The extension to this 1890’s single-fronted, weatherboard cottage in Hawthorne, Melbourne is an exercise in clever, compact planning that seamlessly weaves together traditional and contemporary architecture.
It’s not often that a Client approaches an Architect after they have chosen their Cabinet Maker.
But in this case the Owners had identified Cantilever Interiors as the designer & manufacturer for the Kitchen in their new extension before the rest of the house was even considered.
The Westmead Millennium Institute (WMI) is headquarters for one of the largest medical research institutes in Australia. The building brings together staff traditionally housed across six sites of the Westmead Hospital campus.
Bankstown Gardens is a 9 storey signature apartment development consisting of 54 units, landscaped garden setting. The site is close to Bankstown CBD, so it is on the door step of schools, restaurants and shops as well as bus, railway and transport facilities.
Intellect for Living in Semi-exterior Spaces that are Equivalent to interior
This residence is located in Brisbane, the capital city of Queensland, Australia. This region is home to the Queenslander — a traditional style of wooden stilted house complete with veranda. The characteristic veranda is an environmental interface for keeping sunlight off the buildings outer walls, and also serves to link residents to their city and community through acting as an entrance porch, and sometimes even a dining room or reception area for greeting guests. In Japan these roles used to be carried out by engawa loggias and earthen floors, but such spaces are now in the process of disappearing. People greatly value the type of lifestyle, which can take place in semi-outdoor spaces. I saw an example of this in a housing catalogue issued in 1939, in which indoor and semi-outdoor areas were displayed in different colors and both of their floor spaces noted down for readers.
Bankstown Gardens is a 9 storey signature apartment development consisting of 54 units, in a landscaped garden setting.
The building is located on a prominent corner in Sydney’s Bankstown. The building is curved at the corner to reinforce the corner and present as a gateway in the streetscape. The dynamic design utilises a framework of sun control fins to create an exciting frieze on the façade. The diagonal geometry articulates the façade whilst allowing for large expanses of glazing and external planter devices. The transparency of this material is juxtaposed with the lightness of the white screens to create a vibrant and light façade.
Located within the established streetscape of St Kilda Road, the design enables residents to make full advantage of its excellent location within Melbourne. The fluid forms of the façade define large balconies for each apartment and spectacular views of the Royal Botanic Gardens, Port Phillip Bay, Albert Park and skyline of the Central Business District.
ZHA Project Team: Marina Martinez, Luca Ruggeri, Anat Stern, Roberta Sartori, Sam Mcheileh, Alejandro Diaz, Nhan Vo, Michael Sims, Maria Echeverri, Raquel Arauco Ordas, Kate Revyakina, Michael Rogers, Flavia Santos, Daniel Coley, Natasha Gill, Ashwanth Govindaraji, Arian Hakimi Nejad, Jose Castaneda, Afsoon Eshaghi, Alessandra Catello, Millie Anderson, Arya Safavi, Hee Seung Lee, Johannes Elias, Juan Camilo Mogollon, Julia Hyoun Hee Na, Manuele Gaioni
ZHA Competition Team: Gianluca Racana, Michele Pasca di Magliano, Ludovico Lombardi, Daniel Fiser, Luca Ruggeri, Julia Hyoun Hee Na, Hee Seung Lee, Nhan Vo, Sobitha Ravinchandran, Adam Twigger, Rafael Contreras, Annarita Papeschi, MohammadAli Mirzaei, Kostantinos Psomas
Casa crisp is the transformation of a modest 1.5 bedroom brick veneer cottage into a light-filled, environmentally inclusive home for a young family of 6.
The original cottage has been transformed into a modern beach house with a sophisticated interplay of natural materials and considered volumetric arrangement. A rectilinear timber form now sits atop the original brick veneer podium keeping much of the existing dwelling intact.
The 1920s packing shed is the only building remaining from the once prosperous Nestle condensed milk factory—an important centre of Toogoolawah’s economic and social life until the factory was destroyed by fire in 1951. The inception of the art gallery and workshop project began in 2012 with a grass -roots push from the community. The opening exhibition in December 2015 featured 31 local artists and a display by the Toogoolawah and Districts History Group, positioning the building as a catalyst for the ongoing cultural life of the region.
The house sits firmly along a winding ridgeline on the outskirts of the small township of Fish Creek. The home surrounds itself in a highly textured brickwork wall in response to its exposed position to strong local winds and a nearby country road. This long wall wraps the three nested, black timber pavilions of the house like a rough and coarse blanket and offers them shelter while they sit upon the lower wall edge and gaze out upon the undulating and extraordinary coastline of Wilsons Promontory. The three pavilions are pulled out from each other and from the northern edge of the rough brick wall to allow sunlight to slide deep into a series of sheltered and planted courtyards that offer immediate garden and deck relationships to the interior spaces. These interiors provide a warm and robust palette of timber-lined walls, black-pigmented concrete floors and black form-ply ceilings.