Italian Pavilion at Expo Dubai 2020 in UAE by CRA-Carlo Ratti Associati

Article source: CRA-Carlo Ratti Associati

The Italian Pavilion building at Expo Dubai 2020, designed by CRA-Carlo Ratti Associati and Italo Rota Building Office, with Matteo Gatto and F&M Ingegneria, was officially unveiled on October 1st, 2021, as part of the first World Expo ever held in the Arab world. The project puts forward an all-encompassing vision for reconfigurable architecture and circular design involving some of Italy’s most innovative companies. The pavilion features a multimedia façade made with two million recycled plastic bottles, new types of building materials – from algae and coffee grounds to orange peels and sand – and an advanced system for climate mitigation that constitutes an alternative to air conditioning. Reusing is also fundamental to how the structure was conceived. The pavilion utilizes three real-sized boat hulls, which could potentially set sail after the event, to create and shape the roof of the building. The Italian Pavilion extends over a surface of 3.500 square meters (38.000 square feet) and will be open until March 31st, 2022.

Image Courtesy © Michele Nastasi

• Architects: CRA-Carlo Ratti Associati
• Project: Italian Pavilion at Expo Dubai 2020
• Location: Dubai, UAE
• Photography: Michele Nastasi

Image Courtesy © Michele Nastasi

The Italian Pavilion envisions an architecture which challenges how buildings are usually developed for temporary events such as a World Expo, in which a lot of newly-built structures end up as landfill after just a few months. Contrary to that approach, the Italian Pavilion was conceived as an architecture that is able to transform itself through time, in a sustainable fashion. Three hulls, arrived in Dubai, become the roof of the pavilion, and after Expo, they could set sail to new destinations. The boat hulls also refer to the historical connections between the Italian and Arabian Peninsulas, thus hinting at the themes of both Italy’s participation in the Expo (“Beauty Connects People”) and Expo Dubai 2020 as a whole (“Connecting minds, creating the future”).

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

The three boat hulls that form the pavilion’s roof vary in length from 40 to 50 meters. They were produced with the contribution of Fincantieri, the largest shipbuilder group in Europe. The hulls are supported by more than 150 slender vertical steel pillars, each 27 meters high. In turn, they support a wave-shaped roof membrane made of ETFE pillows and a layer of perforated thin metal sheets that filter the sunlight. Seen from above, the hulls are coated in an innovative paint developed by paints and coatings company Gruppo Boero. They are the three colors of the Italian flag – green, white, and red – and form what might be the biggest ‘tricolor’ in Italy’s history (2100 square meters – 22.600 square feet).

The pavilion has no conventional walls. Instead, a curtain facade made of nautical rope, which also incorporates LEDs that can be lit to transform the facade into a multimedia surface, delineates the exhibition space. The nautical ropes are produced in recycled plastic, using the equivalent of roughly two million bottles, and form an intricate vertical meshwork that stretches almost 70 kilometers (43,45 miles) in length. At the close of the Expo, they will be reused again, in accordance with the logic of the circular economy. The use of the nautical ropes and a localized cooling system integrated with misting allow for extensive shading, natural ventilation, and better thermal comfort. The project strives to showcase more sustainable ways to cool our buildings and cities in the future.

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

Visitors enter the Italian Pavilion’s interior path via an escalator that takes them to a skywalk suspended 11 meters above ground level, right below the first hull’s nave. From this panoramic point, they can overlook the entire pavilion from a walkway that floats above the exhibition spaces and installations. Among the main spatial features are the Belvedere, a round structure topped by a dome, covered by wild herbs of the Mediterranean maquis, which evokes Renaissance gardens. Here, spirulina microalgae, cultivated by renewable energy company TOLO Green, enables the ecological treatment of air through the biofixation of the carbon dioxide emitted by visitors. The path also includes an Innovation Space dedicated to technological research, the Second Sun and Second Moon digital installations by Enel X which create a crescendo of light effects closely linked to the visitors’ emotions in real-time, and the Theatre of Memory with a 3D-printed copy of Michelangelo’s David developed by the Museum of the Galleria dell’Accademia of Florence and the Ministry of Culture in partnership with the Department of Civil and Environmental Engineering at the University of Florence. The ground floor of the pavilion features the “Solar Coffee Garden”, a cafe designed by CRA and Italo Rota for leading coffee company Lavazza.

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

CRA and Italo Rota also designed an installation for global energy company Eni, titled “Braiding the Future”, which focuses on biofixation of carbon dioxide. It recreates a microalgae cultivation using a spectacular cascade of 20-meter-high technological liana vines. Within each of the luminescent lianas flow the microalgae: the see-through circuit becomes a spectacular interpretation of the production technology of these unicellular organisms, which produce high-value compounds through a natural photosynthesis process. The technology of intensified biofixation of carbon dioxide that inspired the installation was developed in Italy by Eni, Politecnico di Torino, and start-up Photo B-Otic. It allows the intensive cultivation of microalgae through photobioreactors, lit through LED technology optimized on specific wavelengths. Located at the entrance of the pavilion and suspended at full height over a body of water, the installation is a clear reference to Eni’s concrete commitment towards a sustainable future, including possible fixation and enhancement of carbon dioxide. It represents the next chapter in the company’s design collaboration with CRA and Italo Rota, which is dedicated to exploring new materials and solutions for the built environment.

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

The rest of the Italian Pavilion also includes materials that were chosen in line with the circular approach, developed in collaboration with Mapei, which manufactures chemical products for the building industry. Coffee and orange peels left to dry and reduced to powder, are used to coat the suspended pathways and walkways. The pavilion itself rests on a dune five meters above ground level, made out of locally sourced sand. Moreover, the path inside the Italian Pavilion is enriched by a series of green elements from more than 160 different species that live inside the building. Developed in collaboration with Italy’s National Research Council (CNR) and botanist Flavio Pollano, this natural landscape pays tribute to the biodiversity and ecological beauty of the Italian and Mediterranean territories. Particular attention is given to the role that plants play in stopping desertification.

Hailed from the start as one of the most recognizable designs at Expo Dubai 2020, the Italian Pavilion has won the prize for the Best Entrepreneurial Project of the Year at the prestigious Construction Innovation Awards that are given every year in the country hosting the Exposition. The pavilion will be open for six months, with hundreds of arts and business events scheduled for the space during this time.

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

QUOTES FROM THE DESIGNERS

“Our design for the Italian Pavilion deals with what I believe is architecture’s most important challenge today: advancing the double convergence between the natural and the artificial. It anticipates issues and suggests strategies that will be increasingly crucial for the future of our cities as we address the consequences of the current climate crisis,” says Carlo Ratti, founding partner of CRA practice and director of the MIT Senseable City Lab at the Massachusetts Institute of Technology (MIT). “The pavilion keeps mutating into different forms. It speaks about reconfigurability both in the long term, because of its circularity, and in the short term, thanks to its use of digital technologies.”

“The Italian Pavilion has large dimensions and a very sophisticated structure, but more than an architecture in the canonical sense it is a large experimental installation focused on the increasingly blurred boundaries between the natural and the artificial. Its construction is equally inspired by natural biotypes and the most advanced technologies that come from space research,” says Italo Rota, founder of Italo Rota Building Office: “On the one hand, the building looks at the organization of tropical forests, where light filters through a high canopy and life is organized accordingly. On the other hand, a crucial theme is the production of neo-materia: new construction materials that have an organic and biological origin, whose technological production is not to be mistaken with recycling. Since the pavilion was conceived in a circular way, one can think of this neo-materia as materials that one can potentially be reused anywhere, in different forms and with different purposes. The Italian Pavilion represents almost a sort of ‘architectural banking’: a catalog from which to choose the elements of future architecture.”

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

“After the design of the Expo Milan site in 2015, it was very interesting for me to participate in the design of a national pavilion for Expo Dubai,” says architect Matteo Gatto. “Representing Italy is never easy, but I believe that the theme of travel and the technology that we developed to execute the concept, and then for the project itself, have managed to well represent the complexity of our country, which is rooted in its history and projected towards the future.”

“Supporting a roof made of three overturned hulls was a real structural challenge. After a careful analysis of the main goals of the architectural project, F&M Ingegneria took care of the structural and plant design, proposing a functional integration between the two disciplines. This solution allowed us to optimize costs and construction work, ensuring the comfort of the pavilion without affecting the overall aesthetics. The management of engineering work, entrusted to F&M, was particularly demanding in liaising with local companies and workers. But that allowed us to achieve the set goal, ensuring compliance with delivery times”, says Sandro Favero, founder of F&M Ingegneria. “A cross-disciplinary coordination of the project between F&M and the design team allowed for effective and punctual work, along with coordination with the operators on site during the execution phase. The BIM model was implemented in high efficiency from design to construction, allowing us to oversee the process. The large spaces available on the first deck, called “the great dune”, with large facades without any pillars and the architectural structure entirely exposed, are the result of sophisticated structural analysis conducted by our specialist engineers. The complexity of the construction site that required careful planning in each phase, as well as the creation of highly complex geometric artifacts, have been a challenge for us, which we overcame with great success,” comments Federico Zaggia, Partner and Project Director at F&M Ingegneria.

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

Image Courtesy © Michele Nastasi

Tags: Dubai, UAE

Category: Pavilion

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