The Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), was unveiled today ahead of its public opening on 22 September 2017 at Cape Town’s V&A Waterfront. It will be the world’s largest museum dedicated to contemporary art from Africa and its diaspora and is designed by internationally acclaimed designers Heatherwick Studio, based in London.
The museum is housed in 9,500 sq metres of custom designed space, spread over nine floors, carved out of the monumental structure of the historic Grain Silo Complex. The silo, disused since 1990, stands as a monument to the industrial past of Cape Town, at one time the tallest building in South Africa, now given new life through the transformation by Heatherwick Studio.
Project: Zeitz MOCAA (Museum of Contemporary Art Africa)
Location: Cape Town, South Africa
Photography: Iwan Baan, Antonia Steyn
Client: Victoria & Alfred Waterfront Holdings (Pty) Ltd
Design Director: Thomas Heatherwick
Group Leader: Mat Cash
Project Leader: Stepan Martinovsky
Team: Simona Auteri, Ruggero Bruno Chialastri, Yao Jen Chuang, Francis Field, Sarah Gill, Xuanzhi Huang, Changyeob Lee, Julian Liang, Débora Mateo, Stefan Ritter, Luke Snow, Ondrej Tichý, Meera Yadave
Making Team: Lucie Beauvert, Einar Blixhavn, Erich Breuer, Alex Flood, Hayley Henry, Hannah Parker, Luke Plumbley, Matthew Pratt
Perched just above the blue expanse of the Atlantic Ocean in Clifton, Cape Town, this opulent yet timelessly elegant two-level ground floor apartment boasts a perfect balance between luxury and comfort. The total redesign in terms of interior architecture together with the décor furnishings, it embodies and reflects the clients love of travel in an understated and individual way.
ARRCC worked with a neutral colour palette throughout the generous double volume space, allowing the majestic blue of the ocean and the sky to be the only colours that pour in through the glass expanse. Under a slatted timber pergola an expansive terrace with spacious low-slung furniture fills the elegant outdoor space as the simple white upholstery draped in Ralph Lauren bathes in the warmth of the African sun. Indigo-dyed printed throws echo the vibrant blue of the sea and the sky.
Haldane Martin has designed a new café for Cape Town: a traditional French crêperie called Swan Café, nestled in the hub of the bustling east city precinct. Elegant, feminine and atmospheric, the café brings to life the charm of Paris in a space that’s completely unique to the Mother City.
The blue swan logo at the core of the graphic identity is also the central interior design concept. Owner Jessica Rushmere has always identified with the swan. A graceful and majestic creature with mythological significance, these attributes play into the brand identity and the interior design, using the swan as an emblem and feminine oval shapes throughout.
Located in the leafy suburb of Higgovale, set below the iconic Table Mountain, House Invermark overlooks the city and harbour of Cape Town. Forty seven years after receiving a medal for excellence, House Invermark has been awarded a prestigious Commendation from the Cape Institute for Architecture (CIfA), in recognition of noteworthy contributions to architecture.
Already nearing its second decade, Travelstart remains one of Africa’s leading online travel agencies and booking websites. Having recently relocated its Cape Town headquarters to a two-and-a-half-storey set of offices in Longkloof Studios, located just off the bustling hub that is Kloof Street; it is natural that the company should wish to set itself up in a working space that would reflect its efficiency and modernity. The initial interior design concept was inspired by the office featured in Nancy Meyers’ 2015 comedy film The Intern, upon which Travelstart’s CEO wished to model the new space. From there, Inhouse Director, Phillip Wyatt and Senior Designer, Chrismari Loubser, were delighted to help make the vision happen.
“The brief was to create a home with all the spectacle of an Atlantic Seaboard showpiece but also to respond to the practical needs and complexities of family life. The thinking was towards massive open-plan and double-volume spaces and tasked zoning,” says Stefan Antoni, director and Partner at SAOTA
The pavilion is a free standing building in addition to a property in Constantia, Cape Town as an entertainment space, guests accommodation, and a car collector’s garage & show room.
Infrastructure investment company GAIA commissioned award-winning interior design firm Inhouse Brand Architects to create its new Cape Town office space. Following successful, large-scale projects for notable corporate companies, like Old Mutual, Santam, Sanlam and more, Inhouse was the clear choice based on demonstrated conceptualisation and implementation expertise spanning 15 years in the industry.
For a taste of New York in the Mother City, look no further than the fresh, sophisticated new offices of Urban Lime! Inhouse Brand Architects has unveiled a stylish redesign for the Cape Town branch of this international property management company. The commission was the second from Urban Lime; Inhouse previously refurbished the upper floors and common areas throughout the same building and due to the success of this initial project, was the inevitable choice to fulfil the client’s latest aspirations for the first and second floors.
When Inhouse Brand Architects was approached to create the new Cape Town offices of top local advertising agency 99c, its interior design team used the opportunity to produce an extraordinary – yet more efficient – work environment that sounds the death knell of the conventional office.
Inhouse approached the design process with several key goals, the first, being to enhance the already spectacular site. The 3000 square meter premises occupy the top three levels of the Atlantic Centre, a new office development on Cape Town’s eastern foreshore. There is a magnificent double-volume interior partly broken by a mezzanine level, and one floor below. Fantastic views wrap around the building, taking in the harbour and Devil’s Peak. Being as yet unoccupied, it was an empty shell to start with… Inhouse’s second goal was to create a fully functioning environment to suit the client’s daily business needs; and the third, was to reflect the creative nature of the agency and its employees.