The apartment they had bought had the great location and a broad front to Sydney harbour as its core attributes. It is spread over three levels, with the main level, the one with the greatest qualities, having been divided into a kitchen area and a bedroom, and the living level having been located below ground. Two bedrooms on the upper level did not require much attention and were in principle left as they were.
The transformation at Regent has a lot to do with light. The house was laid out in a traditional Victorian format with characteristically dark front rooms. A skylight now spans the length of the kitchen, and the formal rooms open onto the airy new combined living space. A double height light reveal floods the dining room and boys’ room above with additional light.
The Parque Residences, within the distinctive township of Eco Sanctuary, highlights the balance between modern resort living and the natural environment. This low-density 27-acre enclave features three striking residential towers with almost half of its acreage set aside as park land.
The design brief encompassed the client’s vision to create an enclave of facilities that reflects resort-style living in a green urban environment. Crafted for professionals and young families, the one-, two- and three-bedroom units are configured in an 11ft grid line module, stacking neatly on top of one another. The arrangement of the modules across the floors allows for spacious double volume spaces in the three-bedroom units. In addition to its architectural articulation, the strong box facade highlighting the double volume living spaces are designed in a staggered rhythm with timber composite panels wrapping around the generous 8ft deep private balcony.
Investors wanted a simple, sunny and relaxing home, somehow reacting to the movement of the sun. They also valued our moving buildings and their changeability.
The starting point was a regular shape unbuilt site, located in the suburbs among the average single-family housing.
We placed a rectangular solid on it, and then turned the part belonging to the ground floor to get as much privacy as possible from the side of the road. In the ‘cut’ space was located a living room, roofed floor and in the perpendicular shape we located the SPA zone. Both spaces close the private part of the garden. The investors' wish was a simple house with a flat roof, but the local plan imposed sloping roofs. Therefore, from the street side, the house has a gable roof, and from the garden side a flat roof, which ultimately created a non-standard, characteristic house shape.
Approaching the Hatley house from the nearby dirt road, one immediately recognizes the high-pitched gables so typical of the area. The roofline stands out above the rolling hills: three gables clustered together in an unusual way. The house is built on a natural plateau, providing a breathtaking panoramic view of the surrounding countryside and the mountains beyond. This landscape is defined by rolling hills, pastures, forest, and mountains. Farmhouses, barns, and sheds are scattered within this scenery. These structures are integral to the language of this place. The house uses these elements from the original agricultural structures, reinterpreting them in a more abstract way.
This is a home surrounded by a vast garden that converges at a colossal pre-war rain tree with such magnificence that its presence is ingrained within the very architecture of the house itself. Throughout this home are numerous encounters with nature whilst still being very much indoors. The architectural placement of the building allows for the viewing of the feature tree from all of the main spaces, from either of its two storeys right down to the basement.
This small building tucked away in the back of a courtyard in Paris 10th district formerly housed small, dark apartments over two levels that were unsuitable for living in. “Given the presence of house fungus (mushrooms that had attacked all the building’s wooden structure) in particular, we had to entirely recreate the building, only keeping the outer building envelope, which was remodeled as well,” the architects, Alia Bengana and Capucine de Cointet, point out.
A residential apartment on the southern coast of the Caspian Sea inspired by local traditional houses
This project is going to be built on the location of an old villa. The idea of the project is to preserve the memory of the traditional houses of North of Iran. The project site is a small rectangular plot measured 500 m2. located on the southern coastline of Caspian Sea. There is a narrow green strip of land (long 800 km and large 15 to 65 km), confined by the sea to the North and the green mountains to the South. Iranians call it Shomal (the north) in short. Shomal is just a green spot in the hot and arid Iranian plateau. Many people from the capital and the major cities of Iran have a summer residence in this area. While in Shomal, houses are normally arranged in rows, in this project the residential units are arranged in column. Here major elevation improves the view over the sea and the shilling fields. Each duplex apartment is formally conceived such as an autonomous villa with slopping roof. The building has 12 floors on the ground and it consists of 10 duplexes and 10 flats in different types.
Hidden behind a listed 19th century shophouse of inner city Melbourne, the contemporary extension skillfully navigates a very tight site to wrap two boutique apartment buildings over a retail space around a central courtyard. The gold finned facade screen creates angled privacy from the street and provides an animated play of light and shadow throughout the day.
His and Her House is a celebration of connection and coming together. The clients had each engaged FMD Architects for previous house designs and when the two embarked on this new project together to mark the start of their married life, His and Her House completed the reconfiguration of one of the projects and drew qualities from the other. The pitched ceiling soars to 4.5m, giving a grand sense of scale and volume and is accentuated with dramatic, triangulated skylights, forming a mobius like configuration of two shapes coming together, referencing the clients’ eternal love. The angled shapes create a pattern language that are referenced throughout the interiors from the glazing and joinery forms, down to the smallest detail such as the triangulated cabinetry pulls. The spaces are richly layered with warm honeyed timbers, with visible knots & cracks celebrating the natural inflection and beauty of the timbers.