This former soap factory has been completely refurbished to make the most of the volume. The ground floor has been digged of 40 cm, to allow the creation of a mezzanine. Nets (or trampoline) provide relaxation spaces in weightlessness. Steel and glass walkways connect the rooms, like tree houses.
This transformation from basement to recording studio lie between high technicity and aesthetic research in a noble way. Located below a residential building, the first purpose was obviously the acoustic performance ( in terms of isolation and quality of acoustic demand). Besides the technical result, it was essential to invent an engaging visual atmosphere for these places of creation. Here, the decoration is not accessory, it characterize the space. The global morphology of the caissons being largely compelled, it had to find a way from a quasi-military geometry and provide some playful dimension. The “patchwork” proposal, a combination of “stains” expanding all over the walls the floor and the ceiling, weaken the links with the space, and like an anamorphosis, energize the place.The random geometry segmentation was also perfect for the treatment of the acoustic demand. The selection of materials and colors is inspired by Ethiopian music.
In this mansion, the living space is revealed by the encounter between past and present.
It is in the interpretation and the articulation of the existing architectural signs that has emerged the project, where each new architecture fragment fits and dances in its context.
Anchored on the edge of the Jardin Public in the center of Bordeaux, the four-floor mansion from 1850 opens up to this beautiful garden, unveiling its majestic scenery over the seasons.
Situated in the heart of Paris, in the district of ‘Invalides’, this traditional Haussmannian family home was remodelled and designed by Camille Hermand Architectures to accommodate a young family. On the 4th floor of a typical Parisian apartment block, it boasts a large double siting room looking onto the street, a spacious bespoke kitchen looking over a leafy courtyard, and three bedrooms and an office discreetly situated to the rear of the property.
The building is part of the extremely dynamic renewal that is underway in the Clichy-Batignolles district, an area characterized in part by the convergence of railways leading to the Saint Lazare train station.
In this neighborhood, now well served by new public transportation, the predominance of mixed use programs and services (new courthouse, schools, cinemas, offices and apartment buildings) ensure this building on lot 7 will be surrounded by a quality environment.
Situated in close vicinity to Tour Montparnasse, the Vandamme mixed-use block, designed in the early 1970s by the French architect Pierre Dufau, was as one of the largest urban projects implemented in Paris at the time. As a design driven to prioritise automobile use, it appeared as a triangular urban island surrounded by the traffic loaded Rue Mouchotte, Avenue du Maine, Rue Vercingétorix and the rail tracks of Gare Montparnasse opposite the site. Dufau’s design is characterized by a clearly defined horizontal plinth, interrupted only by the verticality of the slender, 30-storey tower of the Hotel Pullman. Once a landmark of the era, over time the complex has failed to adapt to the changing needs of an urban society, resulting in an introverted and self-contained block which lacks urban connectivity, discourages pedestrian activity and neglects any sense of identity.
Freyming-Merlebach is a town with a substantial industrial past, in a part of Lorraine that developed in the 19th century, driven by the coalmining industry.
Since the closure of the mines in the 1990s, this part of north-eastern France has seen a sharp increase in unemployment, and culture is seen as one possibility for resolving the accompanying social and economic difficulties in the town, as has been the case in the neighbouring Ruhr region. The historic theatre in Freyming-Merlebach had deteriorated, and a number of cracks appeared as the result of disused underground tunnels. The old 500-seat auditorium needed to be replaced, and it had also become too small.
The church of Saint-Jacques-de-la-Lande will be the first church built in France’s Brittany region in the 21st-century. The project has been contracted to the Portuguese architect Álvaro Siza Vieira. Siza’s use of light and white concrete provide a unique ceremonial space that gently folds into the neighborhood south of Rennes, a residential area with five-story housing blocks.
An urban renewal project is in progress in the southern part of the city of Villeneuve-la-Garenne. This project of 30 hectares aims for the refurbishment of one thousand dwellings, with the demolition of 341 in order to rebuild 436 new ones.
In Marseilles, A+Architecture has designed one of the highest wooden buildings in France for the CROUS: the Lucien Cornil hall of residence.
This eight-floor student residence is the fruit of a successful environmental and construction period. Its sensitive urban approach makes this 200-room structure a functional building, comfortable and opening out towards the city.