A fantasy based on a dream of the artist client and fond of Iranian traditional ornaments; plus a contemporary expression of these ornaments, formed the dynamic, fluid and elegant membrane over the dis-harmonic` and inappropriate existing wall. A place where is supposed to host special people like Iranian artists.
Architects designed houses, which are categorized as artistic and cultural works of art, may morphologically be compared with real, abstract and conceptual paintings or even love stories.
Afsharian’s house situated in Kermanshah-Iran with a 312sqm land area is a three-storey building belonging to a couple and their children (a son and a daughter).
Not like the different forms that we know from churches, or temples; and the reformed morph of these buildings which allow a concrete cube with a cross to be well accepted as a church; not many changes in the form of “mosques” are accepted, specially in central Muslim regions. However many practitioners found no reference of any specific formula for mosque architecture in religious texts, not only the people still recognize a mosque with a traditional architecture and also a dome and minaret, some non-traditional practices showed unpleasant reactions. This project is a practice of Attribute-oriented Architecture to design a mosque with new day architecture, but also to have the spirit of the known one. The architect did not remove the functional elements, but the designed mosque is the decoded aspect of a traditional mosque, and its meanings.
Tabiat Pedestrian Bridge is located in the northern part of the city of Tehran, Iran, in a zone called Abbas Abad Lands; a 559Ha area which is mainly dedicated to cultural spaces such as libraries and museums, as well as public parks. This bridge was designed in order to address the need to improve access for pedestrians between the two parks, which are divided by major highways. ‘Tabiat’ means ‘Nature’ in Persian language.3
In this project we have tried to give maximum visibility to the green area.
Roof Garden is an element visible from the outside of the facade Qsnty also been leaning toward Main Street.
The main material is wood, brick and stone, and all the details are cheap and homemade.
In the yard is a cheap granite that has a slot for a new face.
Located on a hilltop, in North of Tehran, the Asef office building has a stunning view of the mountains and opens up to the view with numerous windows.
With almost 3000 m2, the building consists of 10 floors of which, 6 are office space. The ground floor is for commercial use and 3 levels of parking. Toreceive the daylight from north and south façade,Service spaces and circulation boxes are positioned in thecore of the building leaving side areas for work spaces beside the openings.
Our initial intention for the project was in fact to problematize the connection amongst-form, space, and structure. The project came toour studio after a year of being on hold due to the client’s dissatisfaction.
Laying on the pristine context of Polour, overlooking the highest peakof Iran-Mount Damavand-, and responding the climbing potential of the region,a spirited sport facility is imprinted delicately in the rocky lands of Mazandaran.
Being inspired by the geological process of the large-scale movements of the earth‘s crust and its tectonic forces,all end up to initial clues toco-operate for drawing up Polour Rock Climbing Hall.
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