Villa U is a single-family house located in the residential area of Gräfelfing outside Munich.
The floor plan is triangular, with the long side turned away from the street towards the garden and facing directly south. The remaining two sides, including the entrance one, follow the geometry of the plot. The southern, widest façade is cut open towards the spacious garden with swimming pool.
The building is conceived as a solid block, with three large openings and a double height space carved out within the long southern side.
Article source: gmp · Architekten von Gerkan, Marg und Partner
After a construction period of just 18 months and within the budget of 40 million euro the Isarphilharmonie concert hall in timber module construction, with about 1,900 seats, has now been completed. In combination with the former transformer building (Hall E), which has been refurbished to listed building standard, it will become the focal point of Gasteig HP8, the venue for Europe’s largest cultural center during its general overhaul. The architects von Gerkan, Marg and Partners (gmp) have succeeded within a very tight time frame and budget in creating an attractive venue with top-class acoustics of international standard that establishes the former Stadtwerke site in Sendling sustainably as a new, vibrant cultural quarter in Munich.
Design: Meinhard von Gerkan and Stephan Schütz with Christian Hellmund
Project Lead (Philharmonic Concert Hall): Annette Löber
Project Lead (Hall E): Michael Scholz, Georg Folkmer (CL MAP)
VgV Team: Christian Dorndorf, Thiago Henriques, Thilo Zehme, Anastasia Protsenko, Christoph Rohner
Design Team: Anna von Aulock, Alessandro Dado, Christian Dorndorf, Jan-Peter Deml, Martin Muc, Christoph Rohner, Phillip Stillke, Udo Fricke (CL MAP), Claudia Hupfloher (CL MAP)
The new Campus Großhadern at Munich University Hospital opens up a new green networked world for future-oriented medical care and research. The historic high-rise block will be demolished to make way for a coherent and accessible ensemble of buildings. The total volume of the new giant structure is made up of modules which, despite a high degree of spatial efficiency, convey the image of an open, permeable development and, if necessary, allow the campus to be easily extended. Inner courtyards and gardens allow for maximum daylight and very good ventilation, resulting in high amenity quality.
The new Van B residential project, located on Infanteriestrasse next to the future ‘Kreativquartier’ (creative quarter) in Munich, offers a completely new form of housing that reimagines the future of urban living.
As a prototype for modern city dwelling, Van B is designed to cater to changing demographics and multiple family constellations. With its highly flexible apartments, outdoor and shared communal spaces and striking facade, Van B offers a new form of urban living.
Two new apartment buildings enclosing a shared inner courtyard are being constructed in a partly landmarked environment near Prinzregentenstrasse and the Friedensengel at the centre of the suburbs Haidhausen and Bogenhausen. On the Trogerstrasse side, the front building carefully closes the existing gap in the block edge and shows formal consideration for the landmarked environment. This is reflected by the saddleback roof, two bay windows towards the street, a plinth, and a classically graceful design language. The various elements create a balance between the individuality of the building and the adjacent neighbourhood of the square.
R11 is a roof extension to a four storey building in the Munich inner city near the central station.
The foundations of the existing 1980s building had limited carrying capacity and did not allow for a simple extension of this size. Instead, it was first necessary to demolish the reinforced concrete structure on the fourth floor before extending upwards with a more lightweight construction. The new structure of massive timber, clad in steel encloses two new floors and a mezzanine gallery. In total, three separate living units have been created.
The provision of housing supply is most likely the biggest challenges in our cities in the future. Thus, the housing estates of the 50s, 60s and 70s do not go unnoticed on the outskirts of the city. Where developers divide the original properties of the local individual development into small pieces with oversized buildings, the border between city and countryside blurs. What if we continue to condense the city and treat the country differently?
Situated on a fairy tale-like plot just outside of the City of Munich, HouseH is a suburban dream of the Sixties. While the luxury of this estate is the beautiful outside-space, our aim was it, to keep the additionally built volume as low as possible. The character of the main-house as a single storey building with a huge roof remains, even been completely reorganized and restructured. The sculptural aspect of the roof and the outside terraces’ is reinterpreted and strengthened by design surgeries as one of the key aspects of the sixties architecture.
To avoid additional volume, al additional functions are strategically situated in the old ensemble of outbuildings, as the guesthouse is located in the completely refurbished cabin from 1920.
concrete proudly presents the opening of its latest hotel project, Andaz Munich in Schwabing. Like a kaleidoscope, the Andaz hotel reflects the culture and tradition of the neighbourhood, creating a stimulating and inspiring atmosphere where guests and locals can feel at home.
Weaving state-of-the-art technology and old traditions into the interior, reflecting what makes Munich unique, forming a sense of tension that can be found throughout the hotel design. The ceiling structure illustrates this contrast via a literally interwoven network of rough wood and high-gloss anodised metal. The connecting axis between the different areas which brings all functions together in a single hybrid space ('we share') is a lively place to meet and mingle.
The many facets of Bavarian culture run like a leitmotif through the design. This is reflected from the largest scale to the smallest details; for example, the diamond shape (the Bavarian flag) is placed over the whole layout like a matrix, while details like deer horn buttons on the cushions remind of Bavarian fashion. Many icons associated with the city of Munich have been reinterpreted or abstracted as small highlights drizzled throughout the hotel, while traditional materials have been given a modern interpretation via a contemporary design language, including the “golden pretzel”.
Wohnen ohne Auto (literally “Living without a car”) is a co-housing project, developed in a process of participatory design with a community of future residents. The project features a series of strategies which aim is to minimize the superfluous, to estabilish a collective attitude towards sharing and to facilitate in general a more sustainable behaviour.
The building is located in the former airport area of Munich-Riem and is part of the fourth and last construction phase of its reconversion. Its core point lies in the voluntary renouncement of car ownership by all the inhabitants, which is reflected in an environmentally sustainable planning approach.
With their design of the Perlach Plaza, AlleswirdGut provide an important puzzle stone in the urban development of the new “KulturQuadrat” quarter on Munich’s Hanns Seidel Square. An urban mixed use of retail and service businesses, restaurants, residential units, and a hotel make Perlach Plaza the calling card of the new Neuperlach neighborhood.
At the heart of the master plan is a roughly 5,000 square meter central park enclosed, and shielded, by buildings. On a total gross floor area of 50,000 square meters, high-quality usable floor space is being developed in the mixed-used complex of Perlach Plaza with direct connection to the subway system, the cultural center on the north side, and the park through a transit floor.
Competition Team: Anna Kapranova, Christine Bödicker, Daniel Pannacci, Felix Reiner, Jonas Wehrle, Marko Acimovic
Project Team: Christine Bödicker, Eva Birova, Ferdinand Kersten, Jan Fischer, Johannes Windbichler, Julia Stockinger, Kerstin Schön, Lena Waldenberger, Marko Acimovic, Markus Stürzenbacher, Michal Stehlik, Ondrej Stehlik, Patrick Tinauer, Till Martin