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Archive for the ‘Cultural Center’ Category

MANTA RAY in Seoul, South Korea by Vincent Callebaut Architectures

Tuesday, July 18th, 2017

Article source: Vincent Callebaut Architectures

SCENERY AND DESIGN PLAN: A PERMEABLE LANDSCAPING LINKING 4 CORES

What does the Han River represent today, and what could be its future?

In this early 21st century, Yeouido Park is an experimental urban space dedicated to sustainable development. The Government wishes to make it a bridgehead for innovation, combining the best of low-tech and high-tech while promoting the rehabilitation of urban ecosystems and biodiversity.

Image Courtesy © Vincent Callebaut Architectures

  • Architects: Vincent Callebaut Architectures
  • Project: MANTA RAY
  • Location: Yeouido Han River Park between the Mapo Bridge and the Wonhyo Bridge, Seoul, South Korea
  • Host & Order Institution: Seoul Metropolitan Government
  • G.F.A. Spatial Planning: 25 600 m² = 9100 m² Ferry Terminal & Pier Deck + 8500 m² Yeoui Terrace + 8000 m² Cultural Complex
  • Status: Masterplan & Concept

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Zhengzhou Grand Theater in China by The Architectural Design and Research Institute of Harbin Institute of Technology

Sunday, July 16th, 2017

Article source: The Architectural Design and Research Institute of Harbin Institute of Technology

Zhengzhou Grand Theater, being the east part of city axis, is located in Zhengzhou Culture District as the best palace of performing arts in the Central Plains, will highlight the art of movement, and manifest the axis status of Zhengzhou in the Chinese culture with an architectural image unique to the Central Plains.

The architectural design concept of this project is: Yellow River Raving, A Dragon Wakes Up in Central China.

Image Courtesy © The Architectural Design and Research Institute of Harbin Institute of Technology

  • Architects: The Architectural Design and Research Institute of Harbin Institute of Technology
  • Project: Zhengzhou Grand Theater
  • Location: Zhengzhou Culture District, Zhengzhou City, Henan Province, China
  • Principle architect: Hongyuan Mei
  • Scale: Around124, 000m²
  • Total land area: 36219m²
  • Total construction area: 96,941m²
  • Volume rate: 1.48
  • Design period: June 2015 to February 2017
  • Completion: End of 2019
  • Project status: Under construction

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The Crystal in Copenhagen, Denmark by Dorte Mandrup A/S

Friday, July 7th, 2017

Article source: Dorte Mandrup A/S 

Nicknamed “The Crystal” because of its semi-translucent “skin” made out of polycarbonate that allows for the inner light to escape into the dark Copenhagen night, The Crystal has become somewhat of a local landmark. Flexibility and coherency are other keywords regarding The Crystal. The inner landscape is painted green, which creates a coherency that allows the various areas of the facility to seem visually and spatially connected – even when they are apart or on different levels. The building’s steel and timber structure is covered with opalescent polycarbonate panels with a low U-value. This translucent cover offers excellent daylight conditions.

Image Courtesy © Torben Eskerod

  • Architects: Dorte Mandrup A/S
  • Project: The Crystal
  • Location: Copenhagen, Denmark
  • Photography: Torben Eskerod and Michael Reisch
  • Client: Copenhagen Municipality / LOA(Danish Foundation for Culture and Sports Facilities)
  • project team: Dorte Mandrup, Anders Brink, Lars Lindeberg, Jesper Henriksson Arno Brandlhuber, Asterios Agkathidis, Markus Emde, Jochen Kremer, Martin Kraushaar, Sarah Breidert
  • Engineer: Jørgen Nielsen Rådgivende ingeniører A/S
  • Contractor: NH Hansen & Søn A/S
  • size: 3400 m2
  • Completed: October 2006

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Singapore Chinese Cultural Centre by DP Architects

Friday, June 30th, 2017

Article source: DP Architects

The Singapore Chinese Culture Centre (SCCC) is a new civic and community institution, spearheaded by the Singapore Federation of Chinese Clans Association (SFCCA), for the promotion of traditional and contemporary Chinese arts and culture locally. The SCCC will house an array of civic and cultural facilities such as interactive exhibition spaces, visual art gallery, a multi-purpose hall, recital room, reading room, practice and rehearsal room and a 530-seat auditorium. Other functions within the centre include office spaces for SCCC, Business China, clans, agencies, 270 number of carpark lots, and some F&B components. Set in the bustling CBD along Shenton Way, with the Marina Bay skyline as a backdrop, SCCC will be located on a site adjacent to Singapore Conference Hall (SCH), a landmark gazetted as a national monument in 2010 and home to the Singapore Chinese Orchestra. Seen as a cultural hub for the Chinese community, both buildings will form a unique synergy through their programmes. Contextually sensitive, the SCCC’s design complements the architecturally striking SCH, with its coherence and clarity of programme, planning and articulation.

Evening view of SCCC Modern and contemporary with its coherence and clarity of programme, planning and articulation., Image Courtesy © DP Architects

  • Architects: DP Architects
  • Project: Singapore Chinese Cultural Centre
  • Location: Singapore
  • Project Team Members:

    • Project Director: Lesley Lim, (Paul Appasamy, Pinson LimAngela,  NgWang Ying, Varit Charoenveingvechkit, Terence Tang, Dwi Hadi Susanto, Justin Cruz, Joey Chua, Tham Ai Ling, Claudia Seah)
  • Area: 15,100sqm
  • Year of Completion: 2016

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Changchun Northeast Asian Cultural & Art Complex in Jilin Province, China by The Architectural Design and Research Institute of Harbin Institute of Technology

Friday, June 30th, 2017

Article source: The Architectural Design and Research Institute of Harbin Institute of Technology 

Back Ground Information

Northeast Asian Culture and Art Museum Complex, with the land used for its construction in Changchun Airport Economic Development Zone, close to Longjia International Airport, is Jilin Province’s important window towards the world. The base is located on the south bank of Longze Lake, facing the Conference and Exhibition Center, the Conference Center and the Urban Planning Exhibition Hall on the north bank. The completion of this project has a catalytic role in the formation of Northeast Asian political, economic, financial, commercial and trade and cultural “CBD” around Longze Lake. The design of the project is based on the image requirement that Northeast Asian Culture and Art Museum Complex should be constructed from an international prospective, the regional characteristics of Changchun Airport and the functional properties of the cultural cluster, with the “Snowfield Flagship and Culture Carrier” design concept put forward, the museum complex positioned as an international modern culture pilot cluster featuring multinational fusion.

Image Courtesy © The Architectural Design and Research Institute of Harbin Institute of Technology

  • Architects: The Architectural Design and Research Institute of Harbin Institute of Technology
  • Project: Changchun Northeast Asian Cultural & Art Complex
  • Location: South Longze Lake, Airport Economic Development Zone, Changchun, Jilin Province, China
  • Principle architect: Mei Hongyuan
  • Scale: Approximate 290,000m²
  • Total land area: 378500m²
  • Total construction area: 295270m²
  • Volume rate: 0.68
  • Greening rate: 35.2%
  • Design period: 2017.01-2017.02

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Neusoft International Software Park in Dalian, China by The Architectural Design and Research Institute of Harbin Institute of Technology

Thursday, June 29th, 2017

Article source: The Architectural Design and Research Institute of Harbin Institute of Technology 

Neusoft International Software Park (Hekou Park) is located in Hekou Software Industry Base in Dalian High-tech Park and is built to expand its business and enhance its ability to adapt to the rapid development of international and domestic software and information services markets. The new park is a more historical and cultural park with integrating office, supporting and sports facilities to accommodate the software developers with a comfortable environment. The overall image of the buildings is vigorous and natural, striving to create the castle-style buildings in the mountain and to make a distinct impression.

Image Courtesy © The Architectural Design and Research Institute of Harbin Institute of Technology

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ACTIVATE, GENERATE, INTEGRATE! in Kristiansand, Norway by SPARCH Sakellaridou / Papanikolaou Architects & Meinich Arkitekter

Friday, June 23rd, 2017

Article source: SPARCH Sakellaridou / Papanikolaou Architects

The Museum of Modern Art

We wanted to create a powerful image for the city skyline and a poetic spatial experience for the art lover. At the same time we wanted to keep the industrial image of the Silo. We wanted to give it new life without gentrifying it.

Our Museum is a hybrid Silo, industrial once, now filled with light and art. Its warehouse remains a warehouse, its tubes get filled with light and movement, its ethereal extensions do not disturb the robustness of the original structure, while the big horizontal ‘crane’ reflects the sunlight.

Image Courtesy © SPARCH Sakellaridou / Papanikolaou Architects & Meinich Arkitekter

  • Architects: SPARCH Sakellaridou / Papanikolaou Architects & Meinich Arkitekter
  • Project: ACTIVATE, GENERATE, INTEGRATE!
  • Location: Kristiansand, Norway
  • DESIGN TEAM:
    • Project manager: Rena Sakellaridou
    • Partner in charge (MEINICH ARKITEKTER): Ragnhild Torsteinsrud-Smith
    • Partner in charge (SPARCH): Morpho Papanikolaou
  • Sparch: A.Georgiadis, N.Tsompikou, N.Apergis, A.Verteouri, P.Tsogas, A.Vassileiou, Ch.Theodoropoulos, I.Kloni, G.Papanikolaou, architects
  • Students: G.Apostolopoulos, Th.Sandros, K.Venieris
  • Meinich arkitekter: N. Bongard, E. Serenko
  • External Lighting: Eleytheria Deko

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Waterside Buddist Shrine in Tangshan, China by ARCHSTUDIO

Sunday, June 18th, 2017

Article source: ARCHSTUDIO

Han Wen-Qiang, an associate professor in CAFA (China Central Academy of Fine Arts), the founder of ARCHSTUDIO. He mainly researches on contemporary architectural and interior environment based on traditional cultural background, devotes to making space to be the communication medium between people and people, people and environment, and creating a livable life. He has been featured as 2015 One of the Best Ten International “Design Vanguard” by American renowned magazine “Architectural Record”. His works have won many awards, including “LEAF (Leading European Architecture Forum) Awards” Refurbishment of the Year Award, Architizer “A+ Awards” Architecture + Renovation Category Jury Award, “Hospitality Design Award” Open Category Winner of American Hospitality Design magazine, “Best of Year Awards” of American “Interior Design” Magazine; “The 37th Annual Interior Awards” of American “Contract” magazine; “Taiwan Interior Design Award” Gold Award; “Asia Pacific Interior Design Awards” Gold Award; Design for Asia Award Merit Award and WA Design Experiment Award Shortlist Award, etc. His works have also been invited to exhibited at “Towards A Critical Pragmatism: Contemporary Architecture in China” exhibition by Harvard University and 2015 Kwangju Art Biennial in Korea. His works have been widely published by home and abroad renowned publications, including Architectural Record, Architectural Review, Arquitectura Viva, Frame, d+a, Perspective, Taiwan Architecture magazine, Time + Architecture magazine, dezeen, designboom, archdaily, gooood and other famous design websites.

Image Courtesy © Wang Ning, Jin Weiqi

  • Architects: ARCHSTUDIO
  • Project: Waterside Buddist Shrine
  • Location: Tangshan, Hebei, China
  • Photography: Wang Ning, Jin Weiqi
  • Author: Han Wen-Qiang
  • Architectural Design: Han Wenqiang, Jiang Zhao, Li Xiaoming
  • Structural Design: Zhang Fuhua
  • Water-electricity Design: Zheng Baowei
  • Land Area: about 500 ㎡
  • Building Area: 169㎡
  • Design Time: 2015.04—2015.08
  • Construction Time: 2015.10—2017.01

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Torsby Finnskogscentrum in Värmland, Sweden by Bornstein Lyckefors arkitekter

Wednesday, June 14th, 2017

Article source: Bornstein Lyckefors arkitekter

Bornstein Lyckefors Architects has designed a museum and cultural center in an old school in the forest outside Torsby, Sweden. The museum pays tribute to slash-burn agriculture Finns who settled deep into the forests in the early 1600s.

The facade consists of 300 logs that has been cut down in the woods surrounding the museum. They are decorticated, untreated, cleaved in half, and mounted on a rack surrounding the building, Image Courtesy © Bornstein Lyckefors arkitekter

  • Architects: Bornstein Lyckefors arkitekter
  • Project: Torsby Finnskogscentrum
  • Location: Värmland, Sweden
  • Client: Värmlands Museum
  • Team: Per Bornstein, Andreas Lyckefors, Johan Olsson, Elle-Kari Mannerfelt, Alexandra Lindberg, Monica Warwick
  • Building cost: 5,9 M SEK
  • Size: 2000 sqm
  • Date: 2014

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Bornova Evka 3 Social Center ve Transfer Station in Izmir, Turkey by YEGENA

Wednesday, June 7th, 2017

Article source: YEGENA 

‘ LOCAL, FRIENDLY AND GREEN ‘

The project area residential pattern has been isolated between, Ege University residences and İzmir-Manisa main arterial road.This isolated attitude of the zone is reflected to the project area due to the inadequacy of the socio-cultural functions of the transfer zone and the open area density can not be kept permanent.

Image Courtesy © YEGENA

  • Architects: YEGENA
  • Project: Bornova Evka 3 Social Center ve Transfer Station
  • Location: Izmir, Turkey
  • Competıtıon Organızer: Izmir Metropolitan Municipality
  • Archıtectural Team: M.Baris Yegena, OzgeOzkul
  • Total Constructıon Area: 33.309 m2
  • Date: February, 2017

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