Article source: Patrick Schweitzer & Associés Architectes
The project is located on the outskirts of the Plaine des Bouchers Business Park, in the very heart of the Meinau district In Strasbourg. Particularly visible from the Avenue de Colmar, the project makes a singular and qualitative mark on the district while ensuring the liveliness of the avenue.
The project is located in an old jugendstil building from 1901, in the Neustadt area in Strasbourg.
This large duplex apartment occupies the former attic of the building. It has been created through the conversion of old maid rooms and the above loft that was used for storage.
Throughout the project the material palette is restrained: wood flooring, black MDF that is dyed in the mass for the fixed furniture, large sheets of thin ceramic in the bathrooms and kitchen top.
Strasbourg has had the status of European capital since 1948; it is the seat of the European Parliament and of the European Court of Human Rights. The city’s authorities quite naturally decided to a propose an educational offer designed to meet the expectations of the European and international civil servants working in the city by creating a European school. The school’s educational model, based on a multicultural approach, wide use of different languages, and emphasis on both children’s autonomy and parents’ involvement, covers a full school curriculum, from nursery school right through to the European baccalaureate. The school is located in the leafy neighbourhood of the Robertsau, near the European and international institutions. The school has nearly one thousand pupils and, to meet its requirements and those of local residents, the municipal authorities in Strasbourg decided to build an open sports centre. The programme called for the creation of a multi-sport hall and a multi-purpose hall capable of serving as a venue for events not involving sport.
The project’s configuration takes into account the urban, functional, and symbolic constraints of the program: the constructed mass of the project distinguishes it at the angle formed by the route du Rhin and the rue Edmond Michelet.
Les Haras de Strasbourg is a hotel and restaurant project unlike any other.
Composed of a the four-star hotel and Michelin 3-starred chef Marc Haeberlin’s first brasserie, Les Haras presents an original solution to the question many provincial cities are facing : how to redevelop and harness the potential of their architectural heritage.
The rehabilitation of the Seegmuller Tower is part of the new masterplan of the André Malraux peninsula and the surrounding of the Austerliz docks in Strasbourg, France.
Two main axes guide the masterplan of the Austerlitz docks:
– The creation of a new destination for Strasbourg’s contemporary city life
– The preservation and conversion of old industrial buildings as well as the development of the Strasbourg’s harbour heritage
The project consists in a new tennis hall building with three new covered tennis courts and and new club house including changing rooms, fitness room, office, restaurant and bar with wide covered terrace.
This tennis club design is directly inspired by people flow in and through the building, considered as tennis ball dynamic trajectories, flowing from point to point, from function to function.
The new Institute of Image-Guided Invasive Hybrid Surgery is an ambitious project, turned to the future while dialoguing with the existant Civil hospital complex where it is located.
Integration into the historical site of the Civil Hospital
In a location with such various architectural styles, the elegant and sobre architecture of the Institut with its shape, its implantation and its roof, borrows from this historical architecture to create a contemporary form.
A 114-sq.m. area apartment in Strasbourg, France, where sophisticated old-fashioned elegance meets modern design. Designing functionally comfortable and aesthetic residential environment preserving the authentic elements of the interior of the apartment and interpreting classics in modern light was important to us, as architects. We wanted to distinguish several important elements – what is new and what is authentic. We arranged all this by choosing several combinations of colours: new elements are in darker shades and the antique elements remain white.