The project site is located inside the green area called Rhike Park, in Tbilisi, Georgia. The building consists of two different soft shaped elements that are connected as a unique body at the retaining wall. Every elements has his own function: The Musical Theatre and the Exhibition Hall. The north part of the building contains the Musical Theatre Hall (566 seats), the foyer and several facilities, together with technical spaces for theatre machinery and various storages. The Exhibition Hall opens his great entrance with a ramp that brings visitors from the street level. The Music Theatre Hall, on the contrary, soars from the ground and allows the users staying in the foyer and in the cafeteria to have a view to the river and the skyline of the city. It is a periscope to the city and looks towards the river framing the historic core of the Old Tbilisi.
The Museum of Energy is located at the surroundings of Ascó, next to the river Ebro. The museum swings between public and private, between the river and the topography and between the urban grid and landscape. Because of this, one of the aims of the project was to reconfigure the site understanding its BOUNDARY condition.
With the opening of the 29th International Book Fair, the Iranian President Rohani and Tehran’s Mayor Ghalibaf marked the opening of the new exhibition center in Tehran, the Share Aftab, which is being built to a design by architects von Gerkan, Marg and Partners. The new exhibition grounds are located about ten kilometers to the south of the center of the Iranian capital, about half way to the international airport, and are connected to the city by an underground line which opened at the same time.
Design: Volkwin Marg and Hubert Nienhoff with Markus Pfisterer
Team, competition: Alberto Flores, Swantje Grasmann, Martin Hakiel, Patrick Hoffmann, Susan Möllmann, Burkard Pick, Siamak Rashidi, Tobias Schaer
Project leader, implementation: Nima Ghahreman, Fariborz Rahimi-Nedjat
Team, implementation: Justin Allen, Alexander Buchhofer, Kasia Ciruk, Yana Espana, Nicole Jahn, Felix Kastner, Christian Klimaschka, Lars Laubenthal, Sebastian Lundelius, Silvia Schneider, Katya Vangelova
We designed the illumination display made using Android-operating devices, which can be found in the plaza facing TV Asahi known as Roppongi Hills Arena. Since this is the time of the year where people think most of connecting with others, we were tasked with providing an installation using around 600 Android-powered smartphones.
The Romsdal Folk Museum is an architectonic attraction and a treasured landmark that embodies the history and identity of the entire region. Our intention in this project was to let the structure signal its meaning and function through an architectural expression and the use of local materials. The scale of the building refers to the urbanity and morphology of the town. The overall layout of the museum grounds the connections to the town by linking different surrounding areas in an overall plan where all circulation is linked in a unified structure.The project conveys an open and progressive attitude that makes diverse utilization possible.
La Grande Mosaïque, MVRDV’s project in Caen, France, has been in development for two years and has already seen a series of projects under construction within the masterplan, with many more breaking ground in the coming years. The 600 hectare masterplan tackles the problems caused by the area’s heavy industry and rapid de-industrialisation, integrating the historic aspects of the site with the natural environment. The development includes a mix of housing, offices, mixed-use buildings, public spaces and infrastructure; all stitched together and laid out using a spatial planning tool, ‘the offset’, created by MVRDV. In a move to engage locals, an exhibition of MVRDV’s works and Le Grand Mosaïque is open to public viewing in ‘Le Pavillon’, an exhibition space in the old city port, until the 13th March 2016.
The Houston Library and Exhibition Complex is the second installment in the initiation of dynamic architectural proposals for Houston, Texas and the greater development of ideas for American cities. The design functions along multiple trajectories of display corridors and library storage to interpolate exhibition with an expanded book collection for international reading and research. By having a series of harmonic manifolds of book collection space and the mixing of programmatic function for exhibition, it generates a dynamical system of flowing conditions which manifests with moments of extrapolation within the tectonic massing and circulation. Within the radiating tectonic corridors there is also included smaller botanical gardens which resonates with the surrounding landscape development as well, serving the community with a robust flower display and plaza.
From its earliest inception, Carleton College’s Weitz Center for Creativity was imagined as much more than an arts building. While it does create much-needed new exhibit and performance spaces, the Weitz Center’s true mission is to serve as a working laboratory for creativity—not only in the arts, but across the entire curriculum. It positions the College as a national leader in arts programs by creating an environment that fosters creativity, critical thinking, collaborative working skills, and cross-cultural exploration. An adaptive reuse of and addition to a former middle school, the new Weitz Center for Creativity houses the departments of studio arts, dance and theater, and cinema and media studies.
“We enter a space otherwise empty time, but full of memories, stories and livings of other times. Today remains, collects memories, modifies the look, brings together pieces and reassembles If a new life where the past, present and future go hand in hand . A bit like the Seventh Art.