This house is set on a traditional Berkeley street, and adjacent to a former rail line (traces of which are still visible from an aerial view.) The architecture borrows from the machine qualities of the railway to echo the former land use, and blends it with the character of the current residential neighborhood. Corrugated metal wraps down the roof and wall facing the former train line, while the front of the house expresses the pitch of the roof that ties it to more traditional house forms. The interior is an open expanse that also recalls a large, open station with a free plan and high vaulted ceilings.
The Phoenix house is named for the mythical bird that rose from the ashes of fire to start a new life. This home on a hillside site looking across San Francisco Bay to a panoramic view of San Francisco and the Golden Gate Bridge is a rebuild following a tragic fire on the site. The original house was built in 1952 by Berkeley architect Henry Hill for the family of a local lighting fabricator who collaborated with many important Bay Area artists, artisans and architects, from early masters such as Julia Morgan and Bernard Maybeck, to the region’s mid-century modern masters. With this legacy, the original home was filled with works of art and craft from local craftspeople and the family’s travels in Asia and the Middle East, much of which was lost in the fire.
An existing study/bedroom of a 1950’s modern house is transformed into a private working library for two. Conceptually, two distinct surfaces run along or perpendicular to the two opposing wall while creating spatial volume by multiple cuts and folds. These cuts and folds increase possible practical space through their operations, creating visual hierarchy and continuity. Color is used to give clues to the surface folding assembly, to trace the method of fabrication, and to project possible surface operation.
Situated in one of the ranges of the Berkeley Hills, this project is located in a 1950s modern house, designed to embrace a spectacular view on one side while wrapping around an inner courtyard garden pushed against an upper stone retaining wall. This interior courtyard is the subject of design consideration for an installation driven by the desire to define the garden space with a visual destination from the interior rooms.
The Ed Roberts Campus is one of the first buildings of its kind in the nation – a community center serving and celebrating the Independent Living / Disabled Rights Movement. Located at a regional transit hub and integrating advanced strategies of Universal Design and Sustainable Design, the ERC is designed to welcome and support people of all abilities.
The Freight & Salvage (whose non-profit organization is incorporated as the Berkeley Society for the Preservation of Traditional Music) has long been the most venerable institution dedicated to presenting the best in folk and traditional music west of the Mississippi.The organization was started in 1968, where despite the small size and grittiness of the initial barn-like urban warehouse venues, “The Freight” became known for top quality performers and for its welcoming, down-home environment.