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BRANCH OFFICE OF THE COMPANY M&V in Brno, Czech Republic by Rudolf Müller

Sunday, September 28th, 2014

Article source: Rudolf Müller

Converting the building of a former garage, body shop and paint shop into a branch office of a company selling hardware and metal machining toolware falls within the projects that you simply need if you still desire to make endless search for the relationship between architecture and its surroundings, to historical and future development, and to detail. Or, the desire to search and to deliver as well, to put it more precisely. The aim is not to be bound by previously taken decisions, on the contrary, following critical discussions with experts, to select the seemingly best solution and to feel the client’s support. Subsequently, the whole process results in the absence of extremes, i.e. unilateral and pointless architectural exhibition and a unified and universal solution with stubborn efforts to reduce the budget at any cost.

Image Courtesy © KIVA

Image Courtesy © KIVA

  • Architects: Rudolf Müller
  • Project: BRANCH OFFICE OF THE COMPANY M&V
  • Location: Hněvkovského 81c, Brno, Czech Republic
  • Photography: KIVA
  • Software used: Autocad, Grasshopper, Rhinoceros
  • Client: M&V, spol. s r.o.
  • Building surface: 987 m², plus 343 m²carpark
  • Building site: 2.022 m²
  • Completion date: march 2014
  • Cooperation: Petr Kadaňka
  • Advisors: Zbyněk Holešovský- LDH, Miloslava Henešová, František Jihlavec – Profilux, Jan Klodner – BALANCE, Stanislav Král, Jaroslav Macíček, Jaroslav Mach, Vendula Markevičová, Ondřej Navrátil, Stanislav Peša, Petr Pokorný, TomášSedláček, Markéta Sedláková, Ondřej Tichý, Eva Wagnerová
  • Constructors: Main structure – KALÁB – stavebnífirma, spol. s r.o., Interior – U1 S.R.O.

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EERJ. Adaptation of the inner ward in El Real de la Jara Castle, Spain by villegasbueno architecture

Friday, August 1st, 2014

Article source: villegasbueno architecture

A thick, dense and kind blanket, trimmed off to the necessary minimum, to transform a stark interior into a space for the people. 

The intervention takes place in the “Castillo de El Real de la Jara”, a fortress dating from the 14th century, located on the highest point of the hill right north of the village, in the county and Natural Park of the North Range of Sevilla. The commission was made by the Diputación Provincial de Sevilla, and has been funded by the FEDER Operational program for Andalucía for Sustainable development and social cohesion project for the North Range and South Range of Sevilla. 

Image Courtesy ©   Jesús Granada

Image Courtesy © Jesús Granada

  • Architects: villegasbueno architecture
  • Project: EERJ. Adaptation of the inner ward
  • Location: El Real de la Jara Castle, Spain
  • Photography: Jesús Granada
  • Software used: Rhinoceros, Grasshopper3D
  • Completion date: january 2013.
  • Gross area: 1.409 m2 Budget: 147.588,00€ Construction cost: 104,74 €/m2
  • Design and Construction Management: Miguel Villegas Ballesta, MSc Architect.
  • Design Co-author (no signature): Lourdes Bueno Garnica, architect.
  • Design Team: Ignacio Hornillos Cárdenas, arquitecto
  • Construction Quantity Surveyor: José M.R. Sánchez Tello, arquitecto técnico
  • Health and Security Management: José Manuel Cruz Camúñez, arquitecto técnico
  • Construction Company: Construcciones Francisco Manzano S.L.
  • Client: Diputación Provincial de Sevilla, PROYECTO DE OBRAS DE ADECUACIÓN DEL PATIO DE, ARMAS DEL CASTILLO DE EL REAL DE LA JARA.

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Fusionner2.0-Paper cave in Aichi, Japan by Kotaro Horiuchi Architecture

Thursday, July 31st, 2014

Article source: Kotaro Horiuchi Architecture

Exhibition Kotaro Horiuchi 2014 “Fusionner 1.0 + 2.0”
From the 20th to the 30th of March 2014, DSA – Design Space Association – with the cooperation of the Gallery White Cube, presented the exhibition of Kotaro Horiuchi’s project: “Fusionner 1.0 + 2.0”.
The exhibition took place at KHA – Kotaro Horiuchi Architecture – located in Marunouchi, Nagoya city, Aichi district in Japan. With the 24th, 25th, 26th of March closed, we welcomed around 730 people during a session of 8 days. Thank you.
Out of those sessions, it is possible de see permanent exhibit in saloon, lounge, meeting space and working area in the office.

Image Courtesy © Mori and Mitsuru Narihara

Image Courtesy © Mori and Mitsuru Narihara

  • Architects: Kotaro Horiuchi Architecture
  • Project: Fusionner2.0-Paper cave
  • Location: Nagoya, Aichi, Japan
  • Photography: Mori, Mitsuru Narihara
  • Software used: Rhinoceros, grasshopper

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FRENCH PAVILION EXPO MILANO 2015 in Milan,Italy by XTU architects

Friday, May 16th, 2014

Article source: XTU architects 

ARCHITECTURAL CONCEPT

A fertile market

If the world wanted to eat like the West, several planets would be needed…

Civilization will need to evolve: it must produce and consume differently !

Image Courtesy ©   XTU architects

Image Courtesy © XTU architects

  • Architects: XTU architects  (Anouk Legendre + Nicola Desmaziere, Studio Adeline Rispal)
  • Project: FRENCH PAVILION EXPO MILANO 2015
  • Location: Milan, Italy
  • Software used: Rhinoceros, 3ds Max and Grasshopper
  • Companies: C.M.C di Ravenna, Simonin
  • Project leader: Mathias Lukacs
  • Client: FranceAgriMer
  • Program: Cultural installation, exhibition areas, restaurants,  shops, VIP rooms.

Planning

  • Competition: january 2014
  • Contract: march 2014
  • Building:  september 2014
  • Delivery: april 2014
  • Building surface area: 3.532 m² shon / 3.286 m² usable
  • Site’s area: 3.500 m²
  • Costs: 14 m€ including taxes.

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Austrian Pavilion EXPO 2015 in Milan, Italy by Paolo Venturella Architecture

Wednesday, April 2nd, 2014

Article source: Paolo Venturella Architecture

The main concept of the pavillion is to create two different spaces. One for the exhibition and another one for a big greenhouse. They are connected to allow people to walk in a unique single space. The greenhouse is the place where people can pick up and eat food directly from the hortus.

Image Courtesy © wemage

  • Architects: Paolo Venturella Architecture
  • Project: Austrian Pavilion EXPO 201
  • Location: Milan, Italy
  • Photography: wemage
  • Software Used: Rhinoceros and Grasshopper
  • Team Design: FabrizioFuriassi, Manuel Tonati, AngeloBalducci
  • Year: 2013
  • Type: competition

University Boulevard Transit Shelters in Vancouver, Canada by PUBLIC

Saturday, February 8th, 2014

Article source: PUBLIC

At the main entrance to the UBC campus along University Boulevard are two strategic insertions into the transit infrastructure that provide covered shelter for the trolley-bus loop. The transit shelters act as a conceptual extension of the nearby line of Katsura trees. Slender steel columns are arranged in a staggered line and hold up an over-sized cellular wood structure clad in glass.

Image Courtesy © Krista Jahnke

  • Architects: PUBLIC
  • Project: University Boulevard Transit Shelters
  • Location: Vancouver, Canada
  • Photography: Krista Jahnke and PUBLIC
  • Software used: Rhino, Grasshopper and Revi
  • AREA: 120 sq.m.
  • YEAR: 2013
  • LEAD DESIGN FIRM: PUBLIC, Chris Sklar IA.AIBC, Brian Wakelin ARCHITECT AIBC, AAA, MRAIC, LEED AP, John Wall ARCHITECT AIBC, AAA, OAA, LEED AP
  • Structural Engineering: Fast + Epp
  • Civil Engineering: Core Group Consultants
  • Construction manager: Joe Ross
  • Woodwork Subcontractor: Structurlam Wood Products
  • Glazing Subcontractor: Columbia Glazing Systems

DIGITAL MUSEUM in Pecica, Arad County, Romania by Claudiu IONESCU

Thursday, January 9th, 2014

Article source: Claudiu IONESCU

“Inspired by Constantin BRANCUSI’s „Miracle” sculpture, the building rises naturally from the ground through golden spirals (the Fibonacci spirals) and crystallizes in a shape that, just like its muse, tries to set itself free from „the past burdens”, striving to rise high. Its shape offers the visitor a feeling of aspiration, an aspiration not only of the building, but of life itself.” – Claudiu IONESCU – architect

Image Courtesy © Bogdan IORGOVAN

  • Architects: Claudiu IONESCU
  • Project: DIGITAL MUSEUM
  • Location: Pecica, Arad County, Romani
  • Photography: Bogdan IORGOVAN
  • Design Team: Claudiu IONESCU, Dragos MILOTIN, Gabriel TAKACS, Calin SEBARCHIEVICI
  • Constructor: S.C. START S.R.L.
  • Area: 125.75 mp
  • Year: 2013
  • Software used: Rhinoceros 5.0, Grasshopper, Autocad, Photoshop and Dialux.

Hanjie Wanda Square in Wuhan, China by UNStudio

Wednesday, December 11th, 2013

Article source: UNStudio

Hanjie Wanda Square is a new luxury shopping plaza located in the Wuhan Central Culture Centre, one of the most important areas of Wuhan City in China.

Following a competition in 2011, with design entries from national and international architects, UNStudio’s overall design was selected by Wanda as the winning entry for the facade and interior of the Hanjie Wanda Square. The shopping plaza houses international brand stores, world-class boutiques, catering outlets and cinemas.

Image Courtesy © Edmon Leong

  • Architects: UNStudio
  • Project: Hanjie Wanda Square
  • Location: Wuhan, China
  • Photography: Edmon Leong
  • Building surface: Facade 30.500 sqm
  • Interior: 22.630 sqm
  • Programme: Luxury shopping mall
  • Contribution UNStudio: Facade and interior design
  • Status: Realised
  • Credits UNStudio: Ben van Berkel, Caroline Bos, Astrid Piber with Ger Gijzen and Mo Lai, Konstantinos Chrysos, Ariane Stracke, Veronica Baraldi and Thomas van Bekhoven, Elisabeth Brauner, Rodrigo Cañizares, Luis Etchegorry, Albert Gnodde, Ka Shin Liu, Chiara Marchionni, Cynthia Markhoff, Tomas Mokry, Iris Pastor, Machiel Wafelbakker, Shuang Zhang, Jinming Feng, Xinyue Guo, Cheng Gong
  • Model making: Patrick Noome, Todd Ebeltoft, Ali Ashgar
  • Software Used: Autocad, Rhino and Grasshopper

Multifunctional Museum Complex in Yaroslavl, Russia by ITHAKA – Architecture and design

Tuesday, November 5th, 2013

Article source:  ITHAKA – Architecture and design

The project is created within the framework of the Official competition of the Yaroslavl International Architecture Biennale “Spartacus alive”.

The goal of the contest is the formation of a closed space for exhibitions, festivals, fairs and creation of a new pavilion type in the historic center of the city of Yaroslavl, on the site of the old ravine (protected landscape) according to the development program of the museum complex of the city.

Image Courtesy © ITHAKA – Architecture and design

  • Architects: ITHAKA – Architecture and design
  • Project: Multifunctional Museum Complex
  • Location: Yaroslavl, Russia
  • Area: 2,6 ha
  • Project year: 2013
  • Authors: Telemak ANANYAN , Gohar ISAKHANYAN Hayk MARTIROSYAN , Ani SAFARYAN , Anush KARAPETYAN
  • Software Used: Autodesk AutoCAD, 3dsMax, Rhino and Grasshopper

HygroSkin-Meteorosensitive Pavilion in Orleans, France by Achim Menges Architect

Tuesday, September 17th, 2013

Article source: Achim Menges Architect

Meteorosensitive Architecture

Climate-responsiveness in architecture is typically conceived as a technical function enabled by myriad mechanical and electronic sensing, actuating and regulating devices. In contrast to this superimposition of high-tech equipment on otherwise inert material, nature suggests a fundamentally different, no-tech strategy: In various biological systems the responsive capacity is quite literally ingrained in the material itself.

Image Courtesy © ICD University of Stuttgart

  • Architects: Achim Menges ArchitectOliver David Krieg & Steffen Reichert
  • Project: HygroSkin-Meteorosensitive Pavilion
  • Location: Orleans, France
  • Photography: ICD University of Stuttgart
  • Project Team: Achim Menges Architect, Frankfurt, Achim Menges, Steffen Reichert, Boyan Mihaylov, (Project Development, Design Development)
  • Institute for Computational Design: University of Stuttgart, Prof. Achim Menges, Oliver David Krieg, Steffen Reichert, Nicola Burggraf, Zachary Christian, David Correa, Katja Rinderspacher, Tobias Schwinn with Yordan Domuzov, Tobias Finkh, Gergana Hadzhimladenova, Michael Herrick, Vanessa Mayer, Henning Otte, Ivaylo Perianov, Sara Petrova, Philipp Siedler, Xenia Tiefensee, Sascha Vallon, Leyla Yunis (Scientific Development, Detail Development, Robotic Fabrication, Assembly)
  • Project Funding: FRAC Fonds Régional d’Art Contemporain du Centre, Robert Bosch Stiftung, Kiess GmbH, Cirp GmbH, Holzhandlung Wider GmbH
  • Software used: Rhino and Grasshopper for design, and RoboLab and Kuka KRC2 for fabrication



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