Designed originally for construction workers of the railroad connecting Montreux to the Rochers-de-Naye, this modest house was built in 1911 with large stone blocks found in the ground dug for the rail. Constructed on a sloping hillside, lined with a terraced garden, it offers a breathtaking view of the Alps, Lake Geneva and the Riviera.
Article source: SBSA I Sandri Barbara Smaniotto Andrea Architetti Associati
The project fits into a small plot in a highly inclined terrain overlooking the Geneva Lake. It is a urban plot where it is allowed a building of 4 levels above the floor of the garage. The shape of the building comes from the need to rework an existing project according to the Swiss town planning regulations: the result was an irregular and faceted prism.
The Montreux Jazz Heritage Lab 2 is a research program at the crossroads between architecture, design and technology. The program is led by the EPFL+ECAL Lab in close collaboration with the architectural lab ALICE, at the École Polytechnique Fédérale de Lausanne (EPFL), one of the two Swiss Federal Institutes of Technology.
This new permanent and immersive installation is hosted within the new campus building designed by the architect Kengo Kuma, and situated just next to the Montreux Jazz Café. Rather than mimicking the past, the project leads the audience on a unique journey through 50 years of history and 5.000 hours of audiovisual recordings made at the Montreux Jazz Festival. Visitors truly feel that they are live on stage with Ella Fitzgerald, standing beside Miles Davis’ trumpet, or composing Smoke on the Water together with Deep Purple.
Photography: ALICE EPFL, Joël Tettamanti and Michel Denancé
Software used: Autocad and Rhinoceros
Design research on emerging technologies: Nicolas Henchoz, Cédric Duchêne, Tommaso Colombo, Karian Foehr, Delphine Ribes, Guillaume Bonnier, David Roulin, Susanne Schneider, EPFL + ECAL LAB
Design research on the conception of space: Dieter Dietz, Rudi Nieveen, Manon Fantini, Javier Puchalt, Yannick Claessens, ALICE EPFL
Coordination Montreux Jazz Digital Project: Alain Dufaux, Igor Ristic, Olivier Bruchez, Gregory Marti, Sarah Artacho, Caryl Jones, Julien Raemy, Céline Racine, MetaMedia Center EPFL
3D Sound: Dirk Schröder, Sönke Pelzer, Fabian Knauber
Sponsors: Audemars Piguet, HGST, Foundation Ernst Göhner, Foundation Lombard Odier, Loterie Romande, Private donors
Technological partners:
Claude Nobs Foundation (preservation & valorisation Montreux Jazz Festival Archives)
A new urban café in Montreux was created as a place where celebration and everyday life go hand in hand. The café fits into the life of local community and becomes a new meeting place. All the attributes of the restaurant are introduced and installed within the preserved historic envelope. The feeling of the temporary installation is further articulated by the chosen materials. Concrete and aged wood are juxtaposed to the white background. The key note is played by the perforated concrete wall that visually unites the entire space of the restaurant and serves a number of functions: wardrobe, bar showcase, kitchen work area, furniture storage facility. The wall also works as a construction kit that allows endless combinations of various objects helping to generate fresh messages to the visitors. As a result, a flexible environment is created that reacts to ever-changing trends and events. Interestingly, although the fitting of the restaurant was entirely produced in Ukraine, with the only exception of Danish j77 chairs, this fact didn’t prevent the sophisticated Swiss audience from accepting the newly-created place with utmost loyalty.
James Gandolfini died on the 19th of June 2013, a few weeks before the 47th Montreux Jazz Festival. He was the leading character of one of HBO’s best series: The Sopranos. He embodied the complete range of clichés of the Italian American mafia developed beforehand by great film directors such as Martin Scorsese or Francis Ford Coppola (The Godfellas in 1990 for the first, The Godfather in 1972 for the second).