ArchShowcase Sumit Singhal
Sumit Singhal loves modern architecture. He comes from a family of builders who have built more than 20 projects in the last ten years near Delhi in India. He has recently started writing about the architectural projects that catch his imagination. Verne Workspace in Pamplona, Spain by Verne ArquitecturaJune 4th, 2020 by Sumit Singhal
Article source: Verne Arquitectura The project consists on the refurbishment an old and industrial building to lodge the new workspaces of the companies Verne architecture and BigD Design that matters. Originally, the space had two different areas: an initial space, about 5 metres high, located under a residential building from the 1950s; and an annexed space, larger and higher, which was originally an industrial shed. The access space is adjacent to Larrabide Street, on the ground floor, while the bigger space faces Santa Marta Street, on the first floor, due to the slope of the urban structure in this area.
Before the reform, both spaces were totally divided and configurated as traditional offices. However, the aim of the project was exactly the opposite: generate open, diaphanous, luminous and connected workspaces. In such a way, the project wants to recover the original industrial condition of the space which was much more interesting and powerful. The design of the new space responds to this double spatial condition of the place: The access is in the initial space, the lower one. Also, in this space is placed a garage with independent access and stairs that lead to the upper floor, where there are an office and two meeting rooms. The second space, the highest, is the diaphanous workspace. It is the greatest area of the project where huge tables coexist with a long bookcase, shelves for materials and prototypes and a small office area. The space is dominated by the presence of the old structure of the building -arches with steel braces- and the helicoidal pipes of the ventilation system and the light bathes it through two big windows Two meeting rooms are suspended between these two areas. The structure that supports them is extremely light: a floor, made of CLT panels, supported by the walls of the local. This releases the lower space from any vertical support element. The reform was made in two parts: First, the old partitions were demolished in order to recover and rehabilitate the original space. The façade of the Larrabide Street was replaced, the roof was repared, part of the structure was consolidated, and two Velux windows were opened in the roof of the meeting rooms. Once the space had been emptied, the second phase was carried out: the construction of the new workspace. The choice of the materials also reflects the double spatial condition of the project. In the initial space, polycarbonate is used for the façade and for the interior partitions, so light passes through them and floods the interior spaces. Other material in this area is the white lacquered metal, light and luminous, used in the access doors (deployé), in the tramex loft, that contains the installations, in the structure of the staircase and on the polycarbonate structure. In the shed, there is a change, anticipated by the CLT floor. Here, fir wood is the protagonist. It is used in some walls in shelves and closets. While polycarbonate is used to bring light to the entrance area, wood brings warmth and calm to the workspace. The palette created with these materials and the white of the walls and ceilings is completed by the materials used in the floors: on the upper floor there are pieces of 15cmx15cm matte ceramic; and on the ground floor a beautiful terrazzo, with white marble fragments and a grey background, is used. Both, the ceramic and the terrazzo, want to recover the industrial taste. The same intention is pursued in the design of the installations: the ventilation pipes and part of the machinery are deliberately left in view in perfectly chosen places. It makes an interesting dialogue between industrial elements, such as these floors, the installations or even the polycarbonate, with the warmer surfaces of the wood or the meticulous execution of many details. Finally, the whole operation is completed with a careful choice of furniture: the aim is to place pieces that match with the opened and creative space; and with the already mentioned effects produced by the materials. Thus, the most colourful pieces, designed by the Eames and distributed by VITRA, are used in the meeting rooms. More technical elements are used in the lower area, such as ID Mesh chairs, an Ad Hoc high table by Citterio, HAL stool, also by VITRA, and Dynamobel’s Tec tables. The colours of the chairs (red, sea blue and pearl grey) penetrate in the workspace through the glass of the two meeting rooms. They blend with the warmth of the wood, the green of the plants in the room and, above all, the light that enters through the windows. All this makes a free, dynamic and very spacious workspace, which is ideal for two companies that, whether in architecture or industrial design, face their tasks with great creativity. Contact Verne Arquitectura
Categories: Headquarters, Interiors, Offices, Workshop |