The Massana School forms part of the long transformation process of the Gardunya Square, situated in the heart of Barcelona’s historical district.
This project responds to the will of creating a luminous interior made up of open spaces in its 11,000 square meters of usable surface area, while at the same time achieving an exterior that remains harmonious with the urban web in which it stands.
The Swedish town of Kiruna, 95 miles north of the Arctic Circle, sits atop the largest iron ore mine on the planet. The mine birthed Kiruna – And now, it threatens to erase it.
A century of mining operations has begun to destabilize the earth around Kiruna. The ground is breaking, splitting into deep rifts and falling into sinkholes – Within the century, these rifts threaten to swallow the town. In response to this threat, mining firm Luossavaara-Kiirunavaara (LKAB) has proposed a direct solution: Move Kiruna three kilometers east.
Singkawang Cultural Center is located in Singkawang, a small city in West Kalimantan, Indonesia. The city has been a home to ethnically diverse community for many generations, with three major ethnic groups of Tidayu: Tionghoa (Chinese-Indonesian), Dayak & Melayu. This diversity enriches Singkawang with abundant art & culture. The annual cultural events are later developed as Singkawang tourism highlights, such as: Cap Go Meh Festival, Gawai Dayak Naik Dango, Ngabayon Dayaknese Festival, Malay Art Festival, and Ramadhan Fair.
The clients’ idea of an art gallery was that art and nature are intertwined and art should be presented in a natural environment. Throughout the hotel property various art installations can be found. By being in nature one should be more receptive to see and feel art, according to the hotel owner. The art gallery has to host changing exhibitions offering clients a variation of art. This art gallery was built by a community eco-building cooperative that was aided by CRU! Architects. The idea of this social building project was to provide training and job-development for a deprived community. After the community center, commissions were sought outside of the village of Camburi in order to have economic return for the cooperants, of which this art-gallery is an example. The entire bamboo-structure was executed by the local cooperative, whilst the brickwork, excavations and foundations were done by the local workers from the farm which the hotel is located on.
Today marks the opening of the much-anticipated Jameel Arts Centre, an innovative cultural destination developed by Art Jameel, the independent organisation that supports arts, education and heritage in the Middle East. Designed as a 10,000-square-metre, three-storey, multi-disciplinary space by UK-based Serie Architects, Jameel Arts Centre is the first non-governmental contemporary arts institution of its kind in the Gulf.
The kunsthalle-inspired complex includes more than 1,000 square metres of dedicated gallery space, plus a 300-square-metre open-access research centre; events and screening spaces; a roof terrace; a restaurant; and a book and design shop. The Centre’s adaptable spaces reflect Art Jameel’s commitment to diverse programming across mediums and nurturing artist careers, as the galleries are deliberately designed in a variety of sizes and volumetric proportions to allow a flexible range of settings for exhibitions, site-specific installations and new commissions.
The redesign of this Omaha, Nebraska home focused on seamlessly integrating artworks from the couple’s extensive collection. Devoted almost entirely to the work of artist Jun Kaneko, the collection includes several large-scale sculptural and two-dimensional works. Kaneko is known for his strong sensitivity to space and surrounding environments. Accordingly, this home’s design paid special attention to the relationship of the artworks both to the built environment, and to the newly integrated natural environment brought visually into the home.
Three Aspects of the Reconstruction Strategy for the Building of the Latvian National Museum of Art in Riga
Considering the unique architecture of the building, its representational importance and significant contribution to the cultural heritage, the proposed extension strategy is based on:
– retention of the existing building capacity and authentic details;
– need for renewal and extension of museum functions in the clearly expressed modern volume and subtle minimal design of the additional spaces;
Transart is a multifaceted platform for the creative activities of an artist and independent curator in Houston, Texas. Designed by SCHAUM/SHIEH of Houston and New York, the new building will house visitors, art, exhibitions and performances, and will host conversations that spark broader community dialogue about the role of art in our lives, providing a space for the critical intersection between art and anthropology.
The sculptural form of a house made of concrete, metal and glass is conceived as an art object among private buildings.
The house is located on a small plot, on a slope with panoramic views of the surroundings.
The gallery space of the house with flowing zones is filled with modern art objects, which more like a museum, rather than a private house in which one can wander from one zone to another.
The interior and architecture of the house is aimed at producing an abstract impression on the guests and residents of the house. But despite this the house has everything necessary for comfortable living: gym, swimming pool, home theater, study, many bedrooms, technical and utility rooms…
The Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), was unveiled today ahead of its public opening on 22 September 2017 at Cape Town’s V&A Waterfront. It will be the world’s largest museum dedicated to contemporary art from Africa and its diaspora and is designed by internationally acclaimed designers Heatherwick Studio, based in London.
The museum is housed in 9,500 sq metres of custom designed space, spread over nine floors, carved out of the monumental structure of the historic Grain Silo Complex. The silo, disused since 1990, stands as a monument to the industrial past of Cape Town, at one time the tallest building in South Africa, now given new life through the transformation by Heatherwick Studio.
Project: Zeitz MOCAA (Museum of Contemporary Art Africa)
Location: Cape Town, South Africa
Photography: Iwan Baan, Antonia Steyn
Client: Victoria & Alfred Waterfront Holdings (Pty) Ltd
Design Director: Thomas Heatherwick
Group Leader: Mat Cash
Project Leader: Stepan Martinovsky
Team: Simona Auteri, Ruggero Bruno Chialastri, Yao Jen Chuang, Francis Field, Sarah Gill, Xuanzhi Huang, Changyeob Lee, Julian Liang, Débora Mateo, Stefan Ritter, Luke Snow, Ondrej Tichý, Meera Yadave
Making Team: Lucie Beauvert, Einar Blixhavn, Erich Breuer, Alex Flood, Hayley Henry, Hannah Parker, Luke Plumbley, Matthew Pratt
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