Hostel Jyväskylä is located at the very heart of Jyväskylä’s pedestrian precinct and has given a new lease of life to a 1953 office building. The reception is located on the ground floor of the building, where a small food outlet operated by a separate restaurant business can also be found. The simple natural style and plywood furnishings of the reception area continue throughout the building.
Goddard Littlefair has completed the restoration of Hilton Imperial Dubrovnik, re-injecting golden age glamour into one of Europe’s most beautiful hotels to appeal to today’s cosmopolitan, sophisticated traveller. Hilton Imperial Dubrovnik, situated just above Dubrovnik old town, was originally built in the 1890s and went on to serve the great Mediterranean cruise liners docking in the city in the early 20th century. Then called ‘The Grand Hotel Imperial’, with a French Riviera feel and the glamorous cachet of an international clientele, the hotel was a roaring success for many decades, but, during the Yugoslav war, it was shelled and then used to house refugees. The hotel was subsequently brought back to active life in 2005.
‘When we were first commissioned’, commented Martin Goddard, Director and Co-founder of Goddard Littlefair, ‘the hotel was already very well established and incredibly popular, with a wonderful location overlooking the old fort and the Adriatic, right on the edges of Dubrovnik’s historic old centre. Whilst it had been majorly refurbished in 2005, costly building works meant that the interiors weren’t the main priority at that time and were primed therefore for a completely new treatment.’
The three major central concepts of “penetration”, “cladding” and “cleanness” are in line with the company’s brand image. We begin to visualize this foundation to be pure and clean under the framework of a big space. Where necessary, it can also be divided into the independent units and the combination of materials having not been excessively processed can make the space produce the dialogue.
Hanyang Guiyuan Temple Sales Center: a curved building that embraces landscape
Each city is given unique character by its history. Unfortunately in China most cities are losing their features after reconstruction and taking on almost the same image. It is imperative for urban real estate developers to retain cultural heritage of the city through balanced and appropriate design solutions.
The old town of Lijiang in Yunnan province, where tradition and modernity, tranquility and hustles co-exist, produces an elegant and creative gathering place for homestay hotels. Among the scattering design practices, Li Man·Shen Mi Ji hotel is a special isolated existence. Its modern ink painting style brings the most poetic and innovative annotation for a renovation space.
The hotel is located in No.74, lower segment of 81, 71 street in Lijiang. It was a residential yard with small area and unreasonable layout, hard to realize its design value. After taking over this project, the design company Yiduan demolished and re-designed the building, quietly integrated the building and its landscape into the old town, besides, they brought new vitality to the waste materials by reuse and classification.
Intended to be a business headquarters, this office space looks for a privileged location in the first expansion of the city of Valencia, taking from the situation the representative character that it should have.
The project assumes the spatial conception of a single area of confluence in which the activity of different companies is accommodated, promoting the enrichment of interdisciplinary interaction. A continuous space that takes place along the nineteenth-century façade, is modulated by the transversal layout of workplaces at the rhythm that marks the opening of holes and the structure. The dialogue between the pre-existing historical envelope and an interior of contemporary conceptualization is established on the basis of parameters of progressive formal purification and neutral materialization, enhanced by an indirect illumination that highlights the classic moulding of the facade facing.
Architects in Charge: Carlos Gallardo Llopis, Javier Gallardo Llopis, José Luis Gallardo Blanquer
Architects: Fernando Usó Martín, María Mequita Vidal, Raúl Sol Jódar, Alba Luengo Moreno, Sergio Noverges Bellmunt, Noelia Marzo García, Clara Martí Solsona, Santiago Sánchez Bonache.
Located in Tianhe District of Guangzhou City, the Shadong village, where sits the buildings of this project, was erected in December 1995. The local economic corporation in the late 90s constructed on the commune’s fringe land a 4-storey warehouse leased to the Guangzhou Book Center for their new book storage. Eight years ago, the company constructed a new five-story warehouse building on the northern side of the previous one. The status quo of the site is now one new and one old vacant multi-story warehouse building. The compound’s accessibility from the city is poor, but they own the beautiful scenic view of Baiyun Mountain.
Sberbank, the largest bank in Russia and Eastern Europe, has transformed its traditional office model to an open, transparent and activity based workplace. Swiss architecture and design studio Evolution Design was responsible for the design and the development of the new workplace concept over four floors in its central Moscow headquarters.
The newly designed workspace was just announced winner of the ‘Best Agile Office’ in the Best Office Awards 2018 and also received the Grand Prix Award 2018 for the best office out of 120 projects.
Positioned at the top of the 1201 Third tower in downtown Seattle, and occupying the 54th and 55th floors, Boston Consulting Group’s new offices represent a substantial shift from their former offices. Previously quartered in a smaller, less bespoke office setting, BCG sought a more inviting and sophisticated environment in which to work. The design challenge for this 24,223-square-foot project was to create an environment that accommodates the Boston Consulting Group’s flexible approach to work space without sacrificing the incredible 300-plus-degree vistas the space has to offer.
“Feels like home” was the main goal for this project. The design aimed to achieve the best functionality of the space despite its small size and the need for the company to serve as many people as possible. Thus, by using a curve, two comfortable areas are created, one small for the reception and one bigger as the waiting area. Moreover, another essential point was the extroversion, the need for the company’s brand to be visible from the main hall.
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