Like all architectural proses chose a certain strategy is a primary step in design, and also pay attention to the Location of project and its historical urban context are as a key design element. Justin coffee’s location is the neighbourhood called Maghsood-Beik In the vicinity of Tajrish Sq, and it is front of Tajrish Bazaar, although there is a river between Tajrish Bazaar and Coffee Jusmir. The Tajrish’s river plays a role as a divider here. We started initial design according to the Iranian traditional architecture and we tried to use of Iranian architectural lines in design proses for example fluid form of a dome in historical buildings in Iran which it used to build in Tajrish Bazaar. Our final decision was that we design a space which its main concept is from historical buildings but well known for a young generation. We also tried to control contrast between main form and furniture and additional walls. Wood helped us to do this contrast very well, and it also made an impressive relationship between main form, floor, furniture, and walls.
Tochal is a recreational place in Tehran that had remarkable development plan in recent years, thus the design of Cube Club was offered to us.
In this project we encountered with many challenges such as special design terms, client visions, financial and time constraints and special requirements of construction, after the mentioned items, opportunities and constraints becomes the main influential factors in design process.
The idea of constructing a building within a building is explored by expanding the gap between corridors and offices. Similar to how the coastline connects land and sea, a gap between corridor and office is where Qastic’s design exploration emerged. By exploring and expanding this gap, the design and construction of bridges, double height voids, planters, and collaborative voids brought dynamic double height effect to Aparat’s space. As a result of the transparency created by the voids, conversations between employees on upper and lower floors happen at a greater efficiency during the work hours. The glass walls provide opportunities for all 75 work stations to take advantage of natural light and circulation across the entire 600 Sqm2 two story space.
Based on the urban situation, people’s lifestyle and revitalizing the concept of reconciling human and nature, the architect tried to create a pattern within which all the expectations fit. “The building is called The Neighbor in order to be neighboring to the shading tree in the yard. We want it to be arisen from the nature and to describe architecture as a living paradigm.” -Said the architect. One of the remarkable specifications of the project is using recycled materials in order to lower the budget. The white façade is a product of combining cement and recycled stone. “We tried to bring the architecture into the homes of ones who had forgotten the “Quality” because of its high cost.” -Said the architect. Characteristics that describe the essence of design: Communication: The interior communal spaces provide the opportunity for the residents to easily communicate. The yard has short walls so the neighbors can let themselves inside, rest under the shade of the tree and have a friendly chat. Diversity: Order is nature’s quiddity. Architect looks for creation of inner order based on diversity as well as harmony. Reducing repetitive elements and using a modular design system resulted in a variety of different apartments, both in the structure of the plan and the exterior façade. Originality: Everything seems original here. All the spaces are designed based on a function. Being a home: The units get enough amount of daylight. Terraces are like private little gardens that have a great view to the city.
This villa is located on a steep hilly property in the affluent town of Lavasan, only 30 minutes from Central Tehran, Iran. The site offers views of Jajrood River basin, one of the main sources of water for Tehran Metropolitan region. This river is located in the southern part of the central Alborz mountain range. The view of these majestic mountains and the Jajrood River makes this place magical and memorable.
Due to the increase in capital in Tehran (the capital of Iran), most interior projects are a product of demolition of the existing buildings and their replacement with a brand new design which has caused negative impacts on the environment, during the past years. On the other hand, the considered location for this project was rented for a limited time, therefore, minimizing the negative effects of demolition through keeping the existing walls, choosing wood and iron as the materials with the potential to return to the life cycle, designing details capable of being easily assembled and disassembled with the potential to be repeated in the future branches to avoid budget and recourse waste are considered the main issues in interior design of this restaurant.
The White Gallery is an architectural exercise in realigning the potentials and limitations of “in-fill” typology when it comes to creating a performative space for exhibition of art work.
The explicit and deliberate difference, in both figuration and configuration of the interior and exterior of the project, highlights the challenges to be faced in juxtaposition of the duo of typology and program.
The Andarzgoo Residential Building was built in five units ,each one with three bedrooms, on a land with the area of 215 m2. The ground floor included parking area, yard and the entrance while storage rooms, mechanical room, and gym were placed on the basement.
For those people who have a long experience of living in single-unit houses with a courtyard, it is a great challenge to change their life style and live in apartment houses.
Losing many of desirable advantages of single unit houses such as independency, fellowship with nature, existence of hierarchy and, natural ventilation and … is a trouble for the people who want to live apartment units.
The client demanded a design for a residential apartment in 3 storeys, located in a middle-class district of Semnan city. With respect to negotiations with the client and in order to create a maximal usable area, the design switched from an ordinary apartment block of two separate units to two separate triplex and duplex units, because the client was interested in level differences in one single unit.
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