In 1833 the town of Northam was gazetted; with the Ballardong Noongar people suffering intense and bloody repression until 1841 when relations became generally peaceful. In 1905 The Aborigines Act allowed the State to have complete control of ‘protection, control and segregation of Aboriginal people’ and in 1933 the whole Aboriginal population of the town was exiled to the Moore River Native Settlement- some 200 km away and in another “country”. The laws that enabled this were only repealed in 1954, and the Ballardong families returned to the town.
In 2016 the Shire Council obtained funding to create a new Cultural Centre that would promote and support the Ballardong Noongar people of the Avon Valley.
Jianye Football Town, a town of sports aesthetics in the Cherry Valley Scenic Area, Erqi District, Zhengzhou, integrates in it the natural scenery, sports, recreation and culture. According to the construction plan of the football town, a Jianye Football Town Tourist Center of about 3000m2 will be built at the main entrance to the football town on the platform southwest of Houzhang Highway. It will be the reception and exhibition space for the whole football town in the future.
The tourist center lies at the entrance and represents the image of the football town, and the owner, Jianye Group, naturally hopes that it is unique, eye-catching and unforgettable. The difficulty in the design lies in how the architect can design an original building that blends perfectly with the local environment.
Project: Zhengzhou Jianye Football Town Tourist Center
Location: Erqi District, Zhengzhou, Henan, China
Photography: Hu Yijie
Construction Design: SHUISHI Engineering – Construction team (Zhu Quanlin, Du Xiawei, Yu Gang, Yin Jin, Li Hui)
Landscape Design: SHUISHI Landscape – Technology R&D Department (Shi Li, Huang Jianjun, Zhang Yongliang, Wang Yan, Liu Weiruo, Tan Xuewei, Wu Jingxian, Jiang Sunding, Zhai Dan, Zhang Yangxu, Wang Wenzhen)
Architecture Design(Client): Li Shuaifang
Landscape Design(Client): Han Qian
Interior Design(Client): Zhang Xin
Building Engineer(Client): Su Shengyong, Zhao Hua, Fan Weiqiang, Li Ning, Yue Xiaoming
The project is located in Lingang New City, Pudong New Area, Shanghai. Seven residential neighborhoods have been built in the periphery successively, which are divided into three blocks, i.e., community commercial center, commercial street and serviced apartment. Designed based on the concept of “Market”, a series of space close to human scale are created to attract and gather traffic to both banks of the river, providing a unique shopping experience that is close to nature.
The new Rail Operations Centre for Sydney Trains was designed by Jacobs in association with Smart Design Studio. The concept for the building was borne from a very specific brief, which called for a vast top-lit, solid-walled control room atop several floors of open commercial workspace. This presented an opportunity to create a unique building that positively contributed to the new urban fabric of the Green Square city centre, expressing its function as a piece of railway infrastructure.
JACA Architects was selected by Beth Israel Deaconess Hospital of Needham, Massachusetts, in December 2017 to design the 37,000-square-foot new outpatient clinical center with a $29 million project budget. JACA’s familiarity with the campus, staff, and regulatory processes of BID-Needham, from the several other projects they have completed for the hospital, helped them stand out from other firms.
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The new Opera House is an important part of a new urban c for Shanghai that aims to place the city at the forefront of the globe, economically, scientifically, and culturally. The Opera House is expected to become one of the major cultural landmarks of Shanghai – the country’s 13th Five-Year Plan names it as the most important initiative to strengthen Shanghai’s cultural and global influence.
“The Shanghai Grand Opera House is a natural progression of our previous work with designing performing arts centers,” says Snøhetta Founder Kjetil Trædal Thorsen. “It is a culmination of the competence and insight gained through projects such as the Norwegian National Opera and Ballet, the Busan Opera House in South Korea, the Isabel Bader Centre for the Performing Arts in Canada, and the Théâtre Nanterre-Amandiers renovation in Paris. The Shanghai Grand Opera House is a product of our contextual understanding and values, designed to promote public ownership of the building for the people of Shanghai and beyond”.
— A dramatic experiential space that tells stories with a rotating stage
The new concept store of the full-house furniture customization brand SUOFEIYA is situated at one of the most popular shopping-malls with largest number of visitors in Tianhe CBD, the commercial center of Guangzhou, China. Designed by LEAPING CREATIVE, the innovative retail space aims to explore a new mode of experience in the ever-maturing furniture customization industry.
The project was built from containers, situated at Orenda · Chongming Island, Shanghai, China. Its isolated location on an open grassland, as well as the narrow interior spaces of the containers, made the project challenging. In order to give the ten ordinary staggered containers unique aesthetics, the designers boldly extended the inner space of the containers outwards, through creating a void box connected to each closed container. The added boxes, framed by grilles, increased usable area, met the functional demands, and formed a contrast of solidness and void with the containers. Natural light can be filtered through grilles, generating a poetic view of light and shadows. The containers, and the new boxes generated from them, together produce staggered and overlapping architectural form, making the building look modern and futuristic.
The project is an extension to the teaching infrastructure for the BioEngineering Department. Tecnológico de Monterrey’s Queretaro campus was initially organized in a more or less recognizable Cartesian mesh in its first built volumes, arbitrarily rotated 41 degrees from the north. Given the absence of order and intention in the infrastructure that was built in the last 20 years, Sasaki Design was invited to develop a new master plan. Sasaki’s attempt aims to give order and meaning to the campus, as the current set lacks meaning and identity. The plan defines two axes in a Roman way that originate in a new “heart” from which everything would start. The project is located at the east end of one of these two guiding axes. This implies a certain hierarchy without becoming the most important building. The new Laboratories seek at their site to generate three types of new public spaces with different qualities among them: two exterior piazzas, a portico and an interior garden.
Article source: Philippe SAMYN and PARTNERS sprl, architects & engineers
Sponsor’s vision
Province Administration is bringing almost all its services together in one building to be constructed at its Salzinnes site. By establishing itself on the outskirts and at the edge of the Sambre River rather than in a high-profile city centre Namur Province has plumped for a high-impact yet sensitive position, to reflect how it regards its role.
This site should act as a city-level focal point with the outlying area serving to complement the centre. Consequently, the idea is to create a structure that has the ability to generate a deep affection for this new intellectual centre in Namur.
The image that springs to mind is of a village centre reflecting the province’s rurality and symbiotic relationship with nature. An invitation to our five senses to experience pleasure through the channel of art and culture.
The construction of the Namur Province Administrative Centre (MAP) will involve huge financial and environmental costs. The project seeks to obtain the maximum number of BREEAM credits, while highlighting the limits of this approach, as well as the questions raised. The project achieves a score of 93.53 %, or 8.53 margin points above “Outstanding” level.