The Campus is a sequence of intertwining open spaces. Buildings on the different zones qualify these spaces from an architectural point of view. The Master Plan model determined the design of these open areas; a fabric of interior and exterior spaces, defined by the location of the buildings’ entrances in relation to the plazas, brings life to the intended environment.
We propose an interior city existing inside a mysterious diamond-like object. The approach stands in opposition to conventional master planning, where a set of reductive instructions such as building use, open space, and setbacks inherently undermine any tendency towards massively dense or monolithic forms. This building is not a map of history, a reified system of flows, or an evolutionary diagram.
iMUSEUM is an a new concept store located in the island of Mykonos which brings together historical replicas from various Greek archaeological museums. Milan based CTRLZAK studio is responsible for the entire design concept, which can be broken down to three main axes: stratification, excavation sites and museological representation.
The project is created within the framework of the Official competition of the Yaroslavl International Architecture Biennale “Spartacus alive”.
The goal of the contest is the formation of a closed space for exhibitions, festivals, fairs and creation of a new pavilion type in the historic center of the city of Yaroslavl, on the site of the old ravine (protected landscape) according to the development program of the museum complex of the city.
When I moved to from Rome to Shanghai I noticed many environmental differences. One was the fact that when I looked out the window here, it didn’t give me the same good feeling like it usually did in Rome. It was probably a combination of the grey buildings, the immortal grey sky and the fact you couldn’t open the window due to the outside air pollution.
ART[house] at its core attempts to blur the boundaries between interior and exterior environments, while creating a sophisticated canvas in which the owner can display their extensive art collection. The design finds inspiration from the work of Richard Neutra, and some of his more notable projects such as the Kaufmann House.
“Everything remembered, everything thought, all awareness becomes base, frame, pedestal, lock and key of his ownership. Period, region, craft, previous owners – all, for the true collector, merge in each one of his possessions into a magical encyclopaedia whose quintessence is the fate of his object.”
A conceptual framework for the development of the city of Medellin
AN INTRODUCTION
Multiple intertwined streams of issues
Medellin is wealthy city; wealthy in terms of its ambitions and its potential. Further, this project is a rare opportunity the ability to reform the ENTIRE riverfront that runs through a major city is rare. Therefore, this opportunity must be thought of as being even bigger than just a public space design, it must be taken as a chance to reform and set the framework for Medellin’s future. Obviously the riverfront is the key element in this project, but its influence and importance is much larger than the given project site boundaries. This proposal uses this competition to set forth principals for redevelopment, the use of funds, the city and its history, the relation to ecology, the movement of people, and so forth. Clear thinking about the further evolution of the city and how this project can be a trigger in this process is not overlooked by this project.
Climate-responsiveness in architecture is typically conceived as a technical function enabled by myriad mechanical and electronic sensing, actuating and regulating devices. In contrast to this superimposition of high-tech equipment on otherwise inert material, nature suggests a fundamentally different, no-tech strategy: In various biological systems the responsive capacity is quite literally ingrained in the material itself.
Institute for Computational Design: University of Stuttgart, Prof. Achim Menges, Oliver David Krieg, Steffen Reichert, Nicola Burggraf, Zachary Christian, David Correa, Katja Rinderspacher, Tobias Schwinn with Yordan Domuzov, Tobias Finkh, Gergana Hadzhimladenova, Michael Herrick, Vanessa Mayer, Henning Otte, Ivaylo Perianov, Sara Petrova, Philipp Siedler, Xenia Tiefensee, Sascha Vallon, Leyla Yunis (Scientific Development, Detail Development, Robotic Fabrication, Assembly)
Project Funding: FRAC Fonds Régional d’Art Contemporain du Centre, Robert Bosch Stiftung, Kiess GmbH, Cirp GmbH, Holzhandlung Wider GmbH
Software used: Rhino and Grasshopper for design, and RoboLab and Kuka KRC2 for fabrication
JDS invites you to join Siblingsfactory for the opening of their new concept store in downtown Brussels today! We’re excited to have designed this new space in the heart of Brussels.
The store’s opening will be paired with the 100th anniversary of Le Mont Saint Michel.
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