing delirium of typical construction with steep roofs, ostentatious stone soffits and superfluous brick cladding used to be a laughing stock for modernist architects in their time, who dreamed of strip windows, flat roofs and central heating. Many prophets of the glorious industrial world did not give them hope for more than a generation.
It is a row house built in the early 90s. It is located in Sant Pere de Ribes, a village 50 kilometers south of Barcelona. It was large but dense, as it corresponds to the type of middle-class housing of the time. It was not a dark house, but it was in semi-darkness. To optimize the number of floors, the slabs leave a very tight clear height of just 255cm. There are four floors: one with a parking area (at street level), a ground floor (at the level of a rear public garden), a first floor and an attic. The house is well located, in the upper part of the village.
For the construction, we chose a strict, respectful archetype shape of the house that was already there before our intervention. However, the expression of the house takes on radical and strict shapes in our design.
The choice of materials and colors is provocatively solved in a contrasting design. On the facade there is black plaster, on the roof there is black corrugated roofing.
The longitudinal house located in the “La Cañada” neighborhood of the City Bell town arises as a consequence of the analysis of the conditions and the program needed by the principal.
The main feature of the site is a steep slope towards the stream, which resulted in the idea of creating a wagon-shaped house suspended on stilts without altering the topography of the lot, taking advantage of the natural drainage and avoiding leveling that required large amounts of land.
Rammed earth, concrete and timber are celebrated design heroes at this newly built house in Blackburn.
The site presented interesting design challenges due to its location within a Significant Landscape Overlay in a unique urban pocket of Melbourne. Our response was driven by a focus on family living and the use of sustainable materials. Australian timbers were applied throughout the home, whilst rammed earth blade walls form deep reveals to create protected interior living spaces without compromising access to natural light. These walls offer further protection from the western sun due to the inherent thermal mass properties of rammed earth, along with the burnished concrete slab.
The Credit House project corresponds to a single-family home with a continuous facade between dividing walls, located in the Providencia district, Santiago de Chile. The surrounding neighborhood called “Barrio Italia” is made up of heritage and renovated properties with an artistic and bohemian spirit standing out. Art galleries, fashion stores, restaurants and artist workshops are among the highlights.
The NIU project arose as a way to innovate on construction systems, seeking to increase precision in the materialization of architecture and, through these solutions, to improve the quality of human environments, making them more sustainable and healthier.
Project Team: Fran Silvestre, Andrea Baldo, Gino Brollo, Laura Bueno
Project Manager: Francisco Moreno
Architect: Mauro Díaz, Jaime Rabell
Industrial Engineer: Jaime Gorgues
Interior Design: Alfaro Hofmann
Collaborators: María Masià, Pablo Camarasa, Ricardo Candela, Estefanía Soriano, Sevak Asatrián, Carlos Lucas, Jose Manuel Arnao, Miguel Massa, Paloma Feng, Javi Herrero, Angelo Brollo, Paloma Feng, Paco Chinesta, Anna Alfanjarín, Toni Cremades, David Cirocchi, Gabriela Schinzel, Lucas Manuel, Nuria Doménech, Andrea Raga, Olga Martín, Valeria Fernandini, Víctor González, Sandra Insa, Gemma Aparicio, Sabrina D’amelio, Alejandra Ugena, Víctor Roger, Uriel Tarragó, Rubén March, Rosa Juanes
Only a twenty minutes drive from the city center, this house is built on a site that exemplifies the close access of untouched nature not far outside central Stockholm. In this case a large piece of land that reaches from the waterline, where a boathouse sits on the water, up through a steep forested slope to an open plateau at the top of the hill where the main house is located. The access road rises along a steep cliff from the landside which means that the house is approached from below and that the extraordinary position of the house with wide views out over the archipelago landscape can only be fully understood once arrived at the main level.
Team: Ibb Berglund and Gustaf Fellenius (project architects), Jonas Tjäder, Mårten Nettelbladt, Johannes Brattgård, Stina Johansson, Isabelle Easterling, Carl-Fredrik Danielsson, Samuel Vilson, Wilhelm Falk, Andreas Helgesson
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