Seven-theater cinema with cultural space, community center with concert space and dance studios, 342 residential units, a shared garden,bespoke artwork, and retail space Three residential buildings offering exceptional views of the great Parisian landscape anchor three corners of a mixed-use block. At the heart of the project is a cultural center for the new ZAC Clichy-Batignolles district in Paris’ 17th arrondissement: a seven-theatre cinema and a community center. These public volumes, anchored to the ground, give way to the public realm and are crowned with hanging gardens. Three residential blocks emerge from this base, climbing up to 50 meters. This simple distribution of masses effectively resolves the inscription of a complex program on a high-density site. Thickened facades permit a band of generous loggias around the residential blocks. Architectural precast concrete on the buildings’ facades situate the project within the material tradition of Parisian stone and concrete and gives each of the three buildings a singular expression from the ground to the sky: the twisted form with its torqued effect (sand colored), the chiseled bar with continuous balconies (in white) and the pleated tower with its progressive fold (in white).
As a “living memorial” for President John F. Kennedy, the Kennedy Center for the Performing Arts takes an active position among the great presidential monuments in Washington, D.C. Through public events and stimulating art, the Kennedy Center offers a place where the community can engage and interact with artists across the full spectrum of the creative process. The REACH expansion, designed by Steven Holl Architects, adds much-needed rehearsal, education, and a range of flexible indoor and outdoor spaces to allow the Kennedy Center to continue to play a leadership role in providing artistic, cultural, and enrichment opportunities.
The design for The REACH merges architecture with the landscape to expand the dimensions of a living memorial. The landscape design includes a narrative reflection on the life of President Kennedy: a grove of 35 gingko trees, which will drop their golden autumn leaves in late November, acknowledges John F. Kennedy’s position as the 35th President of the United States; and a reflecting pool and mahogany landscape deck are built in the same dimensions and mahogany boards of Kennedy’s WWII boat, the PT109.
An auction house is a hybrid between museum, gallery, market – culture and trading. An auction house links past, present, and future. Ultimately, an auction house celebrates and passes on awareness of history and traditions; it provides a stage for cultural values: respect and responsibility, valuation and prediction, beauty and meaning. An auction house attracts and gathers people and auctions are social events for the appreciation of art and culture. The building acts as a social catalyst for cultural exchange and imagines a home for the arts in a broader sense – a home for its makers (the artists) and its keepers (the collectors).
Facing the iconic monuments which are the 17th century Hospice-Comtesse and the Marcel Spender and Jean Willerval 1970s High Court buildings, the Peuple Belge building, with its contemporary style, is playing a part in the regeneration of the Vieux-Lille neighbourhood.
Le Peuple Belge is built on a 515 m² corner lot, integrated into the urban island and rising, over six floors, to a height of 21 metres. It offers a mix of functions – restaurants, hospitality, and accommodation. The first floor is home to gastronomic restaurant Le Cerisier and the level below is occupied by the adjoining brasserie, La Griotte. Both of them, alongside the Les Nids guest rooms on the upper floors, are managed by Michelin-starred chef Eric Delerue, who establishes Le Cerisier en Ville as a unique location combining fine dining, design and culture. The building’s top four floors form a multi-dwelling unit with generous terraces and loggias.
Article source: Studio Paulien Bremmer & Hootsmans architectuurbureau
‘It’s a landscaping solution,’ says architect of the Gerrit Rietveld Academie and Sandberg Instituut’s new building Paulien Bremmer as she walks through the completed facility. Its luminous, high and always unexpectedly connected spaces call for exploration and use and, of course, new work by art academy students.
Bremmer herself studied at not only Delft University of Technology, but also both the Gerrit Rietveld Academie and the Sandberg Instituut. She received this design commission after an internal competition to which teams of students, lecturers and alumni could submit proposals. The Rietveld community and a professional jury both selected Fedlev, the design team that Bremmer formed with fellow Rietveld alumni Maze de Boer, Luca Carboni and Sandra Stanionyte; during the design process, more designers joined Fedlev.
Aiming to work in a multidisciplinary way, Fedlev created so-called ‘white spaces’ inside the design and called upon artists and designers from the art academy to fill them in. These subsequently designed components of the new building and of the redevelopment of the existing buildings. ‘We’re very proud of this,’ says chair of the Gerrit Rietveld Academie’s executive board Annelies van Eenennaam. ‘It also sends a clear message about our principles, giving art academy alumni some elbow room. It may be a little more risky, but this approach always produces unexpected results. We would like to see it applied more widely.’
Project: Extension Rietveld Academy + Sandberg institute
Location: Amsterdam, The Netherlands
Photography: Jeroen Verrecht, Johannes Schwartz
Client: Stichting Gerrit Rietveld Academie
Project Architect: Paulien Bremmer
Team Competition to Structural Design: Paulien Bremmer with Maze de Boer, Sandra Stanionyte, Luca Carboni and Marjan van Herpen, Joost Huyzer, Akira Negishi, Jan Willem Petersen, Luuc Sonke, Victor Verhage, Stephanie Willocx
Team Preliminary Design to Inauguration: Fedlev: Paulien Bremmer, Marjan van Herpen, Joost Huyzer, Anne Dessing, Alexander Lefebvre, Anastasia Pandilovska, Milan Rikhof, Luuc Sonke, Vincka Struben, Claudia Temperilli. Hootsmans architects: Rob Hootsmans, Daan Petri, Carlota Alvarado, Remco Bruggink, René Bos, Elke Demyttenaere, Pier Helder, Viktor van Hooff, Jeroen Kreijne, Eric van Noord
Interior Design: Fedlev led by Paulien Bremmer, in collaboration with Hootsmans architects
Tags: Amsterdam, The Netherlands Comments Off on Extension Rietveld Academy + Sandberg institute in Amsterdam, The Netherlands by Fedlev led by Paulien Bremmer in collaboration with Hootsmans architectuurbureau
111-125 A’Beckett St, located in Melbourne’s CBD is a 65 storey mixed use development. Encompassing a heritage building, the podium houses ground floor retail, foyer space, a childcare centre, and car parking with residences activating the aspect towards A’Beckett St. 54 levels of tower then rise out of the podium, housing the remainder of the residential apartments, with residential amenities located on levels 1 and 9.
The site is located on the northern fringe of Melbourne’s CBD. It enjoys immediate access to all of central Melbourne’s retail, recreation and employment opportunities, remaining animated yet distanced from the intensity of the busy city centre.
The site is home to a heritage building which is architecturally significant at a state level. The building is a prime representative example in Victoria of the ‘Streamlined Moderne’ style, popular in the 1930s, having horizontal emphasis with accents of curves. Taking cues from this streamline modern period, our building grows from its heritage foundations into the future, embracing sustainable and technological architectural advancements in design.
Architecture Office, an architecture firm based outside of Austin, Texas, has designed the flagship work environment for ShareCuse, a new coworking space located within the historic 1928 Syracuse Building in the city’s downtown district. Drawing from the edifice’s rich 90-year history as an office building, and the firm’s own research into a range of workspace typologies, the design for ShareCuse explores, expands, and reinvigorates the notion of a cubicle.
ShareCuse accommodates 25 members, and is set within a 3,200-square-foot room on the second floor of an existing concrete and steel building. Architecture Office’s design for the space is defined by an arrangement of freestanding black cubicles and a kitchen island within the interior of the space, that define a series of interstitial lounge spaces throughout the open office. Ringing the open workspace are seven private offices, a conference room and a telephone booth.
BCA Taller de Diseño was commissioned to intervene this space in the heart of the city of Xalapa, Veracruz, Mexico. Located in José María Morelos and Miguel Barragán streets, the project’s main goal was to translate from architecture —following a strategy of minimal intervention and maximum use of resources and existing elements— the power that sets the pace of the artistic and cultural life of the area because of the presence of Universidad Veracruzana´s music faculty, and at the same time contributing to the reactivation of this down town sector and its nightlife with an offer directed to diverse music lovers.
This is the origin of CAUZ, a space that adapts to the pre-existence of a cafeteria (Flor Catorce) from the area that, under an eclectic and hybrid environment, has established itself as the community´s reference point during the day. Intervened in a first expansion, the office contributed to designing new areas for the restaurant connected with interior gardens, a new library that functions as access and another one inside with the flexibility to run as a restaurant, bookshop and concert forum with capacity to hold up to fifty people.
Article source: Neri&Hu Design and Research Office
When enlightened developer Aranya asked Neri&Hu to design an art center inside their seaside resort community, Neri&Hu seized the opportunity to question the notions of space for art versus communal space. Despite the straightforward brief of an art center, Aranya, as a community has a strong emphasis on the spiritual nature of their lifestyle ideology, an oneness with the environment. So the design scheme is as much about the internal courtyard, a communal space for the residents, as it is about the exhibition being displayed in the center.
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