The table and the black shed organize the gallery space of BWA Design in Wrocław for an exhibition on Food Think Tank project ‘Earth and Water’. The objects are made of remains from previous gallery exhibitions and scraps from conservation works of Wrocław’s Parks and Recreation department – branches and stumps. The objects organize the gallery space into two sections: bright one with the table and a dark one with the Black Shed – a hybrid of an arbor and an incubator.
The Bean Buro Architects studio in Hong Kong takes a fresh approach to small work place design in a high density city. While being space efficient, the material palette is homey and relaxed, to contribute to the studio’s friendly approach to the workplace. This in turn allows for staff to be more productive and engage with each other in a collaborative manner.
Spring Studios, a comprehensive creative agency catering to the fashion industry, with headquarters in London, UK. Spring is a group of companies, which work within the fashion, beauty and luxury brand markets and have a shared strategic vision for international growth. Spring was started in 1996 as a photographic studio complex: today, Spring is widely recognized as one of the leading photographic studios in the world and throughout its group of companies is involved in up to 60 fashion shoots a day internationally. Spring has also established a successful business, which provides advertising solutions to leading names including Armani, Louis Vuitton, Chanel, Prada, Vogue, etc.
As part of Nike’s overhaul of their flagship store on Union Square, our two-story lobby installation is a dynamic array of over 600 reclaimed bleachers which cantilever out over the escalator leading into the store. The well-worn bleacher board, a material Nike has used in numerous stores to convey familiarity and use, is organized here as a set of vectors that flow through the lobby. Ideally, the anomalies of the material are enough to disrupt the smoothness of the geometry, while the unstable, precarious array disrupts a purely nostalgia reading of the bleachers yielding a wider range of associations.
ELEMENTARY AND PRIMARY SCHOOL IN OPEN LANDSCAPE | OPEN CALL ORGANISED BY THE FLEMISH GOVERNMENT ARCHITECT, 2nd LAUREATE
The historical permanent presence of the polder landscape is experienced as a quality of the site that is to be protected, and it is also used as a source of design choices. The typology of the school buildings is designed analogous to that of the polder farms as solitary volumes in the landscape. The outdoor space is structured as a landscape similar to the diverse and flexible patchwork of different fields in the polder.
Situated near mill creek, on approximately 2828 feet above sea level, the single-family home presents itself with the elegance and serenity of a small mansion. In an apparently self-confident manner the white monolith rises from the site, whilst the building design corresponds to the insistence of the client for a small but prestigious residence. The volumetric and monolithic basic principle was emphasised by the exclusive usage of the white exterior rendering, of which the general raw materials are a compound of local sands, chalk and white-cement. Main focus lies therefore on the exterior’s elementary colour, nuances and slight divergences were solely achieved by aggregates to the plaster. In detail the facades surface was moulded rather roughly, a fine characteristic which was achieved by out-sluicing with the aid of wet sponges. Sensitisation is in the eye of the beholder. Since only by the presence of light and shadow, which is performing its everyday play on the coarse-grained surfaces, the building can utterly unfold its exemplary visual dynamic. The rising silhouette of the roof gives a slight impression of the upward striving space sequence on the inside. Square shaped window openings in different sizes are referring every now and then to significant spots in the surrounding alpine landscape. The vertical facade descends sheer homogenous into the deep and slightly slanting embrasures of the window openings or even into the rooftop. All windowsills and the canopy, which were conducted in exposed concrete, but also the handcrafted roof tiles, were made from the same compound as the plaster and provide its direct context.
VAULTED WILLOW by MARC FORNES /THE VERYMANY is an architectural folly exploring lightweight, ultra-thin, self-supported shells through the development of custom computational protocols of structural form-finding and descriptive geometry. The project’s aim is to resolve and delineate structure, skin and ornamentation into a single unified system.
The newly completed HBZ Stadium is the home of Al Ain Football Club, one of the leading clubs in the UAE Pro League. Designed by Pattern Architects, the 25 000 seat FIFA class football stadium introduces a new approach to sports architecture in the Gulf region by embedding Al Ainʼs identity into the very fabric of the design. Part of this identity is defined by the local desert climate and landscape.
Our proposal for the design of multi-family housing in Marfa, Texas, consists of three rammed earth dwellings that are integrated into the landscape. We are proposing to combine local building techniques with a formal language which alludes to the carved rock formations and smooth transitions found in the indigenous landscape of the Chihuahuan desert.
Lanterns Sea Village is the attempt to transform a vision into architecture: light tetrahedral solids that hover over the sea, suspended in one point. This vision is not born of a whim, but of a necessity: the need to minimize the impact on a beautiful landscape such as Tarifa, providing temporary housing for surfers who inhabit the waters.
email
Facebook
Twitter
RSS Feed
