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Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Blinco Street House in Australia by PHILIP STEJSKAL ARCHITECTUREDecember 19th, 2018 by Sumit Singhal
Article source: PHILIP STEJSKAL ARCHITECTURE Our client was a single FIFO worker at the start of the project, who wanted a laid-back and robust sanctuary back home. He would arrive by car from the airport after a month off-shore, and wanted the house to be instrumental in readjusting his mindset back into an on-shore, city-based existence for the ensuing month. The home needed to allow a gradual adjustment. Nothing too abrupt. Connection with Fremantle, but also plenty of privacy and dimly lit space to enjoy solitude. A place that was gentle on the senses, yet also engaging.  Image Courtesy © BO WONG
 Image Courtesy © BO WONG Together with the client we devised an entrance sequence to perform the initial reset. From the garage entry is via a back gate, which provides access to a protected porch with lush potted vegetation. From here a solid front door with a high light window. Pass through this into a narrow space with brick floor and walls, dark stained plywood cabinetry and a pond visible through a frameless glass door. A compressive and contemplative space. A right turn leads into a circular space with a low ceiling: the library, which doubles as circulation nexus. From here go straight ahead into the living room; turn right for the spiral stairwell; left for the kitchen; or hook right for the toilet. A place to re-orientate and also to remember. The final stop before passing through deep thresholds to parts of the house where local living can begin.  Image Courtesy © BO WONG  Image Courtesy © BO WONG The kitchen, still dimly lit and cross-ventilated through louvres from the pond, is a galley and becomes a built-in dining booth at the northern end. The dining room shares a single storey volume with the kitchen, which gives way to a double height volume passing East towards the living room. The living room is where the solitude of the ground floor encounters the cheer of a brighter and more outward looking first floor, via a double height volume. This transition is less gradual in the spiral staircase, where black-stained treads switch to lime-washed ones just below the first floor landing.  Image Courtesy © BO WONG  Image Courtesy © BO WONG Lime-washed timbers and white walls predominate on the first floor, which is brightened by many windows and a double-glazed skylight over the corridor. Doors are frameless and skirting boards integrated. The focus is downwards and outwards. To the North, a full-width operable lattice screen provides sun protection and privacy for both levels of the house.  Image Courtesy © BO WONG  Image Courtesy © BO WONG The screen is made of Hardie Lattice, an economical off-the-shelf product appropriated to painted Duragal frames on simple pin hinges and rod stays. They, along with abundant quantities of face brick, painted concrete floors, integrated glazed brick splashbacks and plywood lend the home a rudimentary and relaxed feel. The client wanted to kick off his shoes, walk in off the beach, have his friends over without worrying too much. The surfaces have been designed with this in mind, as robust and hardy finishes.  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © BO WONG  Image Courtesy © PHILIP STEJSKAL ARCHITECTURE  Image Courtesy © PHILIP STEJSKAL ARCHITECTURE  Image Courtesy © PHILIP STEJSKAL ARCHITECTURE  Image Courtesy © PHILIP STEJSKAL ARCHITECTURE
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Categories: House, Residential, sketch up, Vectorworks |
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