The Art House was designed in close consultation with the clients who are great patrons of art and wanted the house to be a backdrop for their art collection. The site is located in the Lutyen’s Bungalow Zone in New Delhi, with considerable site restrictions. Hence, the site planning and layout proved to be a challenge.
The residence is developed on basis of two curved planes enclosing a large green space with bigger rectilinear blocks offsetting the curved lines. Keeping the initial client brief in mind, the surface treatment of the façade is predominantly with glass to facilitate transparency and visual integration of the outside greenery with the inside spaces. This enhances the view towards the artwork on clear, large walls that are lit effectively from the outside. The glass walls also help to underline the depth of the house with the amount of daylight flowing inside through the skin. The entry foyer on the ground floor opens into a courtyard consisting of a backlit installation wall to showcase artifacts and a transparent vista runs across the house with a shallow water body to display various artistic sculptures. The living room is minimalistic in design with a customized wood wall equipping the bar with hints of foliage imparting an ecological backdrop in all the common areas. The house encompasses both indoor and outdoor dining with a private garden and an outdoor swimming pool which faces the north.
As India’s financial headquarters, the Rajaswa Bhawan, or the National Tax Headquarters proposed at Kasturba Gandhi Marg in the heart of the capital New Delhi, represents the morals affiliated with the country’s economic aspirations.
With its history dating back to more than a thousand years, Delhi has been witnessing a continuous change in its architectural identity, owing to the shift in the central administrative power. The amalgamation of the two predominant styles seen across the city, forms the basis for Indo Saracenic architecture. Used extensively by the British, this revival style defines public and government buildings, including palaces of the princely states built during the nineteenth century. With the site located in the vicinity of buildings such as Rasthrapati Bhawan, Hyderabad House and the Jaipur column, the design of the Rajaswa Bhawan has been directly influenced by Indo-Saracenic architecture.
Designed by plan loci, Apartment 143 block is born out of rational considerations. While maximizing floor space, the facade breaks its own apparent monotony with strict geometries that do not reveal their underlying discipline. The sinuous grey metal on the outside celebrates the industrial, while not betraying the inner layer of timber-framed fenestrations which make its occupants feel the intimacy and warmth of a home. Three distinct layers of alternating planes in its balconies partly shade and partly illuminate its interiors for the west-facing plot. The windows and openings are )full length, allowing uninterrupted access to the front of every unit. The extreme verticality is broken by the basic ordering element as horizontal Lines.
The project is divided into two main areas: One dedicated on the highly focussed tasks with large community wooden tables.
And the other one, being a more living and creative area, offering traditional meeting spaces, as well as a library with lounge seating arragement, an organic cafeteria with frozen moss panels along with a giant & immersive wall paper which helps to disconnect.
The color palette has been carrefully selected around a familly settled greens to bring freshness and emphasize the purpose of each room.
In a short words, thiThe color palette has been carrefully selected around a familly settled greens to bring freshness and emphasize the purpose of each room.
In a short words, this is a chic and cozy workplace where people will enjoy their working.
Esquire being an American men’s magazine, published in the United States, is one which screams sophistication, yet it accomplishes this in a quirky and whimsical tone.
This thought was to be carried out in the design of their own branded nightclub in the heart of new delhi. For the sole purpose of supervision over the nightclub and its administration, Esquire needed a workspace to be developed for them in Defence Colony Market, New Delhi. This work hub was being developed for the “creative owners of a nightclub” and the design had to reflect this very aspect as well.
J House is a weekend home, located in Delhi, with plot area of 1800 sq.ft. The house is designed in a contemporary style of architecture with a lot of open spaces to ensure visual connectivity between all the floors and allows an abundant inflow of natural light and air.
The Embassy of the Republic of Korea in India is a classic piece of modern architecture and heritage designed in 1974 by architect Swoo-geun Kim(1931-1986), representing the Korean modern architecture. He was a master who deeply considered the relationship between architecture, human beings and the environment and translated it into a Korean idiom of modern architecture.
Article source: RENESA ARCHITECTURE DESIGN INTERIORS STUDIO
Learning environments are ever growing and changing. There is a growing awareness among societies and culture for pre-schools to be diverse and provide learning environments through the built form. As learning spaces re-focus on team-based, interdisciplinary learning, they are moving away from standardized , one-size-fits-all approach to teaching. Instead, it is becoming a norm that students learn in a variety of ways, and the differences be supported. Students often learn better by doing it themselves, so teachers are there to facilitate, not just to instruct. Here, the built Tetris-ized environment becomes an enabler and a catalyst to nurture the young minds of pre-school students.
Good interior design should be accessible to all in order to create vibrant and happy spaces. Workplace Design as a concept is constantly and consistently evolving with the onset of the Start-up and dot com era. There is a paradigm shift in the composition of workplaces, especially for the younger generation with regards to the spaces representing ideology, social status, work ethic and lifestyle choices. Designed for this changing concept of workspaces, is a collaborative co-working space in South Delhi, the ‘JD office.’ Built on a double format workspace with an area of 550 sq.ft, the space is designed to accommodate several startups and small companies, accommodating their varying needs. The client brief called for a double format, to ensure that multiple, individual firms could occupy this workspace on lease. The major design challenge was to conceive a place that is quirky and youthful, while ensuring comprehensive functionality for startups and digital setups.
The brief was to design a 1500 sq.m. showroom for a tile distributor in New Delhi, India. With the requirements of the client, came along the passion for their work over three generations in the tile industry. They wanted the showroom to be a museum in which they would showcase the tiles as their beloved possessions.
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