This classic modern house is designed around a number of mature trees, in a park-like setting. The house is designed as a collection of blocks linked by a flat-roofed element, housing the entry and gallery. The gallery space leads you past an interior courtyard and pool and on to the main living area, where a strong connection to the garden is maintained via large glass sliders on both sides.
The brief called for two lecture theatres, one larger (300) than the other (150), together with a larger multifunctional foyer/exhibition/function space. This lead to the conception of 2 respectively contrasting metaphysical conditions to generate architectural form:
This mixed use development is located on a beachfront site in Auckland’s eastern suburbs, looking north up the Hauraki Gulf to the mouth of the Waitemata Harbour, the North Shore and Rangitoto Island. The building occupies a corner site over two parcels of land, 387 Tamaki Drive and 6 Maheke Street. The lower level of 387 Tamaki contains a bank, restaurant and the main building entry, around a publicly accessible courtyard, at the centre of which is a rotating sculpture known as ‘The Seedling’.
Sited in Auckland’s inner city suburb of Parnell, the Nikau House is the first of a newly developed subdivision; the conception of private and responsive spaces for the client, a semi-retired couple was essential for conceived future conditions as well as ensuring that existing aspects of the site were acknowledged.
The parti of S_House divides the long thin lot into two gardens, challenging the conventional diagram of the front and back yard of the typical suburban house. The house becomes the active space between the gardens, and offers the occupants multiple views and sectional level changes as they move through the site.
This substantial 14,190 m2 fitout for 900 staff offered an opportunity to holistically enhance Beca’s engineering and consultancy business, to present a fresh and professional image of their expanding organisation. Beca committed to a significant strategic transformation in changing to an open plan workplace with all staff in one building, and the fitout is designed in response to support a range of ways to work. Distinct zones are layered through the plan for individual and team-based working, transitioning into ‘studio’ spaces – open work areas that facilitate collaboration, creative thinking, and working.
Stairway Cinema is the third installation by OH.NO.SUMO.
Our ongoing goal is to experiment with architecture and the way it can engage with the public in unique and exciting ways. This project takes inspiration from the site and its inhabitants. The site is the busy pedestrian intersection of two inner city streets in Auckland, New Zealand. It is located between two universities and is a place of ‘unconsidered waiting’. Bus stops and laundromats create a dispersed hard-scape that results in numerous instances of poor quality waiting, while simultaneously failing to provide quality space for social interaction. Members of the public retreat individually into the media offered on their mobile phones. This in turn results in greater separation and dislocation from an existing community that is waiting to be activated. A community must be linked not only virtually but also physically.
This extension to the NZ Maritime Museum is designed to house an exhibition of New Zealand yachting, from early small boats through to NZL32, which first won the America’s Cup for this country. NZL32 was gifted to Te Papa, and is now exhibited as a collaboration between Voyager and Te Papa.
The original 1970’s bungalow on this site had little to recommend it aside from extensive upper harbour views and adjacent sea views from the second floor. The clients were determined to maintain these views, along with the “beach-side” feel of this unique site.
Outdoor room of the boatshed (Images Courtesy Emma-Jane Hetherington)