The Nemo Building is located within a picturesque landscape of the Masuria lakes, on a plot with direct access to the lake via a private beach. The building was designed to complete the land form on the spot, as well as to take full advantage of the impressive lake panorama. The house is a rectangle of 50m in total length, which nearly covers the length of the plot available. The internal layout of the house is generally focused around the view of the lake, which is why all rooms face the water. This was one of the main assumptions for the design. In contrast, from the side of the access road, the house appears as veiled and enigmatic. Apart from the glazed entrance and the window illuminating the kitchen, the front wall is nearly devoid of windows and features the entrance gates for the car and boat only. In turn, the lake-side wall was designed as fully glazed.
The Philarmonic Hall, which is to accommodate a concert hall and a chamber music hall , is a very complex building that occupies the same space as the former music building. This is a synthetic project that shares identifying traits with its surrounding context. Mass, versatility and the shape of the roof-lines are dominant, connecting the hall with the rest of the city.
The building is situated on a small 510m sq. plot, among a densely built-up residential area of detached houses.
The residential street where the proposed house is located is of eclectic character. The formal and stylistic chaos of individual buildings is in opposition to the spatial order of the street. This divergence influenced the design concept, which favored the spatial context over the formal one, ie. it was more important to match to the order of the street (compact shape, emphasized building line, proportions of the edifice) than the form of the building itself. Regardless of it, the new house will always be just the next component of the existing stylistic chaos.
The purpose of the project was the rearrangement of an existing house, characterized by a multiplicity of levels of the interior. It has up to 5 levels, with 90 m2 of the living space. The significant problems of this system were: communication nuisance and low penetration of natural light inside the residential space. The project was focused on natural light exposure improvement and bringing into it a high-quality artificial light as well as facilitation home program by moving the existing functional system. Ascetic design and bright colours of the interior made it possible to emphasise the experience of openness space.
The table and the black shed organize the gallery space of BWA Design in Wrocław for an exhibition on Food Think Tank project ‘Earth and Water’. The objects are made of remains from previous gallery exhibitions and scraps from conservation works of Wrocław’s Parks and Recreation department – branches and stumps. The objects organize the gallery space into two sections: bright one with the table and a dark one with the Black Shed – a hybrid of an arbor and an incubator.
Tomek Michalski currently lives in Poland. He is at the senior year of Industrial Design at the Institute Design in Koszalin. However he claims that graphic design is his core passion. That’s why thanks to his studies his able to additionally improve his skills.
“We have dreamed about the pinkest and most positive and open place in the world. COME CHECK IT OUT”
This incredibly innovative idea of combining a shop with a café is defned by an even more innovative and brave concept: that all the products sold here will be… pink!
This unique pink task was given to the architects from mode:lina studio, meanwhile the brand concept as well as the communication strategy was designed by the MINIMA studio.
The first building to be designed and developed as a part of the complex is rebel one. it is one of two architectural dominants planned in the project that are of a compact plan with 12 superstructures located at the shorter sides of the main alley. rebel one elevations, the outpost of the new investments in the soho area, refer to the architectural motives of industrial relicts of kamionek.
Team: Konkret architekci: Piotr puścikowski, Małgorzata majzel, Dominika tomaszewska, Małgorzata lewandowska, Wojciech kluk, Piotr zmarzłowski, Michał dezór
wwaa: Marcin mostafa, Natalia paszkowska, Iwona borkowska, Andrzej hunzvi, Michał kielian
Article source: STELMACH I PARTNERZY Architectural Office
WARSAW of the Chopin Center in Warsaw was constructed within the framework of the simplest reactions to “terms” dictated by law, investor and surrounded scenery.
Article source: STELMACH I PARTNERZY Architectural Office
1. HISTORY
The building of Lublin Science and Technology Park was made on the basis on the project selected in the open architectural design competition organized in 2003 by the investor – Lublin Voivodship. Each of the five modules was constructed in other time and was financed from other funds (Lublin Voivodship, EU) and constructed by other contractor.
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