The new Uj Hidegkuti Nandor Stadium was inaugurated in October 2016 in Budapest, Hungary. Due to its unique architectural design the 5,000-seat capacity stadium, ranked to UEFA category 3, opens up new prospects in the world of football stadiums.
’FOOTBALL CAPSULE’ – THE NEW GENERATION OF STADIUMS
The essence of a stadium is the fine union of the pitch and of the stands embracing it. The carefully designed, closed seating bowl provides a perfect view and cauldron-like experience, which are essential conditions of the proper atmosphere. Therefore the seating bowls of stadiums with 20-80,000 spectators’ capacity show the typically closed, highly arched and dynamic form. Stadiums planned for less than 10,000 seating capacity are considered as small-sized or mini arenas. In these stadiums not only the spectators’ comfort level and the range of services are often on a lower level, but the form of the seating bowl and the whole appearance of the building are simplified and thus, the quality of the experience is lower as well.
Team: Robert Benke, Peter Bukovszky, Zsofia Dobay, Robert Gulyas, Bela Marsal, Tamas Mezey, Dorottya Repai, Tamas Tolvaj, Istvan Ulmann, Eszter E. Vagvolgyi, Reka Zsolyomi
The architectural concept of the International School of Debrecen was based on the form of a circle. This simple, yet symbolic shape traditionally means protection, union and community, while it softly blends into the neighbouring Natura 2000 protected forest area.
The site is located near Nagyerdő, the city park of Debrecen (Hungary), in a developing and popular residential area called ‘Pallag’. This calm, natural environment provides an excellent background for a school. However, it was a great challenge to design a contemporary building that fits into its green surroundings, while it represents the qualities of the International School with its characteristic, iconic and unique appearance. The key of the design concept was to create a shape, which goes far beyond its built borders and integrates in the natural environment.
Many old bourgeois apartments were divided up at the beginning of the last century and were later reconstructed to suit current lifestyles. This is how the spaces of this apartment changed as well. In the case of the current reconstruction, the intention of the designers was to free up spatial relationships.
The apartment was designed by Studio Nomad’s architects (Bence Pásztor, Soma Pongor and David Tarcali), who have successfully participated in several tenders in recent years, and who were the designers of the Hungarian Exhibition of Venice Architecture Biennale in 2018. They are also known as workshop leaders, but also have their own branded furniture.
The villa was built on one of the most beautiful locations of Budaliget. The flat site is located on a former airport field, in the exact center of the area, which previously functioned as the airport runway. The lot was completely empty – looking at it in its natural state one gets to see picturesque views with beautiful large trees all over the location. The area is ideally lit by the sun and it’s completely protected from the wind.
The surrounding neighboring buildings all feature contemporary architectural characteristics. The architects wanted the building to blend into the neighborhood, but at the same time, they wanted to design something completely unique.The home is designed for ideal sun exposure, taking into account the existing trees while the surrounding nature also protects the dwellers from the unwanted views. The building works with refined contemporary gestures in the field of mass formation, which gives it a playful, but still an elegant chara cter. The use of materials on the façade is based on three dominant elements. An anthracite deep-burned rectangular casing covers 70% of the building’s surface, and the remaining surfaces have been treated with a gray finish paint. The surface of the roof is covered with anthracite-colored metal scrub. These combinations of the dark gray brick, metal and wood surfaces and the subtle shift in their tones gave a unitary composition and harmony to the external character of the home.
During the conversion and expansion of the Hotel Tokaj in Hungary by NAPUR Architects, the original horseshoe-like construction of the building remained intact. On the eastern side, the building got completed with an additional unit, which lent the structure of the hotel a closed square shape. The resulting framed construction follows the ancient construction of a courtyard house type that fits into the traditional settlement structure.
Located near the motorway, agriculture is still an important source of livelihood in this village outside the city of Győr. This new, mid-sized plant will stand among old vineyards and orchards. Situated in the curve of the hill, the reinforced concrete building is a metaphorical reflection of the dynamic nature of processing: it devours the grapes brought in from the plantations like a bag or a giant monster, then digests them. Simultaneously, it also evokes the atmosphere of old cellar-houses.
Had you visited the Paris Court in downtown Budapest only a handful of years ago, you’d have met with a significantly different impression. Darkened corners, rusted metalwork and damage from the tumultuous wartime events that shook Europe in the 20th Century all combined to make for an architectural sight that was at once historically rich yet in many ways a shadow of its former glory. In fact, it was a popular destination for filmmakers, who saw the opportunity to leverage the combination of the ornate passageway and limited natural light for covert undercover meetings in spy films – such as 2011’s Tinker Tailor Soldier Spy. Over the last three years, a partnership between interior design studio KROKI and architecture studio ARCHIKON has worked to revive the downtown location, restoring the dark and damaged arcade to a decorated landmark that introduces proper lighting to its intricate details for the first time in its history.
The goal was first to restore the historical features of the central passageway, which is now open to the public as it had been prior to its disrepair. This meant maintaining the unique facades and decorative elements of the building that its creator, Henrik Schmahl, had designed it with when it was built at the beginning of the 1900s. Glimpses of Neo-Gothic, Art Nouveau and Moorish aesthetics can be spotted throughout the covered space. The myriad details that once decorated the passageway is a rarity across Europe, and so when work started it was essential that these same features were restored and maintained to their previous, ornate glory.
“It is not the gold handle but human relationships, closeness to nature, and silence that is the real luxury”.
The Luxury of Nature and Human Contact Is Brought to the Forefront of This New Budapest Condo.
As our lives become increasingly metropolitan, many of us are seeking to be closer to nature. The pace of urban life can be exhausting as we lose ourselves to our mobile phones and the digital age, which can make the importance of connections with our fellow humans all the more significant. Restoring our connection with both nature and personal relationships is crucial for a harmonious lifestyle, and that’s the overriding thought behind Benyei’s architecture studio’s latest plan. The modern-day sense of a luxury residential space goes beyond quality of design or premium construction materials; the true luxury is a building’s ability to unite family, friends and the silence of nature.
The project was the refurbishment of one of Budapest’s busiest downtown transport hubs, and the most visited public square on the Buda side. Due to the strict order of tramlines and roads, the main architectural and landscaping goal was to clean up and rationalize the inner parts, making the square a pedestrian priority public space with as many green areas as possible, in a way that does not interfere with the transferring crowd. The placement of the resting areas, filled with shrubs, trees, fountains and benches is based on an analysis of the crowd movement, providing the shortest route for each transfer and utilizing the least loaded patches, while leaving the heavy connections empty.
In its lifetime, Villa Cinquecento has been through the hands of three different owners and went through many visions of transformation by various architects – a situation which is difficult to handle on its own when tackling a new design challenge. Therefore, when Napur Architects were tasked to redesign the multi-residential building, it was inevitable throughout the whole process that the participating architects and the new customers would need to collaborate through open, transparent communication to achieve a high-quality result.