Art Sauna is a continuation of the emotional journey that the Gösta Serlachius Museum offers visitors. The new construction, subtle, intimate and domestic in scale, joins the site and blends in with the scenario of dialogue between art, nature and architecture that it proposes.
Architecture practices Mendoza Partida (Héctor Mendoza, Mara Partida) and BAX Studio (Boris Bezan), winners in 2011 of the international competition organized by the Serlachius Foundation to extend its museum with the construction of the Gösta pavilion, have brought the logic and common sense they applied then to the new space. To this end, one of the main architectural principles in the design of Art Sauna involved integrating the building into the jpurney, merging it with the terrain and making it part of the landscape.
The new Welcome Center will serve visitors to the adjacent Botanic Gardens, Rural Life Museum, Louisiana State University (LSU) AgCenter and various other community and cultural destinations. Intended to provide visitors with an overview of the many destinations dispersed throughout the 440-acre property in the heart of Louisiana’s capital city, the 28,625-square-foot facility will also detail the history of the Burden family and the Burden property, one of the largest donations ever made to LSU and the surrounding community.
RDA was one of three finalists selected out of twelve international participants in the international competition for the Guoshen Museum, part of an ongoing campaign to build new landmark cultural projects for Shenzhen. Commissioning the building, the Shenzhen Qianhai Development Corporation set three goals: the design should express the essence of traditional Chinese culture, reflect the unique character of traditional Chinese architecture, and embrace the spirit of Shenzhen as a cosmopolitan city.
Featuring a huge expanse of greenery surrounded by high-end residential developments, museums and concert halls, the Ersha Island is actually the central park of Guangzhou. However, according to its original planning in 1980’s, all the developments on this island were targeted at foreign buyers and ordinary local citizens were even denied access to it, which demonstrates its superior location. In the beginning of 1990’s, the government started to build a “Cultural Golden Coast” along its southern bank and a series of first-class art venues including the Guangdong Museum of Art and Xinghai Concert Hall emerged one after another on the scene. Now the Island has become synonym of “high-brow” in the eyes of Guangzhou people.
Shunchang Museum is located in a county that features a unique location. As approaching the project, the architects studied the internal connection between the site and the city, balanced the local context with metaphorical creation, and worked to let the building integrate into local citizens’ daily life and carry the memory of those who’re residing in places far away from their hometown. Designed in response to local context and based on people-centered principle, the museum is not merely a space that collects and display exhibits. For the city where it sits, the museum itself is an exhibit, platform and symbol. It carries the nostalgic sentiments of local people, and interprets the past and future of local culture.
The new building of the Museum of Ethnography in the Budapest City Park (Városliget) was opened (23/05/2022).
The multiple award-winnig new museum building – which is part of Europe’s largest urban-cultural development called Liget Budapest Project – designed by FERENCZ, Marcel; Napur Architect – has dynamic yet simple lines simultaneously harmonised with the park environment and communicating with the surrounding urban area. The City Park (Városliget) is a familiar venue for the Museum of Ethnography: its collection debuted here at the 1896 Millennium Exhibition.
Article source: gmp · Architects von Gerkan, Marg and Partners
With the National Museum, which combines two new museums for the display of China’s cultural heritage, the architects von Gerkan, Marg and Partners (gmp) have completed an important component of the new cultural quarter in the Olympic Green in Beijing. The external design makes reference to the function of the building, which with its changing color and light effects created by the sculptural structuring of the facade is clearly visible from near and far.
The museum building marks the northern end of Beijing’s Central Axis and is not far from the National Stadium, the Bird’s Nest, and the Asia Financial Center & AIIB Headquarters completed by gmp in 2021. For the first time, an opportunity is provided to present valuable collections of Chinese arts and crafts and items of intangible cultural heritage at national level.
Construction was completed on the Museum Tower Kyobashi, designed by Nikken Sekkei, in July 2019. The Artizon Museum, located on the lower floor, opened on January 18, 2020.
The approximately 150-m high Museum Tower Kyobashi housing high-grade tenant offices and an art museum is located in Kyobashi in front of Tokyo Station. Honoring the philosophy of the founder of Bridgestone Tire (present Bridgestone) Shojiro Ishibashi who built the Bridgestone Museum of Art in 1951 forerunner to the Artizon Museum and a state-of-the-art structure at the time this client-collaborative design was intended to create a new era of architecture embodying the social environment and cutting-edge technologies of 2020.
The Shanghai Submarine Museum will occupy a prominent position on the Huangpu riverfront in central Shanghai at No. 3 Dockyard, the former site of the Jiangnan Shipyard and more recently part of the 2010 Shanghai World Expo site. The area is currently undergoing a major urban transformation, with 30 km of the west Huangpu riverfront with its old industrial docks and sites being converted into cultural facilities, public parks and recreational sites linked by a green pedestrian passage.
Space is a dialogue between elements of old and new. Light brings people to the faded history, but also to the colorful modernity.
“Tibei” is the earliest large-scale livable area in Tianjin. Now it has developed into a typical mature community in Tianjin, representing the pride of a city and an era.
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