Multimedia dance performance Both Sides is created as the culmination event of the Latvia’s centenary. Through the music, choreography, scenography, video and light projections, the story of the emergence of Latvia and experience of the last hundred years is told. 2000 m2 large stage is designed in the shape of Latvian flag. The flag is used not only as a symbol of the nation, but also as a space making element. It creates dance floor for large scenes of groups of dancers and smaller spaces for soloists. The polygonal surface of the scenography works also as a giant video projection screen for Latvian history photo and video interpretations.
The new Danish Wadden Sea Centre – ultramodern, sculptural architecture rooted in local tradition
With a completely re-conceptualized conversion and extension, the Wadden Sea Centre – gateway to the UNESCO World Heritage Site – has recently been opened to the public in Ribe on the west coast of Denmark. At the new Wadden Sea Centre, internationally renowned Danish architecture firm Dorte Mandrup has set a new standard for combining the local building culture and history of the area with an ultramodern, sculptural architectural appearance.
Even from far away, the new sculpture in the office complex “die welle” draws attention to itself, inviting further exploration. It is an attraction that promotes the urban integration of the office complex within the adjacent inner city district.
The project remit was to redesign the external landscaped area in order to enhance the office complex “die welle“, located close to the Alte Oper in Frankfurt am Main. It was the name of the complex that sparked the initial idea for schneider+schumacher’s design. The architects decided to take this concept further and at the same time, to explore it in more depth: in the form of a three-dimensional wave that not only defines the space and attracts attention, but also creates an inviting place where people will want to be, therefore revitalizing the area. “When we see something onto which we can project our own images, experiences and memories, it conjures up associations and emotions. It awakens our interest”, explains Prof. Michael Schumacher, who, together with Till Schneider, runs the architectural practice schneider+schumacher.
Solar Electric Sculptures were designed as functional public art projects that generate electricity from sunlight (for the community in which they are installed) through the integration of a large photovoltaic panel, built into the sculpture.
Gerry Judah was asked by BMW to come up with a sculpture, bigger and better than anything done before, to commemorate their centenary at Goodwood Festival of Speed in Chichester, West Sussex. With over two hundred thousand visitors over one weekend, this is the global platform where the world’s most amazing motorsport machines are in evidence, static and dynamic. It is also where one can see a sculpture that each year is different, dramatic, exciting, uncompromising and quite frankly, spectacular! All designed for the past 19 years by Judah himself.
Lucent is a newly unveiled sculpture by UK artist Wolfgang Buttress, created as part of the lobby refurbishment of the iconic John Hancock Center, Chicago, USA.
In the heart of Seattle, the recently revitalized South Lake Union neighborhood now boasts everything from top-notch dining to the brand new Amazon headquarters. As one of the fastest developing neighborhoods in the state of Washington, South Lake Union has also added luxurious living, recreational and artistic spaces. To stay on trend with the progressive theme, Banker Wire was chosen to help create a contemporary 20-foot wire mesh sculpture for a plaza in the heart of the neighborhood.
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The project starts in 2012 when MESSNER Architects and sculptor Franz Messner were commissioned by the Fondazione Dolomiti-Dolomiten-Dolomites-Dolomitis to create architectonic, landscaping and graphic standards for look-outs/info-structures in hot spot areas of the World Hertitages Site Dolomiti UNESCO in order to enhance the value and popularity of the territory.
Not Whole Fence pays homage to the simpler days of baseball, of watching the great American past
ime through a wooden fence. Imagine a child, peeking through the knotholes with the impressionable canvas of youth, evoked by a sense of wonder and hope or devoted fans who cannot afford tickets, sneaking glances through small openings with playfully mischievous eyes, excited by the possibility of joyous victory or getting caught.
Designers and Principals in Charge: Benjamin Ball and Gaston Nogues
Project Manager: Mora Nabi
Ball-Nogues Project Team: Andrew Fastman, Michael Anthony Fontana, Christine Forster-Jones, Emma Helgerson, Cory Hill, James Jones, Allison Porterfield, Rafael Sampaio Rocha, Forster Rudolph.
Engineering Consultant: BuroHappold Los Angeles, Jean-Pierre Chakar, PE
Circular Formations are a series of three functional art sculptures designed to be placed into a public venue such as a park and/or sculpture garden. Each one of the structures is made of painted steel and wood. All of them are primarily formed from the assemblage of eight-foot diameter circular rings. Some of the rings have been cut into portions of a circle, and others are assembled into the formations as full circles.