Article source: Pietro Carlo Pellegrini Architetto
The project concerns the recovery of an Ex-Furnace in Riccione, an industrial complex for producing bricks, built in 1908 and decommissioned in 1970. The whole intervention area is 40.000 mq; the covered surface is 3.400mq. Old destinations give way to the new ones, exploiting the existing spatial possibilities, maintaining the shapes of the old body factory as historical memory of the place: inside of it will be placed a secondary school for 450 students, a theatre with 650 seats, a headquarters office, as well as the organization of the external spaces. The project aims to reduce the environmental impact, replacing the old buildings with new ones characterized by high energy efficiency, without filling more surfaces. The intervention is imprinted on one side to recover and give value the existing masonry elements, on the other side to distinguish the new elements from the old ones, maintaining a compositional coherence throughout the intervention. Outside the brise soleil in brick elements determine the homogeneous backdrop of the original architectural forms, using a traditional material in an innovative way: they give unity to the whole composition and at the same time they underline the existing brickwork. The two buildings of the school centre, whose technical aspects are cuttingedge, easily conform with the ruins of a former brick furnace.
Based on the island of Réunion and in Paris, l’atelier.architectes numbers some forty collaborators, including architects, urbanists, engineers, interior designers, construction economists, and client advisory services. This experienced and multi-disciplinary team is able to adapter to all the client’s requirements and to operate under increasingly complex regulatory and economic constraints. The engineering services integrated in the office guarantee fluid exchanges, simultaneous design, and project feasibility and coherence.
Location: Saint-Leu, Island Of Reunion, Indian Ocean
Photography: Hervé Douris
Client: Région Réunion
Contractor: l’atelier.architectes
Program: rehabilitation and extension of a museum, construction of a theater with 430 seats, and temporary exhibition gallery and a documentation center
Tags: Indian Ocean, Island Of Reunion, Saint-Leu Comments Off on THE STELLA MATUTINA MUSEUM in Saint Leu, Island of Reunion, Indian Ocean by l’atelier.architectes
The Olimpia Theatre occupies the site of the former Olimpia Hall, a triangular shaped block in the city centre. This block -of great urban presence- presides the Lavapiés square: a priority area within the Municipal Renovation Plan for the Madrid Central District with a dense urban fabric.
MORE THAN JUST A CINEMA – A CULTURAL PLACE IN THE NEIGHBORHOOD.
The project étoile voltaire proposes to visualize and construct the cinema of tomorrow by creating a space surrounded by different programs: La Maison du Cinéma with la Société des Réalisateurs de Films, 5 movie theatres, the hall conducted by la Bellevilloise, the restaurant solidaire Cuisine Mode d’Emploi with Thierry Marx’s lead and its vegetalized roof terrace.
Tags: Paris, Sous-station électrique Voltaire Comments Off on ETOILE VOLTAIRE in Sous-station électrique Voltaire, Paris by Olivier Palatre architectes
The brief called for design proposals to maximise the flexibility of the 1976-designed theatre for a variety of performances on the stage, and to add a new roof to enclose both the stage and the audience. The underside of the roof, which covers the stage and front of auditorium, will enhance and project the natural acoustic for orchestral events.
MAD Architects unveils the completed Harbin Opera House, located in the Northern Chinese city of Harbin. In 2010, MAD won the international open competition for Harbin Cultural Island, a master plan for an opera house, a cultural center, and the surrounding wetland landscape along Harbin’s Songhua River.The sinuousopera house is the focal point of the Cultural Island, occupying a building area of approximately 850,000square feet of thesite’s 444 acres total area. It features a grand theater that can host over 1,600 patrons and a smaller theater to accommodate an intimate audience of 400.
Design Team: Jordan Kanter, Daniel Gillen, Bas van Wylick, Liu Huiying, Fu Changrui, Zhao Wei, Kin Li ,Zheng Fang, Julian Sattler, Jackob Beer, J Travis Russett, SohithPerera, Colby Thomas Suter, Yu Kui, Philippe Brysse, Huang Wei, Flora Lee, Wang Wei, XieYibang, LyoHengliu, Alexander Cornelius, Alex Gornelius, Mao Beihong, GianantonioBongiorno, Jei Kim, Chen Yuanyu, Yu Haochen, Qin Lichao, Pil-Sun Ham, MingyuSeol, Lin Guomin, Zhang Haixia, Li Guangchong, Wilson Wu, Ma Ning, DavideSignorato, Nick Tran, Xiang Ling, Gustavo Alfred Van Staveren, Yang Jie,
Landscape Architect: Turenscape, Earthasia Design Group
Interior Design: MAD Architects, Shenzhen Z&F Culture Construction Co., Ltd.
Acoustic Consultants: Zhang Kuisheng Acoustics Research Institute of Shanghai Modern Design Group
Stage Mechanical Engineers: Chinese PLA General Armament Institute of Engineering Design (more…)
ALA Architects has now completed the renovation and expansion of the modernist Kuopio City Theatre designed in the 1960s by architects Helmer Stenros and Risto-VeikkoLuukkonen.
Architect: ALA Architects Ltd.: Partners Juho Grönholm, Antti Nousjoki, JanneTeräsvirta and Samuli Woolston with HeikkiRiitahuhta, Toni Laurila, Pekka Sivula, Harri Ahokas, Petra Grisova, Vladimir Ilic, AuvoLindroos and JyriTartia
Collaborators: Insinööritoimisto Tanskanen (structural engineering), Granlund Kuopio (HVAC), Insinööritoimisto Tauno Nissinen (electrical engineering), City of Kuopio Survey Division (geo planning), Blue Node (theater technics), NCC Construction (construction)
Client: City of Kuopio
Type: Commission, 2010
Program: Renovation of the 1960’s theater 8,025 m2, expansion including a new studio stage 3,467 m2
Status: Building handed in in June 2014, theater re-opened in September 2014
Software used: AutoCAD Architecture and Rhinoceros 3D
The concept for the Lappeenranta City Theatre is exceptional: the theater has been built on the top floor of a shopping center. The idea, however, is ancient as this is theater coming back to its roots, back to the marketplace, back to the people. Millions of people visiting the shopping center annually will be able to enjoy a variety of plays, while the restaurants cater for intermissions and the hotel offers accommodation.
Software used: AutoCAD Architecture, Tekla Bimsight, Rhinoceros 3D
Project Team: ALA Partners Juho Grönholm, Antti Nousjoki, Janne Teräsvirta and Samuli Woolston with Harri Ahokas, Auvo Lindroos, Tiina Juuti, Marlene Oberli-Räihä, Julius Kekoni, Pekka Sivula, Niklas Mahlberg, Tonny Jensen, Mikko Kilpeläinen, Martin Allen, Vladimir Ilic, Anders Jönsson, Sari Vesanen, Santtu Hyvärinen and Mirja Sillanpää
Collaborators: Sweco PM (project management, implementation phase), ISS Proko (project management, sketch phase), Finnmap Consulting (structural design), L2 Fire Safety (fire safety), Insinööri Studio (HVAC), Pöyry Finland (electrical engineering), Akukon (acoustical engineering), Kokos (AV design), Akumek (stage mechanics), Cederqvist & Jäntti Architects (architect, shopping center) and Evälahti (contractor)
Our approach is based on the notions of landscape and geology that characterize the built environment of the historic district of Old Québec. Nearby, the strong presence of the Porte Saint-Jean and the defensive system that constitutes the Fortifications of the city of Québec reiterates the dual nature of these buildings that are both architecture and landscape. Though the surrounding buildings belong to a variety of styles and eras, their common denominator is based on a strong relationship with the mineral, and an architectural composition in horizontal strata. This reading of the city as stacked stratum transcends time so that we find it in all the surrounding buildings. Thus, there is a timeless horizontal frame that serves as an anchor for the realization of a contemporary project in continuity with the old fabric of the city.
“We enter a space otherwise empty time, but full of memories, stories and livings of other times. Today remains, collects memories, modifies the look, brings together pieces and reassembles If a new life where the past, present and future go hand in hand . A bit like the Seventh Art.