SandRidge Energy, a rapidly growing natural gas and oil company, relocated from the outskirts of Oklahoma City into an abandoned area of the downtown core. The master plan for this new headquarters spans multiple buildings, and multiple city blocks, where architecture and landscape architecture weave to balance company needs and civic engagement.
Rendering (Images Courtesy Dbox, Raddi Inc. and Rogers Marvel Architects)
In the island of Lanzarote two ways of volcanic landscape transformation converge: the rhythm of the earth and the rhythm of human life. We can talk about coexistence and overlapping of changing processes that belong to different scales: the geological and the urban one. The agriculture has turned people into powerful agents of ‘displacement of material’, as powerful as the wind which they protect themselves from.
The project takes the idea of accumulation and overlapping of layers in the landscape construction. We take the reference of a geological section from a site adjacent to our sector for the development of the proposal, planning a ‘perforated basement’ and an architecture that has the ability of recognizing the strata in which it is inserted.
Section and group of images. Perspective of the exterior of the houses and references
Architects: Tomás García Píriz, Javier Castellano Pulido, Luis Miguel Ruiz Avilés, Serrano y Baquero Arquitectos, Juan Antonio Serrano García, Paloma Baquero Masats
Contributors: Cristóbal Adrián García Almeida, José Enrique Iniesta Molina, Alejandro Pedro López Fernández, Alejandro Carlos Galindo Durán, María de Lara Ruiz, Juan Bachs Rubio, Elena María Lucena Guerrero.
Article source: CUAC Arquitectura
LANDSCAPE, MEMORY, TRADITION and WATER for the FUTURE
NIEU WAter gaRDEN, a new landscape of water, meeting between urbanity and agriculture.
The proposal arises Niwu Water Garden by the ensounter of three main materials: water, city and farmland. In a scenic enclave of particular importance to the city of Leeuwarden an appropriate balance between these materials allows to think about a hybrid landscape which establishes a transition between rural and urban.
Thus become a new environment in which elements of the city (the traditional and the present) establish a proper dialogue with the existing agricultural plot and its associated infrastructure.
Architects: Tomás García Píriz, Javier Castellano Pulido, Luis Miguel Ruiz Avilés, Serrano y Baquero Arquitectos, Juan Antonio Serrano García, Paloma Baquero Masats
Contributors: Cristóbal Adrián García Almeida, José Enrique Iniesta Molina, Alejandro Pedro López Fernández, Alejandro Carlos Galindo Durán, María de Lara Ruiz, Juan Bachs Rubio, Elena María Lucena Guerrero.
Located in Manhattan’s Hudson riverfront Meatpacking District, the hotel responds to its context through contrast: sculptural piers, whose forms clearly separate the building from the orthogonal street grid, raise the building fifty-seven feet off the street, and allow the horizontally-scaled industrial landscape to pass beneath it and natural light to penetrate to the street.
The project is set up as a new urban landscape that draws on elements of identity that constitute the urban tissue of old Toulouse. From a regular frame which allows us to organize the new district in a rational and rigorous way, while answering the diverse needs of density, scale, hierarchical organization of flows, contribution of light, we incorporate a fragmentation inspired by the plan of the old town which allows us to generate diverse urban events, perspectives, places…
The Court of Justice is one of two iconic projects within the new urban development around the main rail station. The logistics and siting of a courthouse with multiple security barriers of security results in a massing composed of three interconnected volumes. References include the old industrial steel structures that formerly occupied and defined the site, their organic Belgian Art Nouveau forms constituting part of the cultural heritage of Hasselt. There are also echoes of a tree, which, in addition to being is the Hasselt town emblem, as well as also harks back to the historicpre-medieval European tradition of holding a special “place of speaking justice” underneath a large tree in the center of a dwelling.
The present proposal occupies a central position in relation to urban design of the city of Accra. It has place in a regular small sized plot, located on Liberia Road, near to the British Council.
The scale of the urban mesh on which it is inserted, stands from the density of the suburban construction that surrounds this central area of the city, underlining a privileged treatment of the spaces. In this sense, as a major action, with an ambitious program, it was understood that the planned object should take advantage of all these constraints in order to be able to assume an emblematic role in the urban and architectonic context of the city.
Located on the Wele-Nzas, the new capital city will be built in order to fulfill the President’s dream. The new capital city will be the attraction for an estimated 160.000 inhabitants and will extend for 8.150 Hectares. The concept is characterized by modernity and respect by the country’s cultural roots, optimizing its identity and the richness of the ecosystem where it belongs. Sustainability is also a privileged feature in every strand.
Asker is a popular suburb to Norway’s fast-growing capital, Oslo. By developing more space to accommodate a diverse group of residents and visitors, the dynamic and dense city centre of Asker is to be integrated with the green recreational area of Føyka/Elvely, west of the city centre.
Loop City activity plaza (Images Courtesy Luxigon)
This tower project for the Fukoku insurance company takes inspiration from the profile of a gigantic tree whose roots proliferate on the surface of the ground. Splayed at its base, the tower’s outline tapers elegantly as it rises, gracing the city’s skyline with a vertical asymptote. The contrast between the structure’s base and upper regions is accentuated by the treatment of the building’s “bark”. Broad “wood chips” on the lower levels gradually give way to a sleek wall.