Bazar Tehran is One Of The Most Famous Traditional Market in The Iran.
This Project was The Renovation Of an Industrial Warehouse that Built in The 1982. That Was Used, Now We must Reconstruction For New Activity. The Project Had Allowed Us To Renovate an Old Industrial Building to Show The Effect That The Usage of The Building Has Had on The Neighborhood Where The Building is Located.
The first concept of the project was having a space for the display products from near and far, a showcase for products fine display with a suitable lighting for attract audience and on the other hand, we should pay special attention to the broad scope of the shop from far distance. Corporate color are black and white so we was used white for wall covering and black glasses for shelves to emphasize.
The building site is located in Tehran in a region formerly populated with private gardens and orchards. However, with the passage of time and an exponential rise in property value the area has experienced a rapid transformation into an aggregation of high-rise structures for the wealthy.
The location of the Emam Reza religious and cultural complex in the cultural zone of Tehran (the capital of Iran) oriented the project towards creating an urban space for social interaction and participation of different generations and social groups.
The project is located in an inner-lot, with limited street access. However, situated low and deep inside the organic fabric of the neighborhood, it overlooks a riverbed at the back.
Article source: Admun Design & Construction Studio
During the last decades there has been a major shift in architectural patterns in Iran especially in overpopulated urban areas. The old architectural patterns were originated from cultural and religious belief of the residents.
A fantasy based on a dream of the artist client and fond of Iranian traditional ornaments; plus a contemporary expression of these ornaments, formed the dynamic, fluid and elegant membrane over the dis-harmonic` and inappropriate existing wall. A place where is supposed to host special people like Iranian artists.
Not like the different forms that we know from churches, or temples; and the reformed morph of these buildings which allow a concrete cube with a cross to be well accepted as a church; not many changes in the form of “mosques” are accepted, specially in central Muslim regions. However many practitioners found no reference of any specific formula for mosque architecture in religious texts, not only the people still recognize a mosque with a traditional architecture and also a dome and minaret, some non-traditional practices showed unpleasant reactions. This project is a practice of Attribute-oriented Architecture to design a mosque with new day architecture, but also to have the spirit of the known one. The architect did not remove the functional elements, but the designed mosque is the decoded aspect of a traditional mosque, and its meanings.
Tabiat Pedestrian Bridge is located in the northern part of the city of Tehran, Iran, in a zone called Abbas Abad Lands; a 559Ha area which is mainly dedicated to cultural spaces such as libraries and museums, as well as public parks. This bridge was designed in order to address the need to improve access for pedestrians between the two parks, which are divided by major highways. ‘Tabiat’ means ‘Nature’ in Persian language.3
In this project we have tried to give maximum visibility to the green area.
Roof Garden is an element visible from the outside of the facade Qsnty also been leaning toward Main Street.
The main material is wood, brick and stone, and all the details are cheap and homemade.
In the yard is a cheap granite that has a slot for a new face.
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