Su Shi wrote in this poem that, “May we all be blessed with longevity. Though far apart, we are still able to share the beauty of the moon together.” Here, Chan Juan means the moon.
Kong Shangren wrote that, “The ladies’ houses were built alongside the Qin Huai River, and every shadow in the water reflects their graceful postures.” Here, Chan Juan refers to graceful lady.
Different from traditional real estate sales gallery, this project emphasizes more on conceptual feature, aiming to present the environmental, modern and creative branding spirit to visitors. With white as the background color, the whole space conveys a pure aesthetics of minimalism. White is open to all possibilities and it embraces future to the largest extent. Touched up by the abstract artistic ambience, the space is overwhelmed with a deep and delicate aesthetic perception.
Teochew people are called Oriental Jews for their traits of shrewd, tenacity, and concentration, while the Teochew cuisine is popular at home and abroad for its exquisiteness, daintiness, and neutralization. Taking Teochew culture as design theme, Tangchao Wharf restaurant injects modern elements into the centuries-old tradition of this ethnic group in East Guangdong by blending modern elements into Chinese style design.
Traditional expressions of eastern Zen are diversified. However, what we want to express is not the language deliberately posted with such labels but a kind of quiet expression that attaches importance to meaning instead of form. The project covers a showroom of 100 square meters and an office space of 700 square meters. Gene core of the major brand QUALLIN in the showroom is also created by us–trace to its source, and return to simplicity.
“Only by planting the roots of design into the earth can we harvest its towering trees.”
— Yu Ping, Chinese designer
Marier in Japanese means intimacy or intimate connection between people. MarierWagashi locates its first heritage shop in Shangmeilin, Shenzhen, more precisely, the ground floor of an old building in an old community, with an air of detachment from the urban hustle.
Article source: Architectural design and Research Institute of SCUT
Back Ground Story
Located at the north end of the central axis, Guangzhou East Railway Station is one of the biggest railway terminals in China. The old station building, constructed in the Mid 90’s, was suffered from poor organizations of circulations, light and ventilation. Before renovation, numerous people and vehicles flows had to squeeze under a dark concrete panel to enter the station. Above the panel however, there was an abandoned platform, giant in scale, empty with people, without the quality of a public space it supposed to have.
Tags: China, Shenzhen Comments Off on Public Square and Passenger Facilities Renovation of Guangzhou East Railway Station in Shenzhen, China by Architectural design and Research Institute of SCUT
Surrounded by residential towers and infrastructure, the site for the Bao’an Public Culture and Art Center presents several challenges. Mecanoo reinterpreted these challenges as opportunities, capitalising on the proximity of the new cultural facility to the adjacent Bao’an Central Metro Station and the Binhai School.
Location: Xinhu Road and Chuangye Road, Bao’an District, Shenzhen, China
Client: Urban Planning, Land & Resources Commission of Shenzhen Municipality, Bao’an Administration
Programme: Culture and Art Center (49,830m² above ground, 34,290m² underground), including 21,015m² Museum, 16,070 m² Art Gallery, 17,450m² Gallery, 3,170m² sports field, and 23,490m² service area with auditorium, restaurant, art bookstore, meeting room and underground parking
SPARK has completed the design of Gateway One a 71,600-square-metre mixed-use development and transportation hub for China Merchants. Located in Shenzhen South China the 110-metre-high, 27-storey office tower and five retail pavilions are connected by landscaped terraces that combine to create a unique naturally ventilated retail and business destination for the lively Skekou district of the city. The buildings sit over and adjacent to a new transportion hub that includes a bus terminal and the Seaworld subway station.
Designed by Aedas, Gmond International Building is a representative regeneration project in the old town in Shenzhen. The project will house the headquarters for Tellus-Gmond, Grade 5A lettable office spaces and a jewellery trading centre. The well-facilitated transport hub nearby brings enormous circulation to the complex and generates excellent development potentials.
Shenzhen Mocape is located north of the Shenzhen Civic Centre; it is also the last major public cultural project in Shenzhen.
The building is an integration of the Shenzhen Museum of Contemporary Arts and the Urban Planning Exhibition Halls. Surface materials of glass, perforated plate, and stone extend and twist along the steel structure, creating a complicated architecture full of vitality. However, the unique façade form also created great difficulties in lighting design. Lighting design conquered multiple challenges and successfully inte-grated within the building, neatly and sharply presented a clear and translucent city “rock”.
Project: Museum of Contemporary Art & Planning Exhibition (MOCAPE)
Location: Shenzhen, China
Photography: He Shu
Client: Shenzhen Municipal Culture Bureau, Shenzhen, China and Shenzhen Municipal Planning Bureau, Shenzhen, China Construction Agency: China Overseas Commercial Properties Co., Ltd
Planning: COOP HIMMELB(L)AU – Wolf D. Prix & Partner ZT GmbH
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