The context of the project is already contained in the same title of the project task: Church St. Ana and Social center Vežica. This public and social context is only enhanced by the presence of a school in direct contact with the location of the project, but also the park that connects everything, and functions as a certain 'green spine'. The church is therefore in direct dialogue with the social center and park, so the project puts emphasis on these two spatial relations by means of an 'atrium' and a 'porch', two strong architectural elements trough which a place becomes a 'position'.
The residential building was built in Frano Supilo Street in Dubrovnik; it is located in the middle of the Ploče area of Dubrovnik, between the Old Town and Sveti Jakov neighbourhood, above the attractive Seherezade villa, famous for its beautiful gardens.
This part of Ploče is quite specific as it offers more multi-storey building possibilities than the rest of the neighbourhood. There is also a tall and continuous street stone wall.
Bužanova Apartments is a new housing block developed in cooperation with the client, VMD model. It is situated in the center of Zagreb, five minutes walking distance from Kvaternik Square, in a quiet street with an abundance of greenery, but within reach of the city bustle.
The architectural concept of the building is inspired by the pure form of Zagreb Lower Town blocks. With classic elegance and proportion of openings, the block consists of two volumes on the corner of two peaceful, urban green streets.
Bedrock House is a sequestered house for one, for two, for a couple; a house which draws its power and identity from the energy of its location and its own particular scheme. The house absorbs the natural context into which it is placed: the Mediterranean landscape, the topography of the ground, the unobstructed vista of the sea, and employs them as generators of a specific architecture. Situated in the woods, the house becomes a confluence of three different biotopes: the preexisting oak forest, the craggy Mediterranean garden with its plants and the large stretch of water – the pool – all surrounded by palm trees.
Winery in Kutjevo appears as the development of a previously designed winery in Radovanci. The new building is located in the center of Kutjevo town and due to a switch from a completely natural environment to a very urban one, there has been a complete turn in the architectural design as well. A simple and clear architectural design is inspired by the traditional wine cellars and the indigenous country houses. The surrounding houses are built on concrete pedestals, which mostly remain unfinished and rough; on the other hand, the walls are made of brick that eventually gets patina and a robust appearance. By applying these principles and materials, the house attempts to fit in the main city street where it is built.
Camping Mon Perin is located in the municipality of Bale, Istria Peninsula in Croatia and is spread over 9 km of coastline, halfway between towns Rovinj and Pula. The whole area is protected as valuable natural environment and also as an archaeological site. That resulted with very strict construction conditions that permitted reconstruction but within the existing spatial parameters. That condition has been an extremely aggravating circumstance knowing the standards that had to be met in terms of categorization. The project task was to raise Camp categorization from 2 ** to 4 **** between two summer seasons by reconstructing the main facilities: reception, restaurant and 8 toilets. It was also aimed to create a modern camp with facilities and architectural language that suggests a new direction of services development within the camp. Existing facilities were mostly “reconstructed reconstructions”, too small in size and inadequate aesthetics.
Article source: Branka Juras, Architectural Design Studio
In this project there is a conflict between two necessary requirements, in other words between the necessity to preserve our architectural inheritance and the necessity to develop modern architecture. Our towns and villages are neither to petrify as museums nor to lose their character due to a total lack of regard for old buildings. Resolving this is not easy.
It is important for us to ask right questions at the right place, to know that the architectural quality of a building is not sufficient for succesful integration, and what is decisive in the quality of the relationship produced between old and new.
The Issa Megaron project is dealing with questions regarding the context of the site boundary, envisioned on the plot that is read as a ‘’void ‘’, blank space- deception is that context is non -existent. The assignment was to design a house for a temporary family retreat on a site without infrastructure, at the same time completely satisfying the needs of the user .
Given that the “genius loci” is not only the plot an island of Vis but actually Mediterranean, we conceive the house by the system of the Socrates Megaron, reinterpreting the ancient stone drywalls and creating a new rural man-made topography using simple construction technologies.
In 2014 major floods hit eastern Croatia causing, among casualties, catastrophic damage to infrastructure, including football one.
Croatian Football Federation together with World (FIFA) and European (UEFA) Football Federation gathered funds for reconstruction of 5 football fields together with a new stadium which, today, represents a crown of the entire reconstruction.
Particular attention in this valuable project was devoted to the construction of a new stadium in Gunja as the center of gathering and interaction of the local community and the development of new generations of athletes.
The concept of the Cultural – Educational Complex in Kajzerica has been deducted from a contextual inspiration: by shifting the direction of the buildings from the street of the old Kajzerica Neighbourhood, we get a public area and an extension of the urban space under a green canopy. The lifted classroom volume slabs are outdoing the access to the school yard, opening transparency, lucidity, continuity and relations within the site, metaphorically substituting crowns and shadows of the trees, freeing the public space and rendering an artificial forest merged with the authentic green surface.