Our client expresses a requirement but we change it into a strength. Facing a Budget issue we propose to find the constructive origins of the Building and find a primal language, industrial, expressed by the material nudity: exposed concrete, corrugated bars, clean surfaces in ceilings and walls.
It is located in the ground floor of a 1981 dwelling building, along Gran Via, at the hart of Murcia, near to Plaza de las Flores, the city’s gastronomic area.
Oppenheim Architecture’s illa Bimini is a new environmentally sustainable eco-resort offering a secluded retreat that invites residents and guests to foster a deeper connection with the landscape. . Set on a 9,000-foot stretch of Bimini’s coastline and featuring the first overwater bungalows in the Bahamas, the resort is a holistic community where every element is designed to blur the boundary between architecture and the landscape, bringing residents and guests closer to nature.
Is it possible to taste, smell and feel a country? Yes, it is. With the finest nuances, noa* brings the Südtirol-Home’ guests in Antholz on an exciting olfactory and visual journey of discovery through South Tyrol.
South Tyrol – a term that describes over a thousand things, was recently translated into architectural form for the occasion of the 51st Biathlon World Cup in Antholz, where top athletes, celebrities, politicians, organizers and visitors gather. Surrounding a kind of “village square” are 10 buildings, the largest of which is the Südtirol-Home, which will be the home of guests, winners and journalists in this top-class sports event 2020, who, above all, are intended to be able to do one thing here: feel South Tyrol.
The attractive shell of Südtirol-Home, a modern interplay, where glass and wood create a game between the open and closed, was already under construction when IDM Südtirol, the innovation, development and marketing company commissioned noa* with the design of its interiors. A critical factor that had to be taken into account in the planning of the interior design, was that this temporary building should be easy to dismantle and assemble at other locations without major wear and tear. The main task for noa*, however, was to enable Südtirol-Home’ visitors to experience the location and the country in which the sporting event takes place in literally every sense.
K5 Tokyo, housed in a converted 1920s bank building, sits beside the Tokyo Stock Exchange and connects the traditional Imperial Palace area with hip Eastern Tokyo.
The Japanese word ‘Aimai’ guides K5 Tokyo’s concept. It means vague, obscure or ambiguous, which in Japanese is often used in a positive, poetic sense. (The term denotes the benefits of erasing borders.) K5 Tokyo’s functions intentionally intermingle: The library is the bar, while the coffee shop doubles as a lounge, which flows into a wine bar and restaurant.
Rush and reflection are the two contradictory vital elements on which Namelok has based the entire design of the museum cafe in the Anne Frank House. Of course, we were inspired by the place’s history: especially the post-war period in which the desire for rapid improvement was in contrast to the pure fellowship. This paradox has not only functioned as our core design concept, but also in facilitating the visitors of the Anne Frank House.
Montreal’s first “smart vertical community,” this thoroughly modern, mixed-use megaproject features a luxury hotel, condo and rental units, offices, restaurants, boutiques and large public spaces linked to a major park. In harmony with its pluralistic context, it offers varying degrees of permeability with its surroundings, creating spatial moments based on elevation and building depth.
On a pedestrian scale, Humaniti will frame a new public plaza and Place Jean-Paul-Riopelle, whose iconic art centers a new urban room. On a district scale, there is powerful dialogue with the complex’s four distinct neighborhoods: Old Montreal, Downtown, the International Quarter and Quartier des spectacles. On a metropolitan scale, upper levels define a wider urban room framed by Humaniti, Mount Royal and the St. Lawrence River.
Retail spaces are evolving into lifestyle complexes that are inspiring, diversified and immersive to surround visitors with a curated experience to fulfil various lifestyle and social needs. Chengdu’s Xichen Paradise Walk in China, designed by LWK + PARTNERS, encourages social interaction and community life with high transparency and accessibility to bring together people, their neighbourhoods and nature. It is pilot project of the third-generation Paradise Walk brand, setting a new benchmark for future projects.
Xichen Paradise Walk is the retail component of an integrated complex in the heart of west Chengdu, bookended by an office tower and a serviced apartment tower also designed by LWK + PARTNERS and adjacent to the residential component. The architectural form features an interplay of geometric shapes, creating an iconic beacon-like façade. Addressing an important traffic intersection to the south west, the corresponding elevation features an urban-scale shop window designed for the ever-changing, large-scale installations and seasonal contents.
Immersed in the Prosecco vineyards of the Treviso area, this building is the result of a careful regeneration project: first a glacier in a villa, then a deposit of ammunition during the Great War. To fit into this context, a recovery of the existing is foreseen which, together with a new intervention, amplifies it’s natural specificities. The result is a balance of volumes and transparencies.
This project is the renovation of a restaurant in a small town of La Mancha, Spain. The recent acquisition by the owner of an attached store allows for an extension to host storage and direct access for goods to the street. The dining area is then expanded taking the space of the old storage, maintaining its structure and roof, and natural light is let in through a double height space that maintains some of the original elements, such as fireplace and staircase. The main layout of the old restaurant is mainly maintained but some minor changes have a huge impact in circulations, light treatment and functionality.
In Situ represents a unique and rich intersection of art, design, and food, each augmenting the other to reimagine museum dining, and our relationships with food. In support of Chef Corey Lee’s vision and the San Francisco Museum of Modern Art’s (SFMOMA) greater mission, the design emphasizes visibility from the street, open accessibility to visitors and a sense of the ephemeral within a simple, comfortable environment.
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