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Sumit Singhal
Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination.

The Toybox in Birmingham, England by 74

 
December 24th, 2019 by Sumit Singhal

Article source: 74

Manchester-based architects and interior designers 74 have created the new 355 sq m ground-floor social and study amenity space within The Toybox, a new-build, 15-storey student accommodation block by architects Corstorphine + Wright, located on Bishopsgate Street in Birmingham. The client and project developer is Moorfield Group, for whom 74 previously completed the multi-award-winning Hox Haus, where a former Victorian gym was expanded and repurposed as a social and study clubhouse for students of Royal Holloway College.

The Toybox is a new glazed, green brick and zinc-clad block in the Westside area of Birmingham, just south-west of the city centre, The interior is comprised of 290 new student apartments, with 74 commissioned to create the dynamic series of communal spaces that make up the ground floor area, including a reception, lounge, study area, gaming area, kitchenette, staff welfare space, toilets and fitness suite.

Toybox, Birmingham, Image Courtesy © Gu Shi Yin

  • Architects: 74
  • Project: The Toybox
  • Location: Birmingham, England
  • Photography: Gu Shi Yin
  • Client: Moorfield Group
  • Building Architect: Corstorphine + Wright
  • Interior Designer (TOYBOX): 74
  • QS (client side): Quartz Project Services
  • Main Contractor / MEP: Torsion Engineering
  • Fit-out Contractor / Joinery: Project FF&E

New-build, 15-storey building, Image Courtesy © Gu Shi Yin

The design concept for the space was inspired by the location’s history and especially its industrial past, including the metalworking and the gold- and silver-smithing workshops Birmingham is famous for. Hinges, buttons, belt buckles and hooks are all examples of goods that were once considered “toys” and could be produced in metal, leather or glass, amongst others. The term toy was used in the 18th century or earlier to describe the industry in the English Midlands and changed to its modern form (“toy” as in plaything) years later. The metalworking legacy still exists in the form of Birmingham’s Jewellery Quarter.

‘We drew on the concept of raw, industrial workshops and contrasted that with the decorative and ornate items produced that would have been produced there’, 74 Associate Bianca Yousef commented. ‘This manifested as exposed ceilings and wall treatments, plus tarnished metals and metal tubing, along with laser-cut and geometric patterns, dramatic feature lighting, button references and spindle detailing on the timber furniture.’

The glazed, green brick and zinc-clad building Image Courtesy © Gu Shi Yin

External view of the ground floor amenity spaces, Image Courtesy © Gu Shi Yin

Design Walk-through:

Entrance, Reception & Lounge

Students enter the building beneath a cantilevered external canopy through two sets of double sliding doors, with an immediate vista revealed down a central circulation corridor with lounge seating to the left and co-working and fixed seating areas at the rear. To the right of the entrance lobby is the reception, which wraps round the central inner wall to be visible also to those going straight to the lift lobby on the right and up to their rooms.

For the design of the reception, 74 worked with wallcovering specialists Newmor to develop a bespoke fretwork-style wallpaper pattern to sit behind a dramatic 6m-long desk. This pattern is then repeated throughout the scheme. For example, the desk-front is laser-cut using the same pattern in blue-grey against a timber background, with a grey laminate desktop and a pale blue laminate base, lit along its entire length. Four clusters of three pendant lights above – the E2 3-light Brass Tube Pendant Cluster in brushed antiqued brass – introduce subtle spindle shapes into the scheme for the first time.

Ground floor reception, Image Courtesy © Gu Shi Yin

The bespoke desk-front laser-cut pattern references the city’s metalworking history, Image Courtesy © Gu Shi Yin

To the left, set against the ground floor glazing, is a series of small seating or waiting areas, featuring a variety of soft furnishings, from chairs and sofas to pouffs and small tables. Furniture here includes the Glow Sofa, Glow High Back Lounge Chair, Bolton Lounge Chair, Square Pouff and the button-like Aky Low Stool, plus the Grapevine Center Table, all supplied by Telegraph Contract Furniture. Upholstery colours are soft, subtle and welcoming, with a grey, mint green, pale blue, pink and caramel palette, whilst the walls are a moody dark grey to help create a sense of intimacy and enclosure.

Flooring along the central corridor is a timber-effect vinyl in a ‘block end’ style from Polyflor, whilst geometric-patterned grey carpeting from Shaw Carpets is used for the lounge areas along the left. Directly over the lounge seating, three contemporary chandeliers create an eye-catching window display. These are the San Mateo Modern Chandeliers from Mullan Lighting, whilst further architectural lighting on tracks adds additional light above reception to highlight the wallpaper rear wall and again to light the central walkway. A feature pale mint-green ceiling lifts the space and nods to the external use of green brick.

Student mailboxes sit adjacent to the reception desk, Image Courtesy © Gu Shi Yin

View back down central circulation corridor towards the entrance, Image Courtesy © Gu Shi Yin

Semi-translucent blue fretwork panels serve as vertical dividers to help zone the space, whilst ensuring visibility and sightlines are kept open, and are used again as decorative rafts within the ceiling. Vintage silverware and metalwork ‘toys’, further elements of the scheme’s design language, feature in artwork, the first examples of which are hung on the walls of the final section of this lounge space.

Fixed Seating Area

A raised, 6-person desk is situated at the end of the corridor space at a right angle, semi-enclosed between dark-grey-painted structural columns. The bespoke table here, designed by 74, features galvanised metal legs and a timber top, whilst the chairs are the Bolton High Stool with spindle-turned timber struts and leather-effect seat pads. Feature lighting here is a series of eight EGLO Avoltri Oak Wooden Spindle drop pendants, continuing the turned-timber theme.

Each seating area features a variety of soft furnishings, from chairs and sofas to pouffs and small tables, Image Courtesy © Gu Shi Yin

San Mateo Modern Chandeliers from Mullan Lighting hang over the seating areas, Image Courtesy © Gu Shi Yin

Study Lounge

Beyond the fixed seating area is the Study Lounge, with a glazed front wall featuring an applied fret-cut manifestation pattern. This is a quieter, carpeted and more decorative area, featuring a variety of set-ups for study. These include eight central table seats (Tempest Side Chairs), upholstered in black, plus a further five raised Tempest High Stool seats at the timber and steel-tubing window table and a row of banquette booths and tables to the right, lit by Anglepoise wall lights. Metal steel tubing is used to form a decorative structure above the booths, which continues along the main wall to the rear of the room, allowing for mirrors, clocks and artwork to be displayed. The bespoke central table design features cut-out sections, inspired by metalworking tables, whilst steel tubing legs nod to the area’s industrial heritage. Lighting here is in the form of a series of Coral Pendants in an aqua finish by David Turnbridge.

Fretwork panels, echoing the reception desk-front design are suspended from the ceiling above the chandeliers, as well as creating subtle divisions of space, Image Courtesy © Gu Shi Yin

A fixed seating area at the end of the circulation corridor is set at a right-angle and semi-enclosed between structural columns, with spindle drop pendants, Image Courtesy © Gu Shi Yin

Tea-Point, Kitchenette & Games Area

Following the space further around, students arrive at a vending machine and teapoint/kitchenette area, featuring a geometric-patterned laminate floor and glazed wall tiles in the pale blue ‘leaf’ series from Johnson Tiles. Just behind is a relaxed TV and gaming area, followed by a series of multi-use storage lockers.

Games Area and TV Lounge

The Games Area and TV Lounge display the same palette used in the rest of the scheme to create continuity. Endgrain woodblock timber flooring, geometric laminate flooring, pale mint-green colours, green wood pendants from E2 Contract Lighting, fretwork-style patterned wallpaper and dark grey blue walls are all used to tie the spaces together.

The wallpaper at the back of the seating booth is the same a behind reception, Image Courtesy © Gu Shi Yin

Metal tubing is a further design language nod to the area’s industrial heritage, Image Courtesy © Gu Shi Yin

Lift Lobby and Staff Welfare Space

Wrapping back towards reception is a lift lobby with dark walls and timber-effect flooring. Pendant lights over this whole corridor section are Anglepoise Giant Pendants. Directly opposite the lift lobby is a staff welfare area, including maintenance and cleaner storage, a kitchenette and meeting space.

Gym and Fitness Room

Finally, to the rear of the ground floor, are toilets and, opposite, the scheme’s 50 sq m gym and fitness room. The space has dark grey walls, continuing the design feel from the other areas, with the same geometric laminate flooring from Polyflor as used in the kitchen and games room areas.  The ceiling features black acoustic panels and spotlights housed within a grid. The gym equipment layout, created and supplied by Pulse Fitness, includes exercise bikes, treadmill, rowing machine, weight machines, loose weights and a punchbag, with TV screens for entertainment whilst working out.

’74 demonstrated their usual design flair and attention to detail on this project, creating an engaging and inspiring scheme inspired by Birmingham’s history of manufacturing “toys”.  They successfully combined relevant historic features with modernity to create what we think is now one of Birmingham’s leading PBSA schemes.’
(Sadie Malim, Head of Special Projects and Legal, Moorfield Group)

Banquette seating strap detail, Image Courtesy © Gu Shi Yin

Metal tube display, Image Courtesy © Gu Shi Yin

About 74:
74
are architects, interior designers and placemakers, specialising in student living, workplace, hospitality and residential projects. The Manchester-based practice, named Commercial Interior Design Practice of the Year at the Northern Design Awards 2019, offers clients a design-led, commercial approach and a thoroughly integrated mix of disciplines. Clients include IQ Student Accommodation, Wyndham Hotel Group, Greystar, Ekistics, Brookfield, Westfield, Chelsea FC, UrbanSplash, Royalton Group and Moorfield Group.

Metal lamp detail, Image Courtesy © Gu Shi Yin

Games Area behind the kitchen space, Image Courtesy © Gu Shi Yin

The same colour scheme extends into the game room, including lighting and ceiling raft, Image Courtesy © Gu Shi Yin

Lift lobby area, Image Courtesy © Gu Shi Yin

Gym and Fitness Room, Image Courtesy © Gu Shi Yin

Contact 74

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Categories: Apartments, Building, Club House, Fitness center, gym, Hostel, Housing Development, Lounge, Reception, Residential




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