The new town hall in Remchingen, on a prominent site between federal highway B10 and the green space along the river Pfinz, is conceived as a new center for encounters and communication. Its immediate vicinity is dominated by the Remchingen Cultural Center and a nursing home, which are discrete, self-referential freestanding buildings that do not form an urban spatial relationship to each other.
The new Westland town hall and municipality office were opened in Naaldwijk. The opening included an official ribbon cutting ceremony by mayor Sjaak van der Tak, alderman Bram Meijer, Volker Wessels CEO Dik Wessels and Volker Wessels director Piet van der Hoeven. The town hall functions as a center for the council as well as for public services and ceremonial gatherings. It is situated at the Verdilaan. The new municipality office houses the majority of the municipal staff and is located at the Laan van de Glazen Stad (Lane of the Glass City). The new edifices were jointly realized within the framework of a Design Build Finance Maintain and Operate-assignment that was granted to the Groene Schakel (Green Link) consortium, which consists of Boele en Van Eesteren, Homij Technische Installaties, the PHC Dienstengroep and Kondor Wessels Projecten. The architecture and interior were designed by cepezed and cepezedinterior.
Project: Westland town hall and municipality office
Location:
Verdilaan 7, Naaldwijk (NL)
Laan van de Glazen Stad 1, Naaldwijk (NL)
Photography: cepezed | Lucas van der Wee, Gert-Jan Vlekke
Primary Client: Gemeente Westland
Contractor: De Groene Schakel (consortium with Boele & van Eesteren, Homij Technical Installations, PCH Dienstengroep and KondorWessels Projecten)
Type Of Contract: DBFMO (Design, Build, Finance, Maintain, Operate)
Architect: architectenbureau cepezed, Delft
Project Team: Jan Pesman, Ronald Schleurholts, Joost Heijnis, Frederique van Alphen, Robbert van de Straat, Frank Maas, Mattijs van Lopik, San Dino Arcilla
The old Town Hall of Buda is one of Hungary’s most important monuments. It is significant because the magistracy of the Hungarian capital operated here from 1688 (the end of 150 years of Turkish rule) until the late 19th century, and it is also unique because of the layering of its construction history both in time and space. The conglomerate of constructions consisting of several civil buildings from the 13-14 th century was formed during the 18th century in several periods to one unified, representative building reflecting Baroque architecture. In the middle ages, there were probably five smaller houses in place of today’s building, the fragments of which are preserved in the cellars and ground floor walls. In 1688, almost immediately after the 150 years of the Ottoman occupation, the Town of Buda designated this cluster of plots for the reconstruction of the former medieval houses. The construction history of the house consists of several periods. In the first of the two most important phases, from 1688 to 1891, the works were led by the emperor’s architect, Venerio Ceresola, who made the remains of the medieval building usable again. In 1770-71, Matthäus Nepauer, a significant Baroque builder of Buda carried out the most determinant construction that still dominates today: the uniform Baroque façade – integrating the medieval remains of the ground floor too – was finished at that time together with the corner balconies. The whole building became two-storey, the imposing Baroque main staircase was also built, creating a double-court inner space structure, together with the exterior corridors on the ground and the first floor.
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