At Shepherdess Walk you have the character of a period property, coupled with the feeling of space, huge windows to bring in lots of light and an extremely environmentally friendly home with the advantage of low bills.
If you enjoy modern art and modern living, you want a home that reflects your contemporary taste, not another run of the mill Victorian terrace house; if you want design that adapts to your lifestyle, not the other way round; a space that you can live, work, eat and play in; a home that you can grow old in – then Shepherdess Walk is for you.
A dynamic team of architects, designers and consultants are celebrating the completion of the £22m cultural hub project, The Curve, located in the centre of Slough, Berkshire, UK. The Curve is the flagship public building and the key community amenity in the on-going regeneration of Slough’s town centre, where over £45m of public investment has already been spent or committed to create an entirely new commercial district – The Heart of Slough. Housing a library, a 280 seat multi-purpose performance venue, and spaces for council meetings and exhibitions, the 4,500 sq m building consolidates disparate community functions and registrar services across the centre of Slough.
The project is a remodelling and extension to a house in a conservation area for a young family with one child. The Brackenbury House forms part of a terrace of five Lillian Villas built in 1879. The “L” shaped double-fronted villas are brick and stucco faced, two-storey high, with front gardens forming a landscaped frontage, set back from the street.
AR Design Studio is delighted to announce the recent planning approval for its latest project, The Hidden House.
Situated in the Surrey Hills Area of Outstanding Natural Beauty, The Hidden House is a four bedroom home that has been fastidiously engineered to sit seamlessly within its stunning surroundings. Set on a disused riding school that was once a scar upon the countryside, the house has been designed to complete the landscape. The house’s geometry was informed by the North Downs’ geological arrangements. By embracing the erosion patterns of the area, the form was sculpted to become a continuation of the hill in which it sits. Taking further measures to blend the house in to the landscape, the project form uses ‘Dazzle Camouflage’, a tactic employed by ships during the First World War to deceive the eye and create illusions that help break up the solid mass.
The new two-storey, 410m2 building caters for around 100 young adults and houses two multi-purpose halls, music room and recording studio, café, a series of activity pods and break-out spaces as well as an outside recreation space. The £860,000 project is used by 11-19 year olds during weekday afternoons and evenings and is available to the wider community during the daytime and weekends.
Funding for the building included: Tadley Town Council – £236,000; Public Works Loan – £150,000; Turbury Allotment Charity – £330,000; Greenham Common Trust – £70,800; Basingstoke and Deane Borough Council – £24,090; Local infrastructure Fund – £201,000.
Recently reopened, Tara Theatre in London, UK, is the new state-of-the-art home for the acclaimed Tara Arts, the oldest multicultural theatre company in the UK. Designed by Aedas Arts Team, it has won the ‘Project Design of the Year’ award at this year’s London Construction Awards. The new incarnation of Tara Theatre fuses the global and the local, creating an inspirational space for the country’s first cross-cultural theatre to create art from the dialogue between East and West.
Walmer Yard is the first residential scheme in Britain by Peter Salter, the internationally acclaimed teacher and architectural designer. Seven years in the making, four finely crafted houses built around a shared courtyard in Notting Hill are now being shown to the architectural press.
The houses reflect Salter’s unique approach to the design of spaces for living. The structure, volumes and materials are employed to create a series of rooms and circulation spaces that are precisely tuned to domestic use, private peace and sensory experience.
In 2011, the practice won an invited competition to design a new arts building for the well-established independent school in St John’s Wood. Taking its cue from the mass and footprint of the listed, semi-detached villas on the site adjacent, the four-storey building is designed to resemble a single large property. The complexity of the project is heightened by its location on a prominent corner plot in the St John’s Wood conservation area, where proposed developments attract a lot of attention.
The location for the new offices is a 8,715 sq ft single-storey space on 5th floor of a newly-redeveloped Crown Estates building, facing onto Air Street (where entrance is located) and Glasshouse Street – just minutes from Piccadilly Circus. The premises benefit from great natural light, with windows the full length of both sides, plus a sympathetic base-build delivered by the landlord’s architects, featuring limed oak and good quality architectural lighting.
The focal point of the project is a concrete waffle shaped roof, which sits aloft the new living area. Its pre-fabricated peaks and troughs create trenches for rooftop planting, softening the volume, establishing a connection with the leafy surroundings and creating pleasing views from the floors above. From the garden, the roof trenches are out of sight, giving the immediate effect of a simple concrete slab, which contrasts with the texture of the original building.