The space was designed as a workshop for a furniture manufacturer who aims to propose a new lifestyle integrated with state-of-the-art technology. The company is strong in the molding of urethane. In order to respect their merit, we put up a soft structure in which urethane came at the center.
The owner, whose project we designed and completed 5 years ago, consulted us again to ” build an area in the school where children can develop their creativity through role playing”.
This is a new company-founded nursery school that was established amid the Japanese government’s increased efforts to resolve the issue of children being put on waiting lists to enter day care facilities.
Located in a central Tokyo neighborhood with many low and mid-rise office buildings, this rental building for restaurants stands on a long, narrow lot, surrounded on three sides by streets.
Key considerations when designing a building of this type are how to create a group identity for the tenants and how to relate the units to the cityscape.
Because of its city-center location, this mid-rise building needed to be commercially efficient, occupying the entire permissible floor area ratio and filling that space with restaurant tenants on every floor.
Responding to a dramatic growth in the foreign Catholic community in Suzuka, a new religious space is needed not only for worships but also social interactions. The Catholic Suzuka Church, presented by the Alphaville Architects, is an integration of multiple functions including a chapel, a community hall and residences for priests. Located in Suzuka, where the HONDA motor industry bases, the presented project is sitting on the cross junction of two major streets, with one being a newly built motorway and the remaining one being an ancient road connecting Tokyo and Osaka since Edo period.
At this house – a residence designed for a family of three and their many belongings – the client requested that the members of the family can feel close to each other regardless of where they are in the house. Moreover, private rooms were not needed because they feel that it is lonely to withdraw into one’s space, and storage space was also unnecessary because they did not want to tuck things away. As a result of trying to find a form that allows the whole house to feel like one room while securing sufficient space for their belongings at the same time, we proposed a design to connect the flooring with a height difference of 700 mm, where the different levels can be used as tables and shelves. The floors build up as two spiral shapes, joins at the living room, and then separate into two again before arriving at the rooftop deck. By using this combination of two spirals, we were able to create multiple paths inside the house that allows different room compartments and changes in the circulation, equipping the house to be able to accommodate changes in the lifestyle of the client.
The project took place in Kichijoji (one of Tokyo’s suburban towns)’s Harmonica Yokochi, a wondrous bystreet that still retains the atmosphere of black-market stalls during the post-World War II period. We designed the interior for a small Yakitori bar that sits on the edge of the street.
The site lying in the middle of the landscape where houses are layered towards Mt. Rokko. While sunny and irregular houses are lined up, there are many homes that open on the south side (sea side), and there is some kind of homogeneity. In building a house in this place, the inner wall was first set at an angle to the light on the south side (sea side), and the axis of the wall was inclined at 45 degrees on the plane. The outer wall was an elongated rectangle in the east and west to the east and west, and the wall extending 45 degrees was enclosed once with a frontage of 5.8 meters and a depth of 13 meters. As a result, the depth of 5.8 meters from the south opening is obliquely about 8.2 meters, so the light gradation appears more clearly. Also, due to the wall tilted at 45 degrees, the light crosses due to the difference in the depth of the space of the light that changes from the east to the west and the material changes, it melts and feels the dimensions of the light over the multidimensional. Moreover, it gives plans migratability, and it generates experiential depth to every direction.
This is a small house in a residential area in Bunkyo-ku Tokyo. We set large windows on the open south side and set a green screen as south facade by making planter boxes on each floor. The ceiling at the window is mirror finished, it functions as a device that green captures inside the room. The eaves were deeply attached to each floor, the void was divided by the planters. Keeping an appropriate distance with neighbors, we just imagined a meditation space that can live together with GREEN plants in small streets. We thought here is not ‘modest living’ of ‘small dwell’ but a ‘BIG LIFE’ of ‘SMALL DWELL’.