Existing contours and infrastructure act as the primary form generator for a new research building at RWTH University – producing a structure which works in symbiosis with the man-made and natural elements that surround it. A structure which harnesses regenerative energy techniques to produce more power than it consumes.
This is an affordable prefabricated low-energy house for a young couple and their two children. The family wanted a house which felt like a connected space, but which would also offer individual freedom to the occupants. The building is separated into an upper and a lower part.
Henning Larsen Architects has chosen a two-part composition to create hierarchy and openness on the site and has integrated the complex urban spaces that meet at Ericusspitze in their design.
With its clearly readable figure each building has a reserved yet characteristic expression that provides a special significance in relation to creating identity for all the surrounding public spaces.
The Ericus building will be essential for the completion of the large park space. Spiegel will become the gateway to Hafencity seen from the main station and Brooktorkai.
Night View (Images Courtesy Cordelia Ewerth and Andreas Gehrke)
Sonnenhof consists of four new buildings with office and residential spaces. Located on a consolidated number of smaller lots in the historical center of Jena, Germany, the separate structures allow for free access through the grounds. Their placement on the outer edges of the plot defines a small-scale outdoor space congruent with the medieval city structure. Its outdoor facilities continue the building’s overall design concept past the edges of the lot. The planned incorporation of commerce, residence and office enables a small-sectioned and flexible pattern of use that also integrates itself conceptually into the surroundings.
Lately, the sleek curved shape of a rollercoaster highlights widely visible the highest peak of the park-‐like designed Heinrich Hildebrand Höhe in the South of Duisburg. The dynamic sweeps and curves of the construction inscribe themselves like a signature into the scenery and soar till the height of 21 meters. From a distance the metallic glossy track creates the impression of speed and exceeding acceleration. Viewed from close up, the supposed lane turns out to be a stairway which, elaborately winding, follows the course of the rollercoaster. The visitor can climb the art work by foot. Although the course describes a closed loop, it is impossible to accomplish it as the looping emerges to be a physical barrier. On top, at the highest point of the sculpture – 45 meters above ground – the visitor is rewarded with an extraordinary view over the landscape of the Western Ruhr.
The Technikum III laboratory aspires to integrate various fragments on the site: the laboratory spaces, the existing institute buildings and the urban context.This is achieved by “defibration” – the de-laminating of the building volume and facade – which generates a building that is both simple and complex in its reaction to functional demands.
Since the fall of the Berlin Wall in 1989 the drive to rebuild and redefine the city has sparked ambitious development projects. This dynamism and Germany’s central location in Europe makes Berlin a thriving centre for business and a vibrant destination for tourists.
Linking city to river promenade, the new Beethoven Symphony Hall rises – a beacon of light, a porous multifaceted crystalline mass, growing out of earth, floating on water. This iconic structure, its two embedded performance spaces softly visible from without, becomes a ‘performer’ in its own right after dark.
Competition Team: Kristof Crolla, Tom Wuenschmann, Evan Erlebacher, Andres Schenker, Chryssanthi Perpatidou, Elizabeth Bishop, Michael Powers, Teoman N. Ayas, Michael Mader, Goswin Rosenthal, Tariq Khayyat, Yelda Gin
As a development of ongoing research, architects Pablo Zamorano and Jacob Bek, and designer Nacho Marti in collaboration with the Emergent Technologies & Design Research Programme at the Architecutural Assoiciaiton, are exhibiting an exciting new experiment in pushing the boundaries of a highly efficient and sustainable fabrication process of a standard natural sheet material. The design manifested into an exhibition and meeting room pavilion that explores complex geometries generated by simple cut patterning in sheets.
A new promenade linking key areas of Hamburg – incorporating ‘purposeful erosion’ to create a meandering river promenade with open vistas – compressed and expanded at key moments, punctuated by cut-out access cones, amphitheatres and three contrived ‘rock formations’ on which restaurants, cafes and kiosks are placed.