A few weeks ago the Dr. Ing. h. c. F. Porsche AG celebrated the opening of their Porsche Pavilion at the Autostadt in Wolfsburg in the resence of 200 guests of honor. For the first time since its opening in 2000, the theme park receives another building structure in the form of the new Porsche Pavilion, which expresses the importance of Porsche within the Volkswagen Group family.
At the side of the motorway between Rostock and Berlin stands a brown sign with the stylised drawing of the “Müritzeum”. A sign that says there is something worth seeing!
The remarkable thing is not the building but the large national park and the seven large lakes. Lake Müritz is the largest in Germany (Bodensee is shared with Switzerland and Austria), it is relatively shallow but all navigable. This is where the cranes stop before continuing their migration to lake Hornborga.
The bambooline berlin explores the cities urban development and proposes a new approach for the temporary, interim use of sustainable urban wasteland. A new, imaginary band complements the historically developed lines of the Berlin cityscape: the Berlin bambooline.
The single floor residential home made of cedar wood was built on a slightly sloping property with direct access and spectacular view to the lake. In the course of time, the patina of the facade is intended to adjust to its natural surroundings. Thus the building discreetly takes a backstage, without disrupting the lake view.
Located in the heart of Berlin, this newly completed izakaya restaurant combines traditional Japanese materials and hand craft with 3D modeling and computer programming to form an atmospheric space for dining. Responding to the client’s wishes for a cozy space that establishes a visual identity for the restaurant while also maximizing table count, the entire design intervention is achieved without the use of a single wall. A 56 sq meter ceiling installation serves as the main design feature of the restaurant.
By using the chopstick as a simple, repeating element, the project creates an immersive and highly intimate canopy over the space.
Designed by J. MAYER H., the ‘Schaustelle’ or ‘show site’ will be a temporary pavilion and platform for the four collections housed at the Pinakothek der Moderne.
Munich, 12 July 2012, In an official statement, Dr. Markus Michalke, Chairman of the Pinakothek der Moderne Foundation announced:
The Pinakothek der Moderne is due to close in February 2013 for renovation work and is expected to reopen again in September 2013. The temporary closure has been seen as an opportunity that will give rise to a makeshift exhibition building – the Schaustelle. Set up for the duration of the renovations, it will provide the four collections at the Pinakothek der Moderne with a lively platform to hold exhibitions, workshops, talks, performances, film screenings and video installations and much more besides. The scheme has been initiated by the Pinakothek der Moderne Foundation.
Light, bright and colorful: the architecture of the new Surgical Center on the Oberer Eselsberg in Ulm. The building was designed by the KSP Jürgen Engel Architekten Munich Office, having won the competition in 2001. The Surgical Center / Dermatology blends into the surrounding landscape and, with the “floating” ward block, also sets a distinctive architectural tone.
In June 2012 the six departments of Ulm University Hospital moved into the new Surgery / Dermatology building with their patients. The medical institutions, previously scattered over various sites, are now brought together in the new hospital building which will further improve medical care in the Ulm region. The Surgical Center provides sufficient space for 15 state-of-the-art operating rooms, 235 regular care and 80 intensive care or monitored beds. The building, which offers gross floor space of around 70,000 sq.m., was completed in four years within the scheduled timeframe and budget.
The historic city centre of Constance is characterized by its compactness and homogeneity. The project incorporates the historical formation of the surrounding buildings with its 30m long plots and projects this format into the 10m wide front.
The mixed use building completes the city block towards the high street; the courtyard provides daylight from the south where an arcade offers flexible external areas within the otherwise dense historic city centre.
The Frankfurt Städel Museum is about to undergo the largest expansion ever in the course of its nearly two-hundred-year history – with regard to its architecture and its collection alike. In the autumn of 2009, in conjunction with numerous important additions to the museum’s holdings, work commenced on the construction of an annex for the presentation of contemporary art. Designed by the architectural firm schneider+schumacher of Frankfurt, this extension will open its doors for the first time on 25 and 26 February with two Open House days and a big public celebration.
The extension of the Städel Museum View from outside
Contemporary companies, particularly those in the creative industries, are bringing about substantial change in the ways in which we work today. They are fully embracing changes which promote and stimulate creative work processes through communication, experimentation and new forms of collaboration. There is an understanding that – alongside ever improving connections to external information resources – encouraging communication and knowledge sharing within individual companies increases the potential for more creative and experimental approaches to work. This results in a better understanding of the potential for the optimal organisation of human resources and in turn, a workforce that is stimulated to play an essential part in the creation of improved output.
Client: Fraunhofer-Gesellschaft zur Förderung der angewandten Forschung e.V.
Building surface: GFA 5.782 m2
Building volume: 27.221 m3
Programme: Offices and laboratories
UNStudio: Ben van Berkel, Harm Wassink with Florian Heinzelmann, Tobias Wallisser, Marc Herschel, Kristoph Nowak and Christiane Reuther, Aleksandra Apolinarska, Marc Hoppermann, Moritz Reichartz, Norman Hack, Marcin Koltunski, Peter Irmscher
ASPlan: Horst Ermel, Leopold Horinek, Lutz Weber, Stefan Hausladen, Jürgen Bär, Gunawan Bestari, Joachim Deis, Bernd Hasse, Marlene Hertzler, Michael Kapouranis, Vladislav Litz, Thomas Thrun