The three-floor dwelling house is situated on the slope, edge of a forest on the outskirts of Heilbronn. It faces south and offers a sublime view to the surrounding area. A floating design and the use of natural materials using concrete, glass, copper and larch as structural material characterize the single family home. Besides the structural members that establish contact with the ground, the rest of the house is constructed out of wood.
This building was built in Kagawa Japan. It locates nearby Mt. Yashima, the natural monument of this region, suburb of Takamatu city. We designed this building as a floating white box which benefits from the scenery of Mt. Yashima.
Located in Los Angeles’s Hancock Park neighborhood, this scheme combines disparate elements to fulfill needs for private and public entertainment, with a unique phenomenological-based design solution between shelter, environment and user.
Article source: Daniel Martí i Pérez & Natàlia Ferrer Bernabeu
The space requirement program requested by the developer (Townhall) included all the departments, public and restricted use, necessary for the proper operation of a facility of this nature. In the office we thought to incorporate a public space which could be used by the neighborhood as a multipurpose space that would allow us to provide greater flexibility to the building.
The main idea of the project is to create a flexible and multi-purpose solution for small and medium-sized hotel business. Here we suggest a modular structrure which can be easily implemeted throughout Ukraine. If some changes in the insulation parameteres of certain details and in the layout of the hall should be made, this design can be realized in other climates as well. In terms of structure, the hotel represents a construction kit on the basis of pre-fabricated units, such as “Containex”, which have the dimensions and technical specifications of maritime shipping containers.
Daegu-Gosan Park Library proposes a progressively ascending spiral that both creates a collaborative learning environment and dynamically merges with the life unfolding in the surrounding city park. The book-stacks wrapping the outer wall of the four-story spiral ramp facilitate browsing its walk of shared continuous knowledge.
The site is situated right next to the Medina and in consequence interwoven with the indispensable social and economic structures of the Old City.
Both legal and illegal markets dominate the streetscape and are vital to the local economy. The downside of this density of commercial street business is the pollution and the decay of the public space. The design will have to serve as an example on how to improve the practical aspects of the market but leaving the existing social economic structures intact.
The design of addition to the Samrode, SIA construction company headquarters in Ventspils is based on the desire of the client and the project team to create a compact and contemporary architectural volume that maintains a harmonious and complimentary relationship with its historic city center context. The conceptual narrative for this building is based on three scales of purposeful design operations in response to opportunities/limitations offered by the site. From the urban design perspective, the massing of this building is determined by the precedent outlines of a munitions warehouse and a wooden shed, previously present on the site.
The design intent was to look at an residential and pottery / art studio insertion to a bare inner city lot, surrounded by a motley crew of existing industrial buildings. The concept evolved into designing an oasis, abundant with nature within such a concrete and brick clad environ for the interface of Architecture to the intimacy of a garden. The concept of the Green Cage is a contained ideal of the greening of one’s own backyard.
The Concept: No.8 Wire is a paper architecture exploratory analysis of what constitutes the form and idea of a home relative to the landscape of Central Otago NZ. Three types of spatial devices create and inform the architecture, that of solid, transparency and void. The two gabled volumes sit mirrored, off-set and self referential, bared to all, lost within the expanse of the landscape. The aesthetic is a bold foray of form placed in conversant to its surroundings. Its use is a signifier of the NZ concept of resourcefulness and creativity; best described as a kiwi’s ingenuity and adaptability.
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